Beau Carey

Nature s First Green is Gold

2021

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern landscapes came to be spatially constructed. Through a combination of on-site field studies and larger studio pieces I make bodies of work that reflect the individual characteristics of a specific place while retaining a critical awareness of the landscape genre. This practice, while fully absorbed into the cliché of modern landscape painting, is not innocuous. It is rooted in a history of globalism and environmental dominance. Through my work I explore this spatial language at times allowing individual works to teeter into abstraction. The works in Rise look specifically at how we will navigate and view a rapidly changing physical world. - Beau Carey

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern la...

"By using references to navigational coastal profiling and by borrowing and subverting compositional structures of the 19th century American landscape painters I examine how modern l...

The oil on canvas painting features golden shadows and cascading light which is the focus of the sophisticated abstract oil on canvas painting by artist Anne Subercaseaux, whose glea...

Rather than re-creating a literal landscape on canvas or paper, I aim to express its essence in a rich and complex form of delicately painted organic subjects that float and trail ac...

Original Painting Acrylic, Latex, Spray Paint on Canvas 30 x 24 inches Signed by the Artist

I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...