Albert Lechat

The town crier s shop in Arras

Circa 1900

Jean-Victor Bertin and workshop (Paris 1767 - 1842) Landscape of the Île-de-France region Oil on canvas H. 38 cm; W. 46 cm Related work: painting of the same composition held at the...

Louis-Alexandre CABIÉ (Dol-de-Bretagne 1853 - Bordeaux 1939) Farmyard in Andernos Oil on panel H. 39 cm; L. 52 cm Signed lower right and dated 1889 Louis Cabié, renowned artist in F...

Robert DESSALES-QUENTIN (Brantôme 1885 - 1958) Large view of Treignac - Corrèze Oil on wood H. 82.5 cm; L. 123 cm Signed lower right Provenance: Private collection, Périgueux Rober...

Joseph LÉPINE (Rochefort 1867 – Paris 1943) The Church of Caillac - Lot Oil on cardboard H. 33 cm; W. 41 cm Signed lower left Joseph Lépine quickly moved to Bordeaux, where he studied under Louis-Alexandre Cabié, a well-known landscape painter in the region and teacher of many early 20th-century artists. Despite the master's warnings, he sought to confront the Parisian modernity of the late 19th century and discover Impressionist and even early Post-Impressionist styles. There, he became a student of the neoclassical painters Courtois and Girardot, both former students of the great Jean-Léon Gérôme. In 1897, he exhibited at the Salon, where he sent landscapes of Provence. He became a member of the Société des Artistes Indépendants in 1905, the same year that the Fauves Matisse, Derain, and Vlaminck participated in and became known at the Salon d'Automne. A purchase by the French government of the 1908 Salon des Indépendants, "Vieille boutique," now housed at the Menton Museum, officially launched his career. He exhibited that year in London at the Royal Albert Hall, at the invitation of the Allied Artists' Association, demonstrating the painter's distinguished status within the international art scene. In Paris, the artist met several well-known painters of the time in the Montmartre and Montparnasse neighborhoods, including Matisse and Signac. His painting is based in particular on his approach to material, light, and color, whose juxtapositions present a play of saturation and composition based on apparent reserves. After the First World War, Lépine returned more to his home region, where he painted landscapes around Bordeaux and up the Dordogne River to the charming landscapes of the lower Corrèze. He painted Beaulieu-sur-Dordogne, Argentat, and also the Lot region, with the built-up escarpments of Saint Circq Lapopie. The city of Bordeaux and the French government acquired two of his works, representing a landscape near Verdelais and a view of the Saint-Michel Church in Bordeaux, in 1939 and 1941. Considered today a very important figure in Bordeaux painting...

Stanley Anderson 1884-1966 Drypoint, signed out of the image bottom centre Image size: 9 x 11 inches (22.8 x 28 cm) Acid free mount Alfred Charles Stanley Anderson CBE RA was a Brit...

This realistic oil captures the vibrant atmosphere of a street in Ghent, Belgium. The composition is dominated by a majestic clock tower, surrounded by charming architecture and bust...

Signed illegibly and inscribed with location. Monograph to the reverse on the canvas with initials V. M. G. Presented in a gilt frame with a cotton slip. On canvas.

Letitia Marion Hamilton Irish, (1878-1964) Gateway, Semur Oil on canvas, signed, inscribed on verso 'Gateway, Semur by Letitia Marion Hamilton of Fonthill Palmerstown, Dublin’ Image size: 24 inches x 20 inches Size including frame: 33 inches x 29 inches A lovely painting of the town of Semur-en-Auxois, France by Letitia Marion Hamilton. The work with its airy lightness shows figures outside a grocers shop next to the Guillier Gate showing a glimpse of the central square of the famous medieval town. The use of white pigment in her colours applied in a thick impasto was a trademark of her work. Letitia Marion Hamilton was born in Dunboyne, County Meath on 30 July, 1878, the daughter of Charles Hamilton and Louisa Brooke. She came from a family of famous Irish women artists: her great-grandmother was Caroline Hamilton (1771-1861), her elder sister Eva Hamilton (1876-1960) was also a talented painter, and her cousin Rose Maynard Barton (1856-1929) was a townscape and watercolour artist. The family lived at Hamwood, Dunboyne, Meath in Ireland. She trained at the Metropolitan School of Art, Dublin alongside her sister Eva under Sir William Orpen (1878-1939) before attending the Slade School of Art where she was taught by Sir Frank Brangwyn (1867-1956). She made her debut at the Royal Hibernian Academy in 1909 where she continued to exhibit regularly. In 1912, she was awarded a silver medal by the Dublin school and received another from the Board of Education National Competition. After the death of her father in 1913, she and her family moved to 40 Lower Dominick Street in Dublin, later living at Monasterevin, in Co. Kildare. By 1920, they had relocated to Font Hill in Palmerstown, Dublin. In the same year, Hamilton formed the Society of Dublin Painters together with Paul Henry, his wife Emily Grace Mitchell...