Nina Karasek

1925 Viennese Oil Painting Interior Still Life with Porcelain Vase, Tapestry Rug

1925

Frame measures 13.75 X 14.75, board measures 11 X 12 inches Seymour Remenick (1923-1999) American; Philadelphia, PA. Oil on canvas painting Folk Singers and musicians.Seymour Remeni...

William Meyerowitz (1887 - 1981) Oil painting on canvas Depicting a still life scene with fruit bowl, bananas, flowers and quilt. Post Impressionist oil painting. Hand signed low...

Hand signed Lower left Joseph Raskin painted still lifes throughout his career, often using them for formal and technical experimentation. Here, the artist renders a bouquet of a wide variety of flowers in a white vase, in the background the artist places a mirror where the floral arrangement is reflected in it. The artist's choice of colors is vibrant, creating contrast between the subject, and the background in the composition. Joseph Raskin was a painter, etcher, teacher, and writer and co-author with his wife, Edith, of 10 books for young adults. Mr. Raskin studied at the National Academy of Design, which awarded him several fellowships for his work. He was a member of the American Artist's Congress; Woodstock Artists Association; Audubon Artists; Artists Equity Association, NYC. He exhibited at the Salons of American Artists, 1925; Society of Independent Artists, 1930; Pennsylvania Academy of Fine Arts Annual, 1930, 1936, 1938, 1939; Association American Artists, 1945 (WPA era); Corcoran Gallery biennials, 1935, 1937; and in many galleries during those years including the Schervee Gallery, Boston in 1927, Tricker Gallery in 1939, the Schneider-Gabriel Gallery in 1941, Steinway Hall in 1942, and the American Artists Association in 1945. His awards include a European scholarship, National Academy of Design, 1921; Fellowship, Louis Comfort Tiffany Foundation, 1921. His paintings and etchings have been exhibited in galleries and institutions here and in Israel, including the New-York Historical Society, the New York Public Library, the Carnegie Institute in Pittsburgh, the Pennsylvania Academy of Fine Arts in Philadelphia, the Virginia Museum of Fine Arts in Richmond, and the Corcoran Gallery of Art and National Academy of Design, both in Washington, D.C. the Department of Labor Building, Washington DC, the Smithsonian Museum and several universities. Four of his ''West Point'' etchings were acquired by Eleanor Roosevelt for the Roosevelts' home at Hyde Park, N.Y. Fifty of his oil paintings are on display in Safed...

Jean Souverbie (French, 1891 - 1981) "Tulipes Jaunes" 1970 Oil on Canvas. Hand signed and dated ('70) lower right. Inscribed verso on canvas. Provenance Paisnel Gallery label verso, Anaf-Martinon (S.V.V.) Tableaux modernes contemporains, 01 oct 2006 Lyon, France Dimensions: Sight Size: 36.5 x 23.5 in. Overall Framed Size: 43.75 x 31 in. Jean Souverbie was a figurative painter of the French school, known for known for his cubist and modern interpretations of classical nudes, in addition to seascapes and still lifes. Born in Boulogne-Billancourt in 1891, It was a meeting with Nabis group artists Maurice Denis and Paul Sérusier in 1908 that influenced Souverbie to become an artist. An interest in the work of the classical painter Nicolas Poussin at the start of his artistic career would turn out to be an enduring one, the influence of which can be seen throughout Souverbie’s oeuvre. Souverbie enrolled at the Académie Ranson in 1916, where he befriended Pierre Bonnard, Edouard Vuillard, and Félix Edouard Vallotton. Souverbie's art style is best described as a distinctive blend of Synthetic Cubism and Classicism (also referred to as Neo-Greek or a return to order). Initially influenced by the Post Impressionist, Symbolists and Fauvist Nabi artists like Maurice Denis In the 1920’s, Souverbie turned toward cubism after the discovery of Georges Braque’s work, but the decisive turning point was reached in 1925, when he exhibited along the Section d’or at the Vavin Raspail gallery and met Charles Gleizes, André Lhote, Louis Marcoussis, and many other members of the Parisian avant-garde including Pablo Picasso who he deeply admired. This master, who had become a friend, deeply influenced Souverbie’s artistic conceptions. His nudes became more and more geometrical, their sculptural bodies echoed cubists icons of the Spanish painter. Souverbie went on to have a show of 54 Cubist paintings at the Bernheim-Jeune Gallery in 1929, which solidified his reputation as an important figure in the Parisian art scene of the 1920s and 1930s. By the 1930’s Souverbie had become renowned. He turned to the realisation of monumental works (commissions) which made him famous around the world. In 1937, he was amongst artists chosen to decorate the new Palais de Chaillot, built for the Universal Exhibition to replace the Palais du Trocadéro. Jean Souverbie taught at the Académie Julian and the École des Beaux-Arts in Paris during the 1940s. Among his best-known students are Philippe de La Hogue-Rey, Philippe Lejeune, Jean Le Merdy, Yves de Saint-Front, Georges Visconti and Pierrette Bloch. He was an important mentor figure for Francoise Gilot during her early career as she developed her own artistic style. During the second half of the 1940’s, he contributed to the decoration of 8 Art Deco ocean liners...

Well presented in a gilt effect frame. Signed and dated to the lower right. On canvas on stretchers.

Early 20th Century Still Life Oil Painting Beautiful still life painting by Irish artist Cecilia G. Loane Original oil on board Dimensions 24" wide x 20.5" high The frame measure...

Artist/ School: French School, signed Farey and dated 1925 Title: Ceramics in a Still Life Interior setting Medium: oil on board, framed Framed: 12 x 15 inches Board: 10.5 x 13.7...

Antique Oil Paintig by Willy Belling, Still Life with Flower Vase Signed lower right. Dimension measured with frame. Frame slightly damaged.