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Andrew WyethQuart and a Half1961
1961
$295,000
£224,642.31
€256,527.18
CA$414,511.41
A$454,798.01
CHF 239,565.75
MX$5,410,302.06
NOK 3,068,808.39
SEK 2,802,241.08
DKK 1,916,504.92
About the Item
"Quart and a Half" is an American Realist abstract landscape watercolor on paper painting by Andrew Wyeth in 1961. The artwork is 21 x 29 1/4 inches and is 33 3/4 x 42 1/4 x 1 inches with the frame, weighing less than 50 lbs. It is signed lower right, "Andrew Wyeth".
Andrew Wyeth, a renowned realist painter, is celebrated for his poignant depictions of rural life and the subtle emotional landscapes of his subjects. Wyeth’s meticulous attention to detail, especially in his rendering of everyday objects, imbues the scene with a sense of quiet reverence and introspection. The painting invites viewers to pause and reflect on the beauty and weight of ordinary life, typical of Wyeth's mastery in transforming the mundane into something deeply evocative.
Provenance:
M. Knoedler
Co., Inc., New York City
Private Collection, North Carolina
Private Collection
Private Collection, gifted from above
Private Collection
Exhibition:
Tucson, Arizona, University Art Gallery at the University of Arizona, Andrew Wyeth, March 16 - April 14, 1963
Philadelphia, Pennsylvania, Pennsylvania Academy of the Fine Arts, Andrew Wyeth: Temperas, Watercolors, Dry Brush, Drawings 1938 into 1966, October 8 - November 27, 1966
Baltimore, Maryland, Baltimore Museum of Art, Andrew Wyeth: Temperas, Watercolors, Dry Brush, Drawings 1938 into 1966, December 13, 1966 - January 22, 1967
New York, Whitney Museum of Art, Andrew Wyeth: Temperas, Watercolors, Dry Brush, Drawings 1938 into 1966, February 14 - April 2, 1967
Chicago, Illinois, The Art Institute of Chicago, Andrew Wyeth: Temperas, Watercolors, Dry Brush, Drawings 1938 into 1966, April 21 - June 4, 1967
Raleigh, North Carolina, North Carolina Museum of Art, North Carolina Collects, October 10 - 29, 1967
Greenville, South Carolina, Greenville County Museum of Art, Andrew Wyeth in Southern Collections, February 1 - March 31, 1979
Salem, Virginia, Roanoke College, From the Collection Of: Works and Loan from Trustees and Friends of Roanoke College, October 24 - November 21, 1997
Literature:
Paul Horgan, Andrew Wyeth; an exhibition of watercolors, temperas, and drawings, March 16 through April 14, Tucson, Arizona, 1963 (illustrated on cover)
E. P. Richardson, "Andrew Wyeth," The Atlantic, June 1964, p. 67
Edgar Preston Richardson and the Pennsylvania Academy of the Fine Arts, Andrew Wyeth: Temperas, Watercolors, Dry Brush, Drawings 1938 into 1966, New York, NY 1966, pg. 82
- Creator:Andrew Wyeth (1917-2009, American)
- Creation Year:1961
- Dimensions:Height: 21 in (53.34 cm)Width: 29.25 in (74.3 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Palm Desert, CA
- Reference Number:Seller: 11137.b1stDibs: LU9315463522
Andrew Wyeth
An artist who pursued his own course when the rest of the art world was consumed with modernism and abstraction, Wyeth is considered among the preeminent representational painters of the 20th century. Born in Chadds Ford, Pennsylvania, Wyeth drew his subject matter from the world around him: the interiors and exteriors of the stone buildings, mills, and farms of the Brandywine River countryside, and in the summers, the clapboard houses and stark landscape of the Maine coast. After his father died in a 1945 automobile accident, Wyeth began to incorporate people into his pictures, most notably Christina Olson, and later Siri Erickson, of Cushing, Maine, and his Chadds Ford neighbors Karl and Anna Kuerner and Helga Testorf. The first visual artist to appear on the cover of Time magazine, Wyeth was also the first living American-born artist to be given an exhibition at The Metropolitan Museum of Art in New York. Wyeth’s naturalistic style is marked by strong editing combined with remarkable execution of details. While relying on keen visual observation, he pared down the elements of a composition to their most essential, giving his works an abstracted quality and imbuing them with a sense of quietude and stillness. The egg tempera medium (which he came to prefer to oil after first experimenting with it in the early 1940s) lent itself to the precise detailing required to create his subtle textural effects, since it dries quickly and translucent layers can be built up over one another. Wyeth also painted extensively in watercolor in works of more spontaneous execution, as well as in the drybrush technique (where most water is removed from the watercolor medium), sometimes combining the two.
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Artwork Details:
Artist: After Andrew Wyeth (1917–2009)
Title: Burning Off, from The Four Seasons, Paintings and Drawings by Andrew Wyeth, 1962
Medium: Lithograph on velin paper
Dimensions: 17 x 13 inches (43.2 x 33 cm)
Inscription: Unsigned and unnumbered, as issued
Date: 1962
Publisher: Art in America Company, Inc., New York
Printer: Art in America Company, Inc., New York
Condition: Well preserved, consistent with age and medium
Provenance: From the 1962 folio The Four Seasons, Paintings and Drawings by Andrew Wyeth, published and printed by Art in America Company, Inc., New York
Notes:
Excerpted from the 1962 folio:
"In 1962 the editors of Art in America proposed to Wyeth a portfolio of images of his recent dry-brush drawings. The artist and his wife suggested the theme, 'The Four Seasons,' because of the essential role played in his work by the cycle of the seasons. The drawings were selected by Andrew and Betsy Wyeth from works in the house and studio at Chadds Ford, supplemented by some owned by friends. With a few exceptions they had never been exhibited or reproduced. The plates were made directly from the originals. In these drawings Wyeth's loving concentration on the object is fully revealed. But as always in his work, this concern with the tangible is balanced by sensibility to mood, to the emotion arising from the actual. They are pervaded with a sense of the season—the exact time of year, the hour of the day, the quality of the light. To the truth and subtlety with which he captures these intangible factors, these drawings owe their poignant poetry."
About the Artist:
Andrew Wyeth (1917–2009) was an American visual artist and one of the best-known painters of the mid-20th century. Although he considered himself an abstractionist, Wyeth’s work is characterized by a meticulous realism imbued with psychological depth and atmosphere. He often painted the landscapes and people surrounding his homes in Chadds Ford, Pennsylvania, and Cushing, Maine, creating an intimate record of American rural life. The son of the celebrated illustrator N. C. Wyeth, Andrew trained under his father before developing his own deeply personal visual language inspired by Winslow Homer, Henry David Thoreau, and King Vidor. His wife, Betsy Wyeth, was both his muse and career manager, while his son Jamie Wyeth continued the family’s artistic legacy.
Among Wyeth’s best-known works is Christina’s World (1948), housed in the Museum of Modern Art, New York—a quintessential image of 20th-century American art. His other notable series include The Helga Pictures and his window studies, each reflecting a profound meditation on solitude, memory, and perception. Wyeth was the first painter to receive both the Presidential Medal of Freedom and the Congressional Gold Medal, and was elected to the French Académie des Beaux-Arts in 1980.
In 2022, Andrew Wyeth's painting Day Dream sold for USD 23.29 million at Christie’s New York, setting a world record for the artist.
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