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Albert MarquetLe Bateau Rouge a Alger - Post Impressionist Seascape Oil by Albert Marquet1932
1932
$114,414.14
£83,335
€97,954.64
CA$158,640.36
A$170,604.42
CHF 91,222.51
MX$2,057,440.79
NOK 1,153,571.11
SEK 1,051,051.80
DKK 731,938.29
About the Item
Signed oil on board seascape by French fauvist painter Albert Marquet. The piece depicts a view of the Mediterranean sea from the city of Algiers, the capital city of Algeria. In the foreground is a moored red boat and to its right is a large steam boat. From there the crystal blue water of the sea extends all the way to the horizon.
Signature:
Signed lower right
Dimensions:
Framed: 19.75"x23"
Unframed: 12.75"x16"
Provenance:
Galerie Aktuaryus, Zurich (likely purchased directly from the artist)
The collection of Baron Heinrich von Thyssen - The Thyssen-Bornemisza Collection
Sotheby's, London, 30th November 1988, lot 295
Sotheby's, London 25 June 2002, lot 152
Sotheby's, London, 27 February 2019, lot 264
Hampel Fine Art Auctions, Munich, 30 March 2023, lot 487
This work is recorded in the catalogue raisonne of the painter "Albert Marquet , L'Afrique du Nord - Catalogue de l'oeuvre peint" J.-C. Martinet
G. Wildenstein I-156
Albert Marquet (French, 1875–1947) was a painter and prominent member of the Fauvist movement. Marquet was born in Bordeaux, and moved to Paris as a teenager to attend the Ecole des Arts Decoratifs, where he met and formed a close friendship with fellow artist Henri Matisse. After transferring to the Ecole des Beaux Arts, Marquet studied under symbolist artist Gustave Moreau, whose artistic philosophy would inspire many of the most important young artists of the early 20th century.
Marquet’s early paintings were expressive and brightly colored, much like the work of his contemporaries, which included Maurice de Vlaminck (French, 1876–1958), André Derain (French, 1880–1954), and Raoul Dufy. In 1905, he, along with Matisse, Dufy, and several others, exhibited at the Salon d’Automne, where the descriptor fauves (wild beasts) was first coined in reaction to the intense coloration in the paintings on display.
As Marquet’s approach to painting evolved, he began experimenting with a more naturalistic style, frequently depicting the landscapes surrounding Paris. He continued to use strong colors in his works, but, unlike Matisse, he frequently favored a muted palette of grays and light blues, more closely associated with the Impressionists. He traveled extensively throughout his life, painting the ports and beaches of Normandy, Venice, and North Africa.
Today, his works can be found in the collections of major institutions, including the Art Institute of Chicago in Chicago, IL; the Hermitage Museum in St. Petersburg, Russia; and The Museum of Modern Art in New York, NY.
Marquet died in northern France at the age of 71.
- Creator:Albert Marquet (1875-1947, French)
- Creation Year:1932
- Dimensions:Height: 19.75 in (50.17 cm)Width: 23 in (58.42 cm)
- Medium:
- Movement Style:
- Period:
- Condition:Very good condition.
- Gallery Location:Marlow, GB
- Reference Number:Seller: LFA01761stDibs: LU415317097712
Albert Marquet
Albert Marquet was born in Bordeaux in 1875. He studied at the School of Decorative Arts in Paris from 1890-1894, where he became friends with Henri Matisse. He continued his studies at the School of Fine Arts in the studio of Gustave Moreau, from 1895-1898. Albert Marquet paints landscapes and post-impressionist nudes that become more and more colourful and simplified; he expresses himself - following the example of Matisse - in pure tones. At the beginning of the century Modern artist Marquet exhibits in the Parisian Salons (the Salon des Indépendants, the Salon d’Automne) and takes part in numerous art events organised abroad (Russia, the United States, etc.). Marquet meets Dufy and Camoin. He is present at the famous ‘Cage aux Fauves’, that makes a scandal at the Salon d’Automne in 1905; at this time he paints canvases with forms surrounded by black, representing portraits, the Normandy beaches or animated scenes. The artist represents the Seine, often views seen from above and creates variations of themes by changing the time of day and using different lighting. His first solo exhibition is organized in 1907 at the Druet Gallery in Paris. At the beginning of the 1910’s, Marquet paints a series of realistic female nudes. He is unfit for military service in 1914. From the 1920’s until the 1940’s, Albert Marquet takes numerous trips to Europe and Africa that are for him, sources of inspiration in his art, a means for the man to see and learn about other cultures. Albert Marquet’s theme of predilection is his landscapes close to the water (the sea, lake, or river), landscapes that he treats using soft tones that are dominantly grey. Albert Marquet, a sensitive man often well-liked for his modesty, died in 1947 in Paris.
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