Burnett

Impressionist Oversized Paris Street Scene oil Painting

Francisco Carbonell Massabe (1928) - menders on the beach - Oil on canvas Oil measures 60x73 cm. Frameless.

Joaquin Terruella Matilla (1891-1957) - Landscape - Oil cardboard Oil measures 33x41 cm. Frame measures 47x55 cm. Joaquim Terruella Matilla (1891 - 1957) Joaquim Terruella Matilla,...

Gabriel Casarrubios Martín (1953) - Beach´s day - Oil on panel Oil size 19x33 cm. Frameless. Gabriel Casarrubios Martín (1953) The Toledo artist trained in Fine Arts in Madrid, at ...

Rosendo González Carbonell (1910-1984) - River landscape Oil on panel - Hand signed Oil measures 27x35 cm. Frame measures 49x57 cm. Painter of the first half of the 20th century, bo...

Mario Mauro, Canadian, 1920-1984 Oil on panel 12 x 14 in (image) Signed lower right ; For our US customers: 1) The artwork is shipped from Montreal, Canada; 2) Please note that t...

A Venetian capriccio view with classical architectural ruins and in the background the church of San Giorgio Maggiore and the Church of Santa Maria della Salute next to the Grand Can...

A mountainous landscape painted by Hilding Elof Nyman (1870 - 1937). Oil on panel. The motif is probably from Dalarna in Swedens north part were he spent periods of his life. Nyman ...

View of the Ariccia Bridge and the Alban Hills This finely executed plein air landscape depicts the monumental bridge of Ariccia and the town with the surrounding Alban Hills, painted by German landscape artist Joachim Ludwig Heinrich Daniel Bünsow (born 1821 in Kiel, died 1910 in the same city). Executed in oil on paper mounted on cardboard, the work dates from his Italian period between 1853 and 1858. Not signed. Bünsow received his artistic training at the Royal Danish Academy of Fine Arts in Copenhagen from 1839 to 1848, studying under Johann Ludwig Lund and Christoffer Wilhelm Eckersberg. In 1844, the Copenhagen Art Association acquired his painting "Tellingstedt in Dithmarschen." Following his studies, he traveled to Dresden, where he became associated with the circle around Johan Christian Dahl. A scholarship from the Copenhagen Academy enabled Bünsow to reside in Rome from 1853 to 1858. During this period, his landscapes evolved from the finely toned, naturalistic style of his early work to more atmospheric and idealized compositions, influenced by Louis Gurlitt. Bünsow's early works from his time in Copenhagen are characterized by fine tonality and naturalistic rendering, reflecting the style of his teacher Christoffer Wilhelm Eckersberg. His Italian landscapes, however, exhibit a more atmospheric and idealized approach, influenced by Louis Gurlitt. Notably, Bünsow produced high-quality drawings during his time in Rome, some of which are preserved in the Kunsthalle zu Kiel. Historical Context: The Ariccia Bridge In the early 19th century, the local authorities sought to improve the Appian Way's safety and accessibility. The solution involved constructing bridges to span the Ariccia valley and adjacent ravines. In 1843, Pope Gregory XVI commissioned a six-arched bridge to address the elevation differences. Following his death in 1846, Pope Pius IX continued the project, entrusting architect Ireneo Aleandri with the design and Giuseppe Bertolini with the execution. Completed in 1854, the bridge stands as a significant 19th-century engineering achievement. Featuring three tiers of elegant neoclassical arches inspired by Roman art, it measures 59 meters in height and 312 meters in length. Travertine columns at both ends commemorate the Roman milestones...

Federica Furbelli (1988, Varese, Italy) is a visual artist based in Mallorca whose practice centers on psychogeography, exploring drift, movement, and the relationship between nature...

View from Højbro Plads in Copenhagen on a winter day by Axel Möller (1862–1958), signed and dated “Axel Möller 26”, oil on canvas. The motif is taken from where Højbro Plads meets Højbro Bridge which connects with Slotsholmen Island over the Slotsholmen canal, the Nikolaj Kirke is rising in the background. In the foreground, two women wearing green skirts stand on the snow covered square. Several figures are crossing the bridge, and the church tower forms the central vertical element of the composition. The painting is presented in a contemporary gilded profiled wooden frame. Axel Möller was a Danish painter born in 1862 and active well into the 20th century. His work concentrated on urban environments, everyday street scenes, and the seasonal character of Copenhagen. Möller’s paintings...