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Alexandra PaculaSTREET GLYPHS - Realism / Contemporary / Cityscape / NYC2023
2023
$24,000
$30,00020% Off
£18,288.44
£22,860.5620% Off
€21,091.63
€26,364.5320% Off
CA$34,087.18
CA$42,608.9720% Off
A$36,624.77
A$45,780.9720% Off
CHF 19,649.12
CHF 24,561.4020% Off
MX$431,482.03
MX$539,352.5420% Off
About the Item
Original Oil Painting by Alexandra Pacula
Alexandra Pacula (b. 1979, Poland) is a cityscape and landscape artist, focusing on realism through oil painting. She received her BFA from the Mason Gross School of the Arts at Rutgers University, completing her MFA in painting and drawing at Montclair State University in New Jersey.
Pacula is fascinated by light and its transformations. About her painting she says, “My work investigates a world of visual intoxication; it captures moments of enchantment, which are associated with urban nightlife… I recreate the feeling of dizziness and confusion by letting the paint blur and allowing shapes to dissolve. I suggest motion in order to slow down the scene and capture the fleeting moments, which tend to be forgotten.”
Alexandra Pacula’s work is in several public and corporate collections, including Harvard Law School, PACE University, and Tohokushinsha Film Corporation in Tokyo. She has frequently exhibited in solo and group exhibitions.
- Creator:Alexandra Pacula (American)
- Creation Year:2023
- Dimensions:Height: 60 in (152.4 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU27713785292
Alexandra Pacula
Alexandra Pacula paints works exploring the dynamic energy of cities at night. Polish-born, New York-based Pacula simulates the city’s turbulent nocturnal energy with a lexicon of marks all her own; her virtuosic brushwork, vibrant color and fluid gestures transform moving cars into glossy bands of red, while swishy circles become reflective air ducts that sit atop squares of black rooftops. The lines of yellow zigzags mimic the time-lapse vision of the viewer’s own movement and capture a kind of elusive, frenetic energy that powers the city.
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