Abram Molarsky

Gloucester Harbour - American Impressionist Landscape Oil by Abram Molarsky

c.1920

Signed and dated oil on board landscape by French post impressionist painter Paul Madeline. This beautiful work depicts a view of the picturesque port of Doelan in Britanny, France. ...

Fauvist signed oil on canvas riverscape circa 1920 by French post impressionist painter Robert Antoine Pinchon. The work depicts a view of the R...

Signed oil on canvas landscape by American impressionist painter William Samuel Horton. The piece depicts a nighttime view of Pontarlier, a commune in eastern France near the Swiss b...

Signed figures in landscape oil on board by Australian-American impressionist painter Richard Hayley Lever. The work depicts brightly coloured sailing boats in the harbour of St Ives...

Artist: Harry H. Howe Title: Wharf - Gloucester, Massachusetts Medium: Oil on board, signed lower right Size: 6 x 7.5 inches Frame Size: 7.5 x 9.25 inches

Jim’s of Lambertville is proud to offer this artwork. Signed lower right. Complemented by a hand carved and gilt frame. Henry Bayley Snell (1858 - 1943) Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill. Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City. The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four. Henry Snell earned an international reputation as an artist for his paintings of Cornwall...

Emile Gruppé beautifully captures a busy Gloucester harbor scene with fishermen tending to their boats—a signature subject for the artist. This example is pre-1945. Gruppé was reno...

Painting Size (unframed): 14" x 16" Framed Size: 21" x 23" Signature: Signed lower right This atmospheric harbor scene by James Jeffrey Grant capt...