Large Landscape Paintings

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Doris Pontieri is a Canadian based artist that was educated in the mastery of oil painting and now found artistic expression in the form of charcoal, watercolour as well as acrylic o...

Oil Painting by Trevor Parkin "A Winters Afternoon" Born 1935 Painter, illustrator and teacher born in South Normanton, Derbyshire. Studied at Derby School of Art . Solo shows in Suf...

'Loch Ness' by Edward Matthews, British, died 1890 signed watercolour on artist paper on board, framed dated 1887 framed: 24 x 32.5 inches image : 16 x 24 inches Provenance: private ...

View of Castel Sant Angelo, from The River Tiber, Rome, early 20th Century by Laurence Henry Forster Irving OBE (1897-1988) Large early 20th Century view of Castel Sant Angelo fro...

"My valley" oil on canvas by French artist Sheila Querre Dimension: 65 cm H x 92 cm W x 3 cm D The colours of the original work are lighter than those on the photo. The picture is i...

The Celestial River is a unique oil on canvas painting by contemporary artist Gérard Priault, dimensions are 81 × 100 cm (31.9 × 39.4 in). The artwork is signed, sold unframed and c...

Jim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a youn...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

This stunning Original Set of three paintings by Shizico Yi on Canvas includes: Sunlit-Primary Colour Series- Blue Sunlit-Primary Colour Series- Red Summer Bloom-Yellow Foxgloves the...

'Vibration' 2023 by Chinese/Canadian artist Yangyang Pan. Oil on canvas, 36 x 36 in. / Frame: 37 x 37 in. This beautiful abstract-expressionistic, landscape painting incorporates ges...

Mountain View from Hålland, 1931 by Ante Karlsson-Stig We are delighted to present a painting titled "Mountain View from Hålland" by the Swedish artist Ante Karlsson-Stig. This artw...

Andrew Thomas Schwartz American, 1867-1942 Shining Hills Oil on Canvas 22 ⅜ by 29 ⅜ in, w/ frame 30 by 37 in Signed "Andrew T. Schwartz" lower left Andrew T. Schwartz was born in L...

Judd Mercer presents "Couloir Indigo," is an original, handmade oil painting created in 2025. The piece measures 24 inches in height by 36 inches in width, rendered on a durable 1.5-...

This is an abstract acrylic on canvas painting, predominantly blue, green, and violet gestural abstract expressionist brushwork with white and red accent lines. The imagery suggests a tennis court landscape. It is signed on front and back. All hanging hardware attached, no need for additional framing. Every purchase comes with a free, hardcover copy of the beautiful illustrated new book, "Joseph McAleer...

JUST BEFORE SUNSET, Original Signed Contemporary Realist Landscape Painting 24" x 40" x 0.5" (HxWxD) Oil on Linen mounted on Gator Board Hand-signed by t...

Oil on canvas realized by Fabrizio Clerici in 1975 ca. and inspired by Bocklin's Isle of the Dead. Hand signed by the Artist lower left.  Published on "Annuario d'Arte Moderna 2001...

"Green and blue landscape" oil on canvas by French artist Sheila Querre Dimension: 65 cm H x 92 cm W x 3 cm D The colours of the original work are lighter than those on the photo. T...

"Absence No Presence" by Brooks Salzwedel is an original work that depicts a tree with a rainbow colored structure emerging from a snow covered landscape. Brooks is a Los Angeles-...

ARTIST: Fritz Vogt (Active 1890 – 1900) (1842-1900) TITLE: “Our Native Summer Home” DESCRIPTION: Pencil drawing with colored pencil, 37 ½ x 25 ½ inches s...

Signed lower right: RABlakelock

Monroe Card, Original Contemporary Impressionist Floral Landscape Painting 30" x 40" x 1.5" (HxWxD) Acrylic on Canvas A bright color palette of pink, red, yellow, and purple flowers pop off the canvas in this impressionist painting by artist Ingrid Dohm...

Birger Hjelm – Våreldar ("Spring Fires"), c. 1935-1938 Oil on board unframed 80 x 84.5 cm (31 ½ x 33 ¼ in) framed 82 x 87 cm (32 ¼ x 34 ¼ in) Signed “Birger Hjelm” lower right; titl...

"Cloud Refelctions" is an oil painting by Russian Impressionist painter Viktor Butko (b. 1978, Moscow) painted en plein air, aka outdoors. This painting is a culmination of Butko's ...

Marco Aurelio Tricca (American, 1880-1969), Pastoral Landscape Scene, Oil on Canvas mounted on Board, 1929, signed and dated to verso, carved wood frame. Image: 24" H x 30" W; frame:...

Oil painting by Willard Dixon featuring a figure enjoying the view of Angel Island from San Francisco's Crissy Field. Willard Dixon, who is one of the finest American contemporary re...

Anna Ładecka is a Paris-based polish illustrator and painter. Graduated from Warsaw Academy of Fine Arts, Master of Art - Diploma in painting and lithography and obtained a scholar...

Cinderella is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 50 x 100 cm (19.7 × 39.4 in). The artwork is signed, sold unframed and comes wi...

The Schoolboy is a unique oil on canvas painting by contemporary artist Valérie de Sarrieu, dimensions are 65 × 100 cm ( 25.6 × 39.4 in). The artwork is signed, sold unframed and com...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity.

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Jenny Day is a painter who divides her time between Santa Fe, New Mexico and Tucson, Arizona. She paints a fragmented space, examining human demand and the effects of environmental d...

Original oil painting on canvas by artist Nicholas Reti. Framed.

Painted en plein air at the local airport in East Hampton, New York. Framed dimensions: 40 x 48 inches Victor Butko was born into a long line of artists, and has been mentored in painting since the age of 8. He is currently the youngest artist exhibiting at Thomas Kearns McCarthey Gallery, one of the foremost dealers in the United States for Russian Impressionist art...

Eugène DESHAYES (1868 – 1939) View from Algéria Coast Oil on canvas signed low right Frame gilded with gold leaves Dim canvas : 82 X 116 cm Dim frame : 107 X 141 cm DESHAYES Eugène François...

Marco’s background is in engineering and architecture, making him familiar with mathematical design and the awareness of geometry. When he decided to create art, he was naturally dra...

Italian painting from the first half of the 20th century. Artwork oil on panel depicting landscape with shepherd and cows of good pictorial quality. Beautifully sized and pleasantly ...

Ulrich Gleiter's (EUR based) "Redondo Rua Do Castelo" is an oil painting that depicts European architecture along a small street. Bio/Artist Statement: German-born artist Ulrich Gleiter (b. 1977) is noted for his landscapes. His style is sometimes reminiscent of German expressionism and the Russian impressionists. He first studied at the Dresden Academy of Arts and later at the Repin Academy in Saint Petersburg, Russia. His work has been recognized with awards in the USA and in Russia and been featured in books and magazines. "Ulrich Gleiter is a citizen of the world. Born in Saarbrücken, Germany, he pursued his undergraduate studies at Dresden’s Academy of Fine Arts, where he learned to paint with the bold, colorful strokes handed down from the early 20th-century German expressionists. Students there prioritized their individuality — no one but you could have made this picture, they were told. Gleiter then absorbed a different view of artistry during his exchange year at Moscow’s Surikov Institute, followed by six more years at the Repin Institute in St. Petersburg. Today Gleiter divides time between Germany, Russia, and the United States, where he has become much admired among plein-airists in such scenic places as Colorado, California, and Wyoming. In our era of diplomatic tensions, when Crimea and Russia appear regularly in the headlines, Gleiter feels a renewed appreciation for nature’s timelessness — for its inspiring capacity to rise above the ins-and-outs of man-made problems. Today, he says, “I often think about the history of an area where I am painting, about how many troubles and beautiful things may have happened there. Most importantly, I am humbled to observe how natural forces never stop moving.” Gleiter turns his searching eye not only to wilderness, but also to the banalities of urban life — to parked cars, the glinting sprawl of an automobile dealer’s lot, retail stores, and even cargo ships. There, too — as in his portraits, nudes, and still lifes — he manages to find abstracted beauty and emotional significance in the interactions of light, color, and air." ( by Peter Trippi, Fine Art Connoisseur Magazine, 01/2017) SOLO- AND TWO-PERSON EXHIBITIONS 2018: SANDAU&LEO Gallery, Berlin. 2017: Gallery 1261...

A painting by Jim Lamb. "Montage Morning" is an oil on linen painting executed in a palette primarily of blues, greens, lavenders and earth tones, and depicts the beach at the Montag...

Italian, hand painted, oil on canvas landscape with hand painted border. See other painting in separate listing that creates a pair.

A fine impressionist oil marine harbor scene painting by Australian American artist Hayley Lever (1876-1958). Lever was born in Adelaide, Australia and studied first at the Adelaide...

Up for sale is a beautiful original oil painting on canvas depicting a seascape with a boat, lighthouse, and harbor view at sunset. Illegible signature in the lower-right corner. Pr...

This lovely dog portrait oil painting is attributed to an artist from the English School. It is an oil on board portrait oil painting and depicts a brown and white Italian greyhound with a black collar called Midfield Role in a landscape. Lower left is a ribbon with the dogs name on it. The accomplished animal artist has perfectly captured the Italian greyhound...

Frederick E. Cohen (American, born England, c. 1818-1858) Boy in a Dog Sled, 1853 Oil on canvas, 25 x 30 inches Framed: 35 x 40 inches (approx.) Signed and inscribed: (on side of sle...

It is infrequent, to say the least, that a diagnosis of tuberculosis proves fortuitous, but that was the event, in 1921, that set Paul Starrett Sample on the road to becoming a professional artist. (The best source for an overview of Sample’s life and oeuvre remains Paul Sample: Painter of the American Scene, exhib. cat., [Hanover, New Hampshire: Hood Museum of Art, 1988] with a detailed and definitive chronology by Sample scholar, Paula F. Glick, and an essay by Robert L. McGrath. It is the source for this essay unless otherwise indicated.) Sample, born in Louisville, Kentucky, in 1896 to a construction engineer and his wife, spent his childhood moving with his family to the various locations that his father’s work took them. By 1911, the family had landed in Glencoe, Illinois, settling long enough for Paul to graduate from New Trier High School in 1916. Sample enrolled at Dartmouth College, in Hanover, New Hampshire, where his interests were anything but academic. His enthusiasms included the football and basketball teams, boxing, pledging at a fraternity, and learning to play the saxophone. After the United States entered World War I, Sample, to his family’s dismay, signed on for the Naval Reserve, leading directly to a hiatus from Dartmouth. In 1918 and 1919, Sample served in the U.S. Merchant Marine where he earned a third mate’s license and seriously contemplated life as a sailor. Acceding to parental pressure, he returned to Dartmouth, graduating in 1921. Sample’s undergraduate life revolved around sports and a jazz band he formed with his brother, Donald, two years younger and also a Dartmouth student. In November 1933, Sample summarized his life in a letter he wrote introducing himself to Frederick Newlin Price, founder of Ferargil Galleries, who would become his New York art dealer. The artist characterized his undergraduate years as spent “wasting my time intensively.” He told Price that that “I took an art appreciation course and slept thru it every day” (Ferargil Galleries Records, circa 1900–63, Archives of American Art, Smithsonian Institution, available on line). In 1920, Donald Sample contracted tuberculosis. He went for treatment to the world-famous Trudeau Sanitorium at Saranac Lake, in New York State’s Adirondack Mountains for the prescribed regimen of rest, healthful food, and fresh air. Visiting his brother in 1921, Paul also contracted the disease. Tuberculosis is highly contagious, and had no certain cure before the development of streptomycin in 1946. Even for patients who appeared to have recovered, there was a significant rate of recurrence. Thus, in his letter to Price, Sample avoided the stigma conjured by naming the disease, but wrote “I had a relapse with a bad lung and spent the next four years hospitalized in Saranac Lake.” The stringent physical restrictions imposed by adherence to “the cure” required Sample to cultivate an alternate set of interests. He read voraciously and, at the suggestion of his physician, contacted the husband of a fellow patient for instruction in art. That artist, then living in Saranac, was Jonas Lie (1880–1940), a prominent Norwegian-American painter and an associate academician at the National Academy of Design. Lie had gained renown for his dramatic 1913 series of paintings documenting the construction of the Panama Canal (The Metropolitan Museum of Art, New York; United States Military Academy, West Point, New York). Primarily a landscape artist, Lie had a particular affinity for scenes with water. His paintings, impressionistic, atmospheric, and brushy, never strayed from a realistic rendering of his subject. Sample regarded Lie as a mentor and retained a lifelong reverence for his teacher. Sample’s early paintings very much reflect Lie’s influence. ` In 1925, “cured,” Sample left Saranac Lake for what proved to be a brief stay in New York City, where his veteran’s benefits financed a commercial art course. The family, however, had moved to California, in the futile hope that the climate would benefit Donald. Sample joined them and after Donald’s death, remained in California, taking classes at the Otis Art Institute in Los Angeles. In Sample’s account to Price, “I couldn’t stomach the practice of painting a lot of High Sierras and desert flowers which seemed to be the only kind of pictures that were sold here so I got a job teaching drawing and painting at the art school of the University of Southern California.” Initially hired as a part-time instructor, Sample progressed to full-time status and ultimately, by the mid-1930s, to the post of Chairman of the Fine Art Department. Sample, however, did not want to wind up as a professor. “Teaching is all right in small doses,” he wrote, “but I have a horror of drifting into being a college professor and nothing more.” At the same time as he taught, Sample began to exhibit his work in a variety of venues at first locally, then nationally. Though he confessed himself “a terrible salesman,” and though occupied with continued learning and teaching, Sample was nonetheless, ambitious. In 1927, he wrote in his diary, “I am eventually going to be a painter and a damned good one. And what is more, I am going to make money at it” (as quoted by Glick, p. 15). In 1928, Sample felt sufficiently solvent to marry his long-time love, Sylvia Howland, who had also been a patient at Saranac Lake. The Howland family were rooted New Englanders and in summertime the Samples regularly traveled East for family reunion vacations. While the 1930s brought serious hardship to many artists, for Paul Sample it was a decade of success. Buttressed by the financial safety net of his teacher’s salary, he painted realist depictions of the American scene. While his work addressed depression-era conditions with a sympathetic eye, Sample avoided the anger and tinge of bitterness that characterized much contemporary realist art. Beginning in 1930, Sample began to exhibit regularly in juried exhibitions at important national venues, garnering prizes along the way. In 1930, Inner Harbor won an honorable mention in the Annual Exhibition of the Art Institute of Chicago. That same year Sample was also represented in a show at the Albright-Knox Gallery in Buffalo and at the Biennial Exhibition of the Corcoran Gallery of Art, Washington, D.C. In 1931, Dairy Ranch won the second Hallgarten Prize at the Annual Exhibition of the National Academy of Design, in New York. Sample also made his first appearances at the Carnegie Institute, Pittsburgh, and The Pennsylvania Academy of the Fine Arts, Philadelphia. In 1936, Miner’s Resting won the Temple Gold Medal at the Pennsylvania Academy’s Annual Exhibition. Always interested in watercolor, in 1936, Sample began to send works on paper to exhibitions at the Whitney Museum, New York. While participating in juried exhibitions, Sample also cultivated commercial possibilities. His first New York art dealer was the prestigious Macbeth Gallery in New York, which included his work in a November 1931 exhibition. In 1934, Sample joined the Ferargil Galleries in New York, after Fred Price arranged the sale of Sample’s Church Supper to the Michele and Donald D’Amour Museum of Fine Arts in Springfield, Massachusetts. In 1937, The Metropolitan Museum of Art purchased Sample’s Janitor’s Holiday from the annual exhibition of the National Academy of Design, a notable honor. As prestigious as this exhibition schedule may have been, by far Sample’s most visible presence in the 1930s and 1940s was the result of his relationship with Henry Luce’s burgeoning publishing empire, Time, Inc. Sample’s first contribution to a Luce publication appears to have been another San Pedro...

Andreu Pons Fullana . 1947. Realist landscape painter with an expressionist touch.

'The Melancholy and Euphoria of feeling small'- 34"x 46" abstract tantric painting by contemporary artist Elisa Niva Inspired by the landscapes, colors, and feeling evoked driving a...

Expressionist dome painting on canvas.

Saint Germain-des-Prés under the snow. Oil on canvas, 60x92 cm Constantin Kluge was a Russian-born French painter best known for his naturalistic scenes of Paris and French countrys...

Christopher Clark's (US based) "Cliffs of Vernazza" is an oil painting that depicts a seaside city on the precipice of a steep cliff Bio/artist statement: ...

This painting is part of the current exhibition entitled "The fantastic story of the liquid mountain" at Claire Corcia Gallery in Paris. The liquid mountain is populated by living b...

This atmospheric pastoral landscape by a Dutch artist portrays a peaceful 19th-century riverbank where rural life blends with the romance of waterways. The composition follows classi...

Painting oil on canvas measuring 70 x 90 cm without frame and 82 x 102 cm with frame depicting View of the Grand Canal with the Rialto Bridge. The work under examination depicting a...

Jim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Walter Emerson Baum (1884 - 1956) Born in Sellersville, Pe...

Autumn River Landscape European School, second half 20th century signed oil on canvas, framed framed: 23 x 33 inches canvas: 20 x 30 inches provenance: private collection, UK conditi...

Abstract contemporary landscape painting by Texas artist, Nathaniel Sing. This piece features a door to Napa Underground winery in California blending with a red and blue gradient background. Signed and dated by the artist at the back. Unframed but framing options are available. Artist Statement: What is color to you? Really think about it for a second. Go past the everyday backdrops, items, clothing, spaces, etc. in your life. Perhaps think about your favorite color. A memory of an unforgettable sunset, or even a specific moment in your life. I have found especially with memories and emotions, that colors provide a base for those things to exist in our minds. Memories and emotions are inherently fading or fleeting as our lives move forward. My question and focus are how we preserve them for our own personal reasons, growth, or perhaps a way to humble ourselves. Through the use of acrylic paints, graphic design, and color relationships I aim to capture the essence of emotions and memories. Although each of these paintings is from my own personal experiences and memories my intent is to capture and express them through the lens of color and their relationships with each other and ourselves. Artist Biography: Nathan Sing...

We offer Artist’s lifetime Warranty for Original paintings! -Free frame service with selection of frames to suit your space and deco style. You will be able to choice the frame with...

JOINVILLE Antoine Victor Edmond Madeleine (1801-1849) From Ludwig Knaus (1829-1910) The Walk in Luxembourg Garden" in Paris, also called "The Privileged" Preserved at The Louvres M...

In this painting, I have channeled the serenity of the sea, capturing the tranquil horizon where sky and water meet. Using oils, I blended impressionistic strokes with elements of mi...