1840s Interior Paintings
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Period: 1840s
Monk in a Monastic Cell, Roma, Italy
Located in Stockholm, SE
Egron Lundgren (1815–1875)
Monk in a Monastic Cell
signed and dated Egron Lundgren Rom 1848
oil on relined canvas
unframed 62 x 50 cm (24 ½ x 19 ¾ in.)
framed 79 x 68 cm (31 x 26 ¾...
Category
Old Masters 1840s Interior Paintings
Materials
Canvas, Oil
Interior of a Kitchen, c. 1840
Located in Stockholm, SE
Egron Sellif Lundgren (1815–1875) Sweden
Interior of a Kitchen, c. 1840
oil on paper laid on cardboard,
inscribed “Lundgren Nr. 15” on the reverse.
unframed 27.5 x 20.5 cm (10 ¾ x ...
Category
Old Masters 1840s Interior Paintings
Materials
Paper, Oil, Board
Attilla
A Chestnut Horse in a Stable. Oil on canvas
Located in St. Albans, GB
Canvas Size: 28 x 36" (71 x 91cm)
Outside Frame Size 36 x 44" (91 x 111cm)
It is signed on the middle right on the wooden window.
This is a stunning painting of a racehorse signed and dated J F Herring Sen 1842. The horse is named above the water trough as Attilla. As Herring was a renowned painter of racehorses it is likely that this was done for a wealthy patron who owned several. Although he painted many of the winners of the St. Ledger Cup Attilla was not one of these.
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John Frederick HERRING Snr
1795 – 1865
A sporting painter, born in Surrey of American/Dutch extraction. At first he was a sign and coach painter. He then worked as a stable boy and coachman in Yorkshire until with the help of patrons he was able to study with Abraham Cooper RA, the only art education he appears to have had.
He specialised in racing subjects and his few hunting scenes are rare. Herring painted the start of the 1844 Derby, which became known as ‘the dirtiest Derby in history’. He sometimes collaborated with his three sons, J.F.Jnr, Benjamin Jnr and Charles. He also collaborated with James Pollard on a number of racing scenes inc. ‘The Doncaster Gold Cup’, 1838, ‘The Emperor of Russia’s Cup at Ascot’ 1845 and ‘The Dead Heat for the Doncaster Great St. Ledger’ 1849
Herring painted 33 successive winners of the St. Ledger and not surprisingly lived a large part of his life in the Doncaster area before settling in Newmarket in 1830 and then in London in 1835. He suffered serious financial difficulties after his move to London which, thanks to a great friend and patron William Taylor Copeland (1797 – 1868) head of the Spode Porcelain factory at Stoke on Trent, was resolved.
He painted many pictures of the Copeland family, some of which were adapted and used as designs on the Spode china...
Category
Victorian 1840s Interior Paintings
Materials
Oil
A Gentleman Reading to a Lady in an Interior
. Antique painting Roqueplan
Located in St. Albans, GB
Camille Joseph Etienne ROQUEPLAN
1803 - 1855
A fantastic oppotunity to buy a piece by Camill Roqueplan.His works do not come up often in auction but in 1989 one reached FF 200 000....
Category
French School 1840s Interior Paintings
Materials
Oil
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