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Paramesh PaulVaranasi, Holy City, Acrylic on Canvas, Red, Yellow Contemporary Artist"In Stock"
$709List Price
About the Item
- Creator:Paramesh Paul (1970)
- Dimensions:Height: 12 in (30.48 cm)Width: 12 in (30.48 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Kolkata, IN
- Reference Number:1stDibs: LU60439360602
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Style: Farhad Hussain's colourful work that includes drawings and watercolours besides paintings on canvas, features day to day visual experiences of middle-class urban India. He endows his narrative with iconography and personality through his figuration, their posturing, dress and the surrounding imagery. The drama of subtle complexities of human relationships and social environment are grounded with a sense of satire mixed with pathos. Farhad’s colours help enhance the brightness and aura of his paintings while he also partakes elements from traditions such as the formulaic textile patterns of Indian miniatures. His compositions are often set in a familiar drawing room or a social space, playing out with humour and sarcasm, the narrative psychologies of human life and encounters at various levels. This young artist who has also experimented with sculpture has already carved a niche and an instantly recognizable individualistic style befitting his aesthetics and concerns.
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About the Artist and his works :
Born: 1975 in Jamshedpur, Jharkhand.
Education :
2003: B.F.A. in painting from Kala Bhavan, Visva Bharati University, Shantiniketan,
2005: M.F.A. in painting from M.S. University, Baroda.
Solo Exhibitions :
2009 : Presented by Pundole Art Gallery at Museum Gallery, Mumbai
2008 : ‘After the Theatre of Absurdity’, Vadehra Art Gallery, New Delhi
2007 : Art and Soul, Bombay
2006 : Sarjan Art Gallery, Vadodara & ‘Recent Paintings’, organized by Chatterjee and Lal at Jehangir Nicholson Gallery, National Centre for the Performing Arts (NCPA), Mumbai.
Group Exhibitions :
2011: 'Between Seasons', Gallery Beyond, Mumbai; Gallery Sumukha, Chennai; 'Melange', The Harrington Street Arts Centre, Kolkata; 'The Narrator, Protagonist and the Other', Indigo Blue Art, Singapore & 'New Documents: New Directions in Documentary Photography', presented by Art Konsult at Alliance Francaise de, Delhi.
2010: 'Holy Now', presented by Religare Arts Initiative, New Delhi at Gallery 27, London; 'Snow', The Palette Art Gallery, New Delhi in collaboration with Tao Art Gallery, Mumbai & 'Symbols and Metaphors', Centre of International Modern Art (CIMA), Kolkata.
2009: 'Vicissitudes of the Constructed Image', Tangerine Art Space, Bangalore; 'The Urbane Records', The Viewing Room, Mumbai; 'With the Best Intentions', presented by Anant Art at Shridharni Gallery, New Delhi & 1x1 Art Gallery, Dubai
2008: 'Review', Centre for International Modern Art (CIMA), Kolkata & 'Baroda: A Tale of Two Cities', (Part II), Sarjan Art Gallery, Vadodara
2006 ‘Concern’, The Charity Auction Exhibition, Gallery Sumukha, Bangalore; Gallery Sumukha, Bangalore and Hong Kong; Art World, Chennai and Singapore; ‘New Paradigms’, Gallery Threshold, New Delhi & ‘Baroda’s Most Wanted’, The Artist’s Studio, Vadodara
2004: Sarjan Art Gallery, Vadodara; Maharaja Sayajirao University of Baroda & Camlin Exhibition, Mumbai
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2006: ‘Most Promising Artist’, Runner up, India Habitat Centre, New Delhi
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Re Vision, Acrylic on Canvas by Contemporary Indian Artist "In Stock"
By Birendra Pani
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In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha.
The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue.
The ten canvases on display in this exhibition, features the Gopitua dancers in different situations.
The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition.
Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times.
Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society.
“I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.”
Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world.
About the Artist and his work :
BORN : 1969, Bhadrak, Odisha, India.
FINE ARTS EDUCATION :
1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda.
1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal.
1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha.
SOLO EXHIBITION IN INDIA AND ABROAD :
2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha.
2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi.
2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack.
2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda.
2011 “Re – Vision” at Aakriti Art Gallery, Kolkata.
2010 “Re – Vision” at Gallery Sumukha, Bengalore.
2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York.
2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi.
2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara.
2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi.
2005 “Echo” at Kaleidoscope Art...
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