Alfredo Tominz

Passeggiata a cavallo a Trieste

1890

Pasquale Celommi (Montepagano 1851 - Roseto degli Abruzzi 1928), The Beach of Roseto Oil painting on canvas 65 x 114 cm signed lower right.

Vincenzo Giovannini (Todi 1816 – Roma 1903), Corteo papale presso Tor di Quinto Dipinto ad olio su tela di cm 52 x 99. Firmato e datato Roma 1864 in basso a destra. Provenienza: C...

Domenico Bresolin (Padua 1813 - Venice 1890), Riva d'Arno in Florence Oil on canvas applied to cardboard 26 x 40 cm. Not signed. INFO: to get more information Publications: D. Ri...

Giovanni Costa (Rome 1826 - Marina di Pisa 1903), Capri Oil on canvas 27 x 53 cm signed at bottom center.

‘A Tutto Galoppo’ by Alfredo Tominz (1854-1936). The painting – which depicts an Italian gentleman setting a brisk pace in a horsedrawn gig – is signed by the artist and presented ...

A finely detailed oil painting of a horse and French military rider with bugle by French artist Edouard Jean Baptiste Detaille (1848-1912). Detaille was born in Paris, France into a...

James Thomas Wheeler (1849 - 1888) Horse Carriage in the Yard Oil on canvas signed low right Old original frame gilded with leaves Canvas size : 55 X 65 cm Frame size : 85 X 95 cm

"Galloping Horse and Rider" Alessio Issupoff (1889 Russia-1957 Rome) Oil on wood panel Signed lower right 5 1/2 x8 1/2 (13 1/2 x 16 1/2 frame) inches This is such a stunning little jewel, it's almost hard to believe. Alessio Issupoff dedicated his whole life to art and was shaped by his years at the Moscow School of Painting, and later absorbed a great deal from Impressionism and the work of the Italian Renaissance masters. But he kept his distinctive style and remained true to the idea that excited the generation of painters of the turn of the 20th century — “the embodiment of the great beauty of everything alive.” Alexei Vladimirovich Isupov, known by his Italianized name Alessio Issupoff, was born in Vyatka (now Kirov) on March 10, 1889. The son of an icon carver and gilder, he learned to paint from the artisan painters who worked with his father. Wanting to give expression to his own artistic creativity, the young Alexei did not take up his father's trade but left Vyatka for Moscow where he attended the School of Painting, Sculpture and Architecture. His mentor was the painter Apollinary Mikhailovich Vasnetsov, brother of Viktor, who introduced him to the Moscow artistic milieu and helped him find work. By studying and visiting museums, Issupoff formed his own aesthetic “taste” by modifying it on contemporary Russian and French Renaissance art...