Anthony Avery

British Impressionist Watercolor of a Woodland Path with Spring Bluebells

Title: British Impressionist Watercolor of a Sunlit Woodland Scene with Bluebells By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dime...

Title: British Impressionist Watercolor of a Woodland Walk Among Bluebells By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes Dimensions:...

Title: British Impressionist Watercolor of Woodland of Bluebells in the Morning Light by Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Dimensions: ...

Title: British Impressionist Watercolor of Sunlit Country Path Enveloped by Bluebells By Anthony Avery (British 1946-2023) Original watercolor on artists paper, unframed Signed: Yes ...

As soon as the warm air arrives, nature responds with joyful exuberance. Fresh grass carpets the forest floor, and vibrant green leaves astonish with their rich hues. At the forest’s...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Jane Peart Bluebell Woods Original Painting Acrylic on Canvas Canvas size: H 51cm x W 76cm x D 2cm sold unframed (Please note that in situ images are purely an indication of how the ...

Bluebell woods 1 is an original painting by Rosemary Farrer. At this time of year I head for the woods to paint the bluebells. The colours are very hard to capture, not quite purple, not quite blue, photographs don't quite do them justice. This is where a painting has an advantage over a photograph, a combination of cooler blues and warmer purples, side by side, mix optically and create a shimmering field of colour, flecks of lime green from the new beech leaves provide the perfect foil. Rosemary Farrer, artists and printmaker sells with Wychwood Art online and in our art gallery in Oxfordshire. Rosemary paints in oils and also makes original prints. The prints are in no way copies of the paintings, they are conceived of, and made, as a response to the special and wonderful effects that can be achieved only through the various techniques of printmaking, whether it be the graphic, dynamic marks of a linocut, or the subtle tones and textures achievable in aquatint and etching. Design, composition and the use of colour are what excite her. She spends a lot of time drawing and painting outside, back in the studio, she will distil these ideas into strong graphic woodcuts, and linos or subtly textured etchings. Recent monotypes draw together the threads of her different media, with their graphic shapes and rich painterly colours. She studied fine art at Camberwell School of Art and The Ruskin School of Drawing, and learned printmaking at Morley College [London]. She has exhibited prints...