Bernard Labbe

1950 s Modernist Painting signed - Milan Cathedral Cityscape

1950 s

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card size: 19.5 x 25.5 inches condition: very good and ready to be enjoyed - with a small tear in top ...

Piazza San Marco, Venice by Maurice Delavier (French 1902-1986) signed oil on canvas, unframed dated 58' canvas: 21.5 x 25.5 inches provenance: private collection, France, with exhib...

French Landscape by Bernard Labbe (French mid 20th century), stamped verso original gouache/watercolour painting on artist paper overall size: 19.75 x 25.5 inches condition: very goo...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card, mounted on card size: 20 x 14.5 inches condition: very good and rea...

Work on canvas This work masterfully depicts the Gothic splendor of Milan's Duomo. The artist uses shades of gray and black to capture the architectural complexity and majesty of the...

The Duomo, Florence Watercolor, 1914 Signed and dated lower center edge (see photo) Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore, is the cathedral of Florence, Italy. It was begun in 1296 in the Gothic style to a design of Arnolfo di Cambio and was structurally completed by 1436, with the dome engineered by Filippo Brunelleschi. Condition: Excellent Image size: 16 3/4 x 14 1/2 inches Frame size: 24 1/4 x 22 inches Donald Shaw MacLaughlan was born in Charlottetown, Prince Edward Island, Canada on November 9, 1876. His family moved to Boston, Massachusetts in 1890 where he began to experiment with different art media; watercolor, oil painting and finally, etching – with a few attempts at lithography. He spent much of his early years at the Boston Public Library studying the work of printmakers, from Durer and Rembrandt to the 18th century English, French and Italian masters. Like many American artists of the time MacLaughlan traveled to Europe to study in Paris, enrolling in the Ecole des Beaux Arts and studied further with Jean Leon Gerome and Jean Paul Laurens. In 1899 he began producing etchings, which became his major interest until his death in 1938. He became acquainted with James NcNeill Whistler (1834-1903) and other artists who created etchings and spent time studying the etchings of Rembrandt van Rijn (1606-1669) and other old masters in the collection of the Bibliothèque Nationale. Both Rembrandt and Whistler would have major influences on his art. In 1900 he created a set of 25 etched views of Paris and in 1901 exhibited two etchings in the Salon de la Société Nationale des Beaux-Arts. He returned to the U.S. in 1903, then went back to Paris the following year. He traveled extensively in Europe, visiting England, Switzerland, Italy and Spain as well as various locales in France. His etched views of Venice were well-known. MacLaughlan exhibited views of Paris, Rouen, Normandy and Italy in 1906 in a solo show at the American Art Association Galleries in Paris. He also displayed his work in the 1906 exhibitions of the Société Nationale des Beaux-Arts and the Société des Peintres-Graveurs Français. MacLaughlan even instructed other expatriate Canadian artists then living in Paris, most notably Clarence...

17.5"x27.5", oil on canvas. "Milano" by Narek Arakelyan Oil on Canvas 2024 17.5 x 127.5 in. without framed. This captivating painting by Narek Arakelyan beautifully captures the...

A sensitive architectural study in oil by the artist Bernard Myers (1925-2007). Signed and titled verso. Also signed with initials to the lower right. On paper.