Konnie Kim

HALF A DOZEN, Painting, Oil on Canvas

2016

This artwork is painted on a canvas panel. It is sold unframed. :: Painting :: Impressionist :: This piece comes with an official certificate of authenticity signed by the artist :: ...

My paintings are based on studies I painted on location and photographs I captured while traveling and wandering in nature, The painting was created using professional quality oil pa...

This painting was created using only professional quality paint on a 100% cotton canvas panel. It comes with artist signed Certificate of Authenticity. It is sold unframed and it wil...

The painting was created using professional quality oil paints on a 100% cotton canvas panel. It is singed on the front and back and it comes with signed Certificate of Authenticity....

The lemon is more than just a fruit—it’s a symbol of awakening. Its sharp, vibrant taste instantly grabs your attention, jolting you back into the present moment. Even the scent of a...

Contemporary figurative painting

Genevieve Hamel Total Attraction Oil on Wood Panel Year: 2022 Size: 36x24x1.625in Signed by hand COA provided Ref.: 924802-1395 A bouquet of flowers interpreted with heavy palette k...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...