Paint Interior Paintings

In this marvelous painting I used neon acrylic pigments not thinking about composition or chromatic and I'm very pleased about the results. A little about me: what you might think i...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

This abstract painting explores the relationship between color, form, and space through the use of two dominant fields: a deep violet blue shape suggesting a mountainous contour and ...

Painting with a composition of overlapping planes and figures. The scene presents a space constructed through geometric and organic forms in relationships of crossing and continuity....

Painting on canvas featuring a central bird integrated into a landscape constructed from planes of color. The composition is organized through distinct areas that define sky, earth, ...

* Original unique fluid hand painted artwork * Ready to hang with the edges painted. * Size: 100x50X2 cm, 39.4x19.7x0.8 inches * Signed and dated on the front and back * Certificate ...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Kaori IV (...

'Sandscape' Large Abstract Oil Painting Modern British, 21st Century Titled 'Sandscape' (Tarragona 2) verso painting on board, framed Fram...

Kirsten Jackson creates vibrant abstract paintings filled with sunny color blocks, showcasing her contemporary and original style. Fiercely independent, this Australian artist aims t...

Abstract Oil Painting, Green, Blue and Gold Colour By French artist Roland Gautier, 20th Century Signed by the artist on the back of the painting Oil painting on board, framed Framed...

In creating this piece, I harnessed the vibrant chaos and serenity of nature's own contrasts. Using acrylics allowed me to layer and texturize, enveloping the canvas in a dance of sh...

The artwork Flowing Energy 37 is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. D...

This striking abstract painting features a dynamic interplay of colors and textures, commanding attention with its vertical orientation. Bold streaks of black cascade down the center...

Lake Hallwilersee is a small pearl of Switzerland. Its calm, blue waters with the surrounding hills and small, cozy corners of nature offer the perfect place for relaxati...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Morning Se...

Painting: Acrylic and enamel on Canvas. Esta obra es una explosión de energía y pasión que quise capturar con colores vivos y movimientos caóticos. Utilicé acrílico y esmalte para c...

Vintage American modernist abstract interior painting. Oil on canvas, circa 1930. No signature found. Image size, 20L x 16H. Framing available.

Oil on canvas Unframed size: 100 x 81 cm (39.37 x 31.88 in) Framed size: 107 x 88 cm (42.12 x 34.64 in) Choice of natural oak or black floater frame Year: 2025 Signed lower right Cer...

The abstract floral artwork "Flourish of Colors" by French artist Natalya Mougenot is part of her Floral series. This vibrant painting bursts with energy, capturing a rich array of c...

Ready to hang with the edges painted A beautiful large modern abstract painting, 100% handmade, made with professional varnished acrylics and Amsterdam acrylic sprays on stretched h...

Delicate blossoms unfold across a misty grey background, rendered in a wide spectrum of colors—soft yellows, whites, pinks, reds, blues, and deep greens. Applied with a palette knife...

This contemporary abstract, dynamic, and expressive piece was created by French artist Natalya Mougenot and is part of her ongoing series dedicated to abstract expressionism. Natalya...

"Floral Symphony in Color" is a vivid, expressive contemporary painting created by French artist Natalya Mougenot, and it forms part of her Floral series. In this series, Natalya ble...

"Look at a tree, a flower, a plant. Let your awareness rest upon it. How still they are, how deeply rooted in Being. Allow nature to teach you stillness." — Eckhart Tolle Potpourri ...

This artwork is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. Dimensions: 50x50X...

In this piece, I sought to capture the essence of dawn's first light—soft yet stirring, gentle yet awakening. Through the delicate application of acrylics, I layered colors to evoke ...

Richard Andres (American, 1927-2013) Naval Occurrence, c. 1963 oil on canvas signed and titled verso 24 x 32 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller designed and made the simple gold wedding ring Avis wore for their 65 years of marriage. During those 65 years neither wavered in their mutual love, nor in the respect they shared for one another’s art. The couple lived in a converted chicken coop in Missouri while Richard was in boot camp. At the camp, he would volunteer for any job offered and one of those jobs ended up being painting road signs. His commander noticed how quickly and neatly he worked and gave him more painting work to do - eventually recommending him for a position painting murals for Army offices in Panama. Until her dying day, Avis remained angry that “The army got to keep those fabulous murals and they probably didn’t even know how wonderful they were.” In Panama, their first son, Mark, was born. After Richard’s discharge in 1953, they moved back to the Cleveland area and used the GI bill to attend Kent State gaining his BA in education. The small family then moved briefly to Buffalo, where Richard taught at the Albright Art School and the University of Buffalo – and their second son, Peter, was born. Richard had exhibited work in the Cleveland May Show and the Butler Art Museum during his art school years, and during the years in Buffalo, his work was exhibited at the gallery he had so loved as a child, the Albright Art Gallery. In 1956, the family moved back to the Cleveland area and Richard began teaching art at Lincoln West High School during the day while working toward his MA in art at Kent State in the evenings. Avis and Richard, with the help of an architect, designed their first home - a saltbox style house in Hudson, Ohio, and in 1958, their third son, Max (after Max Beckmann) was born. Richard enjoyed the consistency of teaching high school as well as the time it gave him to paint on the weekends and during the summer months. In 1961, he received his MA and his daughter, Claire, was born. With a fourth child, the house was much too small, and Avis and Richard began designing their second home. An admirer of MCM architecture, Richard’s favorite example of the style was the Farnsworth house – he often spoke of how the concepts behind this architectural style, particularly that of Mies van der Rohe, influenced his painting. Andres described himself as a 1950’s...

The artwork Flowing Energy 30 is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. D...

Minimalism 39. A modern abstract painting created with drops and splashes of paint that sparkles and shimmers! The colors overlap each other and also match with different stains. Man...

In my abstract artwork, "Radiant Harmony," I engage in a spontaneous and intuitive process, allowing the paints to guide my expression without a predetermined plan. By embracing the ...

"Look at the flowers. It is simply unbelievable how happy flowers are." -Osho Ethereal Drift (100 x 100 x 4 cm / 39.4 x 39.4 x 1.6 inches) is an original acrylic painting on natural...

This piece bursts with vibrant energy and emotion, using bold acrylic strokes to create a dynamic exploration of color and movement. I poured my passion into each layer, inviting vie...

Painting Features: The original painted work with the texture in the brush strokes and the blending of true colors. Its dimensions of paint ebb and flow with wonderful motions for a ...

The artwork Flowing Energy 32 is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. D...

‘Piano Lesson’ By artist 'Virginia Campbell', 20th Century Signed and dated '1980' verso Oil painting on board, unframed Board size: 10 x 14 inches Eleg...

* Title: Fish painting * Size: 28 by 20 inches * Materials: oil, stretched canvas, palette knife * Shipping: Gallery standards packaging. shipped with tracking number, stretched in b...

The artwork Flowing Energy 39 is part of the Flowing Energy Collection. It is ready to hang with the edges painted and on the back will have two metallic hangers. Gallery quality. D...

"Blossoming Metamorphosis" embodies a unique characteristic that sets it apart from other paintings – it can be experienced both individually and in conjunction with another piece fr...

Rene Genis (French 1922-2004) Acrylic on paper mounted on mat board. Image size is 7 1/2" x 6 3/4" laid down on mat board 24" x 16". Mat board could be resized to fit your frame. ...

“Song of Spring” – Textured Vertical Abstract Painting with Natural Renewal by Michelle Thomas. “Song of Spring” is a lively original abstract expressionist painting that captures t...

Medium: Oil on linen canvas Canvas size: 50 x 50 cm (19.68 x 19.68 in) Framed size: 57 x 57 cm (22.44 x 22.44 in) Frame: American box frame (choice of black or natural wood) Year: 2025 Style: Abstract, geometric, textured Category: Contemporary Painting Technique: Palette knife, thick impasto In L’Énergie des Livres (“The Energy of Books”), French contemporary artist Sophie Dumont transforms the quiet presence of a library into a composition pulsing with rhythm and color. Organized in three horizontal tiers, this abstract bookshelf...

Artist/ School: French School, signed lower left, circa 1970's Title: The Interior. Medium: oil painting, on canvas, framed. Size: frame: 25 x 41inches painting: 23.5 x...

Dimensions (unframed): 80 x 80 x 2 cm (31.5 x 31.5 x 0.79 in) Framed dimensions: 87 x 87 x 3.5 cm (34.25 x 34.25 x 1.38 in) Color frame: light wood or black (collector's choice) This...

"dawn silence" abstract on linen canvas acrylic 100x300cm triptych The light of the sky at dawn and the silence of the foreshore. I wanted to suggest a landscape just a little inhabi...

Natalya enjoys working on abstract artworks with an expressive touch. Title: "Building a brighter future " This artwork was done with acrylic paints on a heavyweight cardboard. Glo...

The vibrant artwork "Floral Vitality" by French artist Natalya Mougenot bursts with color, featuring dynamic vertical strokes that evoke the sensation of a wild, abstract field in mo...

Elevate your space with this large original, gradient of blue, abstract painting! Made on stretched heavy canvas, the edges are painted for a polished look. The glossy varnish not on...

This artwork makes part of my small collection of abstract paintings created in various soft neutral earth tones. Main colors of this collection are grey, brown, suede, black, white....

This contemporary abstract expressionist interior painting with vivid colors was created by the French artist Natalya Mougenot. Liberty 0.2 is part of her newest body of work, the He...

This painting captures a burst of emotion through bold acrylic strokes and layered textures. I poured my passion into blending soft warmth with deep blues, evoking a dynamic tension ...

I have used oil paints to make the composition and generate relief and shapes. I want to fuse a scene of struggle between the wild feelings that emerge in situations of silence. It ...

The wisdom and silence of the forest fills us and brings us back to ourselves. The closer we are to nature, the closer we are to ourselves. I convey my feeling of unity with nature...