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Alexandra Rozenman"Flood in a Music School", Contemporary Landscape, Piano, Oil Painting, 20222022
2022
On Hold
$2,200
On Hold
£1,675.25
On Hold
€1,929.01
On Hold
CA$3,117.59
On Hold
A$3,353.42
On Hold
CHF 1,792.16
On Hold
MX$39,527.24
On Hold
NOK 22,594.99
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SEK 20,656.11
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DKK 14,412.96
About the Item
Alexandra Rozenman’s “Flood in a Music School” 26 x 28 x 2.5 oil on canvas painting is a part of her landscape series where she plays with reality and abstraction inside the familiar place. The painting is a well thought-through abstract painting that symbolizes both flood and music. It happened in 2022 when war with Ukraine started. The building has a sign in Russian language on it which means "MUSIC SCHOOL". Light and warm blues of all kinds including a striped blue and white mattress, a broken piano and lost boats.
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery based in Boston, MA.
- Creator:Alexandra Rozenman (1971, Russian, Jewish)
- Creation Year:2022
- Dimensions:Height: 26 in (66.04 cm)Width: 28 in (71.12 cm)Depth: 2.5 in (6.35 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Franklin, MA
- Reference Number:Seller: Rozenman_Flood in a Music School1stDibs: LU500313710242
Alexandra Rozenman
Alexandra Rozenman immigrated to America from the Soviet Union in 1989. Russian, European and American myths of national destiny and private identity take on a utopian dimension as she absorbs and expresses the psychology of otherness as fundamental aspects of her own identity. She wants her art to be like a well-worn military wool blanket that gives you warmth, love, and history. The artist states. Whatever degree of abstraction defines my thinking and visual self-identification it has all to do with the search for my own image in a great existential sea of sweeping change. Rozenman is represented by Fountain Street Gallery in Boston, MA.
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