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E. Kohn - Mid 20th Century Oil, Church Interior

20th Century

A fine, colourful study of a church interior by the artist Pamela Chard. Well presented in a distress-effect wood frame. Unsigned. On canvas board.

A charming depiction of a continental church with with a figure foraging in the surround grounds. Signed to the lower right. Inscribed with artist name and date verso. Presented in a...

A charming early 20th century oil depicting Saint Stephen's Church in Nijmegen, the Netherlands. The town square is flocked with people as the impressive architecture looms over on a...

A charming study of a European church in snowy midwinter. The artist captures the midday sun reflecting from the church's facade through the bare trees. The loose, expressive style a...

Interior of a Church is an original painting realized by Hermann Corrodi. Original oil on canvas with a contemporary wooden frame included. Hermann David Salomon Corrodi...

Emilio Trad (Argentinian, b. 1953) Untitled (Church), 1978 Oil on board 18 1/4 x 14 in. Framed: 25 3/4 x 22 1/4 in. Signed lower left: Trad Signed and date...

Original oil painting by Donald K Ryan. Donald K Ryan’s work spans mostly from the 80s to the early 2000s. Throughout his career he was juried into more than 40 local, regional, nat...

Early 20th century English oil painting of a chapel by Frank Moss Bennett English, 1918 Canvas: Height 35cm, width 25cm Frame: Height 57cm, width 47cm, depth 6cm This atmospheric oil on canvas by noted English painter Frank Moss Bennett (1874–1952) captures the quiet beauty of the Martyn Chapel within St Mary’s Church, Puddletown, Dorset. Known for his affinity for architectural subjects and historical scenes, Bennett presents here a masterful interpretation of medieval ecclesiastical design. Executed in November 1918, the painting demonstrates Bennett’s refined technique and keen eye for architectural accuracy. His skill in manipulating colour and light is evident throughout the work, particularly in the vivid portrayal of the chapel’s stained-glass window. Multicoloured light dances across the aged stonework, adding warmth and depth to the sacred interior. St Mary’s Church, originally built during the Norman period, retains many 12th century features alongside elements from later restorations. Bennett was deeply inspired by Dorset’s heritage buildings and natural scenery, and this location featured frequently in his body of work. The canvas is presented in a richly carved giltwood frame. It is signed and dated ‘FMB / Nov 1918’ at the lower right and inscribed on the reverse with the title ‘The Martyn Chapel, St. Mary’s, Puddletown’. An artist’s biography is also affixed to the back. This fine example of early 20th century British painting...