Impressionist Interior Paintings

Runswick Bay [2022] Runswick Bay, is an original seascape painting by Malcom Ludvigsen. It’s a proper plein-air oil painting, painted on the spot at Runs...

Painted by Nelson H. White, in his studio. A single yellow rose stands as the focal point in a small 6 x 4 inch panel. Poking out of a glass bottle, against a dark background, shades...

Peri Taylor. Four Mile Beach- acrylic on Canvas. I spent a wonderful couple of hours sketching for this painting of Four Mile Beach, soaking up the tranquility and beauty I was sur...

Signed figures in interior oil on panel by French impressionist painter Jean-Francois Raffaelli. The piece depicts two old men seated in an interior. One is reading his paper as the other naps and there are several kittens on the floor. Painted in the artist's distinctive style. Signature: Signed lower left Dimensions: Framed: 9.5"x8" Unframed: 5.5"x4" Provenance: Brame & Lorenceau have confirmed the authenticity of this work and it will be included in the digital catalogue raisonne of the painter which is under preparation A certificate of authenticity fromBrame & Lorenceau accompanies this painting Private collection - United States Original artists label verso Jean-François Raffaëlli's father was a failed Italian businessman and Raffaëlli himself was, among other things, a church chorister, actor and theatre singer. He then studied under Gérôme at the École des Beaux-Arts in Paris. He travelled to Italy, Spain and Algeria and on his return to France settled in Asnières. In 1876, on a trip to Brittany, he first saw the potential of realist subject matter, if treated seriously. He became involved in meetings of artists at the Café Guerbois, where the Impressionist painters used to gather. As a result, Degas, contrary to the advice of the group, introduced Raffaëlli to the Impressionist exhibitions - according to one uncertain source as early as the very first exhibition, at the home of Nadar, and certainly to those of 1880 and 1881. In 1904, Raffaëlli founded the Society for Original Colour Engraving. He first exhibited at the Salon de Paris in 1870 and continued to exhibit there until he joined the Salon des Artistes Français in 1881, where he earned a commendation in 1885, was made Chevalier of the Légion d'Honneur in 1889 and in the same year was awarded a gold medal at the Exposition Universelle. In 1906 he was made Officier of the Légion d'Honneur. He was also a member of the Société Nationale des Beaux-Arts. In 1884, a private exhibition of his work cemented his reputation. He contributed to several newspapers such as The Black Cat (Le Chat Noir) in 1885 and The French Mail (Le Courrier Français) in 1886 and 1887. He published a collection entitled Parisian Characters, which captured his favourite themes of the street, the neighbourhood and local people going about their lives. In 1880 he participated, with Forain, on the illustration of Joris Karl Huysmans' Parisian Sketches (Croquis Parisiens). He also illustrated Huysman's Works. As well as working as an illustrator, he also made etchings and coloured dry-points. His early attempts at painting were genre scenes, but once he was settled in Asnières he started to paint picturesque views of Parisian suburbs. From 1879 onwards, his subject matter drew on the lives of local people. These popular themes, which he treated with humanity and a social conscience, brought him to the attention of the social realist writers of the time such as Émile Zola. In addition to his realist style, Raffaëlli's dark palette, which ran contrary to the Impressionist aesthethic, helped to explain the opposition of those painters to his participation in their exhibitions. More concerned with drawing than colour, he used black and white for most of his paintings. Towards the end of his life, he lightened his palette, but without adopting any other principles of the Impressionist technique. After painting several portraits, including Edmond de Goncourt and Georges Clémenceau, he returned to genre painting, particularly scenes of bourgeois life. Later in his career, he painted mainly Breton-inspired sailors and views of Venice. His views of the Paris slums and the fortifications, sites which have almost completely disappeared, went some way towards establishing a genre in themselves and perpetuated the memory of the area: The Slums, Rag-and-Bone Man, Vagabond, Sandpit, In St-Denis, Area of Fortifications. His realistic and witty portrayal of typical Parisian townscapes accounts for his enduring appeal. Born in Paris, he was of Tuscan descent through his paternal grandparents. He showed an interest in music and theatre before becoming a painter in 1870. One of his landscape paintings was accepted for exhibition at the Salon in that same year. In October 1871 he began three months of study under Jean-Léon Gérôme at the École des Beaux-Arts in Paris; he had no other formal training. Raffaëlli produced primarily costume pictures until 1876, when he began to depict the people of his time—particularly peasants, workers, and ragpickers seen in the suburbs of Paris—in a realistic style. His new work was championed by influential critics such as J.-K. Huysmans, as well as by Edgar Degas. The ragpicker became for Raffaëlli a symbol of the alienation of the individual in modern society. Art historian Barbara S. Fields has written of Raffaëlli's interest in the positivist philosophy of Hippolyte-Adolphe Taine, which led him to articulate a theory of realism that he christened caractérisme. He hoped to set himself apart from those unthinking, so-called realist artists whose art provided the viewer with only a literal depiction of nature. His careful observation of man in his milieu paralleled the anti-aesthetic, anti-romantic approach of the literary Naturalists, such as Zola and Huysmans. Degas invited Raffaëlli to participate in the Impressionist exhibitions of 1880 and 1881, an action that bitterly divided the group; not only was Raffaëlli not an Impressionist, but he threatened to dominate the 1880 exhibition with his outsized display of 37 works. Monet, resentful of Degas's insistence on expanding the Impressionist exhibitions by including several realists, chose not to exhibit, complaining, "The little chapel has become a commonplace school which opens its doors to the first dauber to come along."An example of Raffaëlli's work from this period is Les buveurs d'absinthe (1881, in the California Palace of Legion of Honor Art Museum in San Francisco). Originally titled Les déclassés, the painting was widely praised at the 1881 exhibit. After winning the Légion d'honneur in 1889, Raffaëlli shifted his attention from the suburbs of Paris to city itself, and the street scenes that resulted were well received by the public and the critics. He made a number of sculptures, but these are known today only through photographs.[2] His work was also part of the painting event in the art competition at the 1912 Summer Olympics. In the later years of his life, he concentrated on color printmaking. Raffaëlli died in Paris on February 11, 1924 Museum and Gallery Holdings: Béziers: Peasants Going to Town Bordeaux: Bohemians at a Café Boston: Notre-Dame; Return from the Market Brussels: Chevet of Notre-Dame; pastel Bucharest (Muz. National de Arta al României): Market at Antibes; Pied-à-terre Copenhagen: Fishermen on the Beach Douai: Return from the Market; Blacksmiths Liège: Absinthe Drinker...

Elegant Still Life of Pink Flowers French School, signed and dated Signed and dated '87' by the artist on the lower right hand corner Oil painting on canvas, unframed Canvas size: 25.5 x 20 inches Exquisite still life of a dressed table...

Two Ladies Working at the Kitchen Table - Oil Painting Impressionist By J.B.Holmes, British artist, 20th Century Oil painting on board, unframed Board size: 10x12 inches This impr...

Still Life Oil Painting of a Clock By J.B.Holmes, British artist, 20th Century Oil painting on board, unframed Board size: 12x10 inches This sweet observation of a mantel piece clock...

Lovely 1950's British oil painting capturing these soft, pastel shades of color, flowers in a vase. The painting dates to 1957 and is by the British artist, S. F. Jennieson (signed a...

The sunny winter painting is filled only with positive energy and emotions.A beautiful play of sunlight and purple shadows create the magical atmosphere of winter. The picture is au...

Carol Stewart Nasturtiums and Patterns oil on paper on panel 40h x 30w x 1.50d in 101.60h x 76.20w x 3.81d cm CST017 Through her ethereal and often dreamlike paintings Carol Stewart...

The Lord, having created a horse, said to her: Not a single animal can be compared with you; all earthly treasures lie between your eyes. You will trample my enemies and haul my frie...

Suchitra Bhosle's "Mystic" is an original, handmade oil painting that depicts a brunette woman, in all white, holding a white sheet behind herself as her gold jewelry glows in the da...

Black & Blue [2021] original Oil Paint on Board Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:.6cm Frame Size: H:54 cm x W:54 cm x D:1.8cm Sold...

In this oil painting, I embraced expressionism and surrealism to weave a tapestry of raw emotion and symbolic narrative. The vigilant eye cradling a solitary figure under a glaring h...

In this vibrant fusion of acrylic and oil, I've captured the raw energy and beauty of nature. The impressionist strokes evoke a sense of movement, while the expressionist colors stir...

Selsley Church, Gloucestershire By Max Panks [2021] original Watercolour on Paper Image size: H:33 cm x W:49 cm Complete Size of Unframed Work: H:36 cm x W:51 cm x D:0.1cm Sold Unfr...

The greens are blooming. Cardboard, oil, 48x67 cm Spring beginning by the river. Landscape with threes

Daffodils, Snowdrops and Grape Hyacith [2020] Original Still Life Oil Paint on Canvas Complete Size of Unframed Work: H:51 cm x W:41 cm x D:19cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Daffodils, Snowdrops and Grape Hyacith is an original painting by Deborah Windsor...

"The picture was painted with a palette knife and a brush on canvas . (handmade) In this vibrant fusion of expressionism and impressionism, I've joyfully layered acrylics and oils t...

"(Sold with white frame! But if the frame is not needed, I will send it without a frame!) This vibrant artwork is a symphony on canvas, where each stroke sings with the passion of ex...

"Carpathian Autumn Forest'' Size 13 x 20 inches (32 x 50 cm). Original watercolor painting - painted on watercolor paper (Arches). Need a decorative frame. On the front side in the...

Technique (canvas handmade) The picture was painted with a palette knife and a brush on canvas . (handmade) I poured my soul into this canvas, blending vibrant acrylics and oils to...

Abundance by Lu Haskew Floral Still Life Oil painting featuring sunflowers in a blue vase. 24x18" image size 28x22" framed size Shipping price includes the custom packing necessary...

In my vibrant work, I've layered acrylic and oil to capture the raw emotion and fleeting beauty of nature's blooms. It's an expression of joyous energy and the delicate dance of ligh...

In a symphony of vibrant strokes, my brush danced with acrylics, oils, and oil pastels to breathe life into this canvas. Infused with the spontaneous energy of expressionism and the ...

In this vibrant fusion of acrylic, oil, and oil pastel, I've unleashed an emotional symphony, capturing the raw beauty of blooms through an impressionist's heart and an expressionist...

My Roses with Peaches by Teresa Vito 20x16" oil Floral Still Life Bouquet of Roses surrounded by a table full of peaches Signed lower right ABOUT THE ARTIST: Teresa Vito's paintings reflect the beauty she sees all around her. She loves painting living energy, whether it is the outdoor landscape, berries and flowers picked for a still life, or the unending variety of the human face. Vito has been a full time oil painter since 1992. She currently lives in Pueblo, Colorado. Vito has won numerous national and regional awards including an Award of Excellence, Best Portrait and Best Still Life Awards from Oil Painters of America. She also received the Best of Show award from the Artists of Colorado Exhibition held at the Colorado History Museum. Teresa Vito grew up in a one store town in upstate New York. She had never met an artist or had gone to an art gallery until she went to college. She chose to major in art because she loved to draw. College offered no clue as to how to become an artist so she decided to try to figure it out on her own. With $250 and a train ticket to Denver (she had never been west of Ohio) carrying a suitcase, a purse and a portfolio of nude drawings, Vito began her artistic journey. During her twenties she did every job she could find that was art related. Vito worked in a frame shop and gallery, at art supply stores, made posters and newspaper advertisements and created display windows in downtown Denver. The year the Art Students League in Denver opened, she maneuvered a job there running a small art supply store. It was here she found out about the world of Artist's Workshops. Vito learned as much as she could looking through the door of the many classes taught by master artists, who were in fact making a living with their art. With this inspiration Vito saved up enough money in 1992 to live cheaply for a year and become a full time artist. She has never looked back and strives to continue to be the best possible painter she can be. She now teaches workshops with gratitude and generosity, to share in all that she has learned. Vito has a BA in Fine Art from the State University of New York at Geneseo and has taught and studied at the Art Students League at Denver and the Loveland Academy of Fine Arts. She has expanded her knowledge by taking numerous workshops over the years with artists Quang Ho, Ramon Kelley...

A still life oil painting of colorful flowers arranged in an assortment of vessels. Hues of pink, yellow, purple, and orange flutter throughout the canvas, a wild jungle of colorful ...

Venice is beautiful and beautiful, it serves as an excuse for humanity before the Creator! The painting was presented at an exhibition at Ankara Bilim University in 2023

In this whirlwind of color and form, I've harnessed acrylics, oils, and pastels to weave a cosmos of emotion and thought. My strokes dance between abstract and symbolic realms, captu...

In this painting, I've poured my soul into capturing the raw emotion and movement of the water, cradling the vibrant boats that seem to dance upon its surface. The materials - acryli...

Samovar,Breakfast on the lawn, green, we send the work anywhere Shipping included OLGA BOGAEVSKAJA (Moscow, 1916 – St. Petersburg, 2000) Works by Olga Bogaevskaja can be found in va...

In this painting, I've blended acrylics, oils, and pastels, embodying the spirit of expressionism and impressionism. The vivid hues and dynamic strokes capture lively boats, stirring...

Painting 4 from the series "Lilies" in continuation of the artistic study of the process of creation and withering of nature. The painting was presented at a personal online exhibiti...

In the painting, the artist depicted a waterfall located in Norway. This painting is a memory of travel and a picture of admiration and surprise at the power and beauty of nature.

"Observing the greatness of nature, the artist wondered how such beauty could have been created at all, how and by whom. This question is beyond the control of reason, but you can tr...

"Observing the greatness of nature, the artist wondered how such beauty could have been created at all, how and by whom. This question is beyond the control of reason, but you can tr...

Julia Adams #ihavethisthingwithflowers Original Interior Painting Mixed Media on Canvas Canvas Size: H 80cm x W 80cm Framed Size: H 81.5cm x W 81.5cm x D 3.5cm Sold Framed in a White...

In this piece, I've poured my heart into an abstract symphony of color and emotion, utilizing acrylics, oil, and oil pastel to craft a textured, layered work. It's a narrative withou...

In this vibrant piece, I've merged the fluid grace of koi with an explosion of autumn's palette, creating a dance of color and motion. Using acrylics and oils with touches of pastel ...

Yana Beylinson's (US based) "Bodegon" is an oil painting that depicts a still of a kitchen counter stacked with a Pellegrino bottle, a pink spray bottle, a yellow pear, and a white m...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "White Transparent Apples" presents a scene suffu...

This painting will come to you stretched on a wooden stretcher and completely ready to be placed in the interior. ABOUT THE ARTWORK "I Am Strong" is a visual testament to the enduri...

In this fusion of acrylic and oil, I've unleashed a symphony of colors, capturing the vibrant essence of a sea harbor at dusk. The swirling expressionist strokes and delicate impress...

In this painting, I've melded acrylics and oils to create a passionate symphony of colors, where the rain-drenched streets spring to life. Blending expressionism with touches of impr...

In this canvas, I layered acrylics and oils to capture the transformative energy of nature as it embraces winter. My brushstrokes dance with color, inviting impressionistic glimpses ...

In my creation, I've poured my soul into capturing the tranquil essence of the sea meeting the sky's embrace. The dance of acrylic under impressionist strokes tells a tale of serene...

Sail Parade In this vibrant fusion of acrylic and oil, I've embraced the impressionist ethos to evoke the dynamism of a regatta. The canvas pulses with life; vivacious hues leap forth, mimicking the restless sea and sails that dance with the wind. This piece encapsulates the joy of movement, a symphony of color that promises to flood any space with the exhilarating spirit of freedom...

NEW IMAAGES COMING SOON. In the Louvre displays the American Impressionistic Style . The artist describes himself as one of the New Orientalists a traveling painter in the modern world. Art has always been his passion. His subjects vary but his favorite is The Traveling Painter as seen in the Impressionist painting Inside the Louvre which was painted in Paris. In the Louvre shows the visual approach such as light and Shadow, Local Tone, Color, etc. or in the visual design shapes, values, color of the painting. 2nd Place, Non-commissioned Category, Portrait Society of America, Member's Only Competition, December 2019 Figurative Honorable Mention, Oil Painters of America, 2019 National Juried Exhibition, Illume Gallery of Fine Art, Saint George, Utah, May 2019 Finalist, Non-commissioned Category, Portrait Society of America, Member's Only Competition, December 2018 Honorable Mention, American Impressionists Society, National Juried Show, Abend Gallery, Denver, CO, October 2014 Paint-out Winner, Oil Painters of America, 2012 Western Regional Show, Gallery 1261, Denver, CO, October 2012 Juror’s Top 60 Award, Salon International, 2010 National Juried Exhibition, Greenhouse Gallery, San Antonio, TX April 2010 Best Figurative Narrative Award, Salon International, 2007 National Juried Exhibition, Greenhouse Gallery, San Antonio, TX, June 2007 Zhiwei Tu...

In this painting, I've blended the raw emotions of expressionism, the gentle touch of impressionism, and the grounded reality of realism. Through the dance of acrylic and oil, I aime...

I've woven my dreams onto this canvas, blending acrylic, oil, and pastel to express the yearning for exploration. My strokes dance between expressionism and impressionism, evoking th...

In my creation, I've captured the wild essence of freedom and the dynamic energy of life. Through vigorous strokes of acrylic and oil, I've melded expressionism with impressionism, g...

In this painting, I've passionately blended acrylic and oil to capture a serene harbor at the cusp of fall. The essence of expressionism and impressionism dance...

II've woven my dreams onto this canvas, blending acrylic, oil, and pastel to express the yearning for exploration. My strokes dance between expressionism and impressionism, evoking t...

In this vivid fusion of acrylic and oil, I've captured the raw energy of the sea clashing against the stoic rocks, framed by a dynamic sky. My brushstrokes dance between realism and ...

In this painting, I've blended the raw emotions of expressionism, the gentle touch of impressionism, and the grounded reality of realism. Through the dance of acrylic and oil, I aime...

In creating this piece, I dove into the essence of tranquility, merging the vivacity of abstract expressionism with the subtle nuances of impressionism. The acrylic and oil mediums i...