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Carl Wuermer"Late Summer" Carl Wuermer, Pointilism, American Impressionism August Landscape1924
1924
$8,000
£6,091.99
€6,956.67
CA$11,240.99
A$12,333.51
CHF 6,496.70
MX$146,720.06
NOK 83,221.92
SEK 75,992.98
DKK 51,973.01
About the Item
Carl Wuermer (1900 - 1981)
Late Summer, 1924
Oil on canvas
26 x 28 inches
Signed and dated lower right
Provenance:
McColl Fine Art, North Carolina
Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards including the J. Francis Murphy Memorial Prize from the National Academy of Design in 1928. Many of his paintings convey a sense of panorama and lead the eye into deep vistas.
Wuermer was born in Munich, Germany, and in 1915, emigrated to Chicago where from 1920 to 1924, he studied at the Art Institute with Wellington Reynolds. He then went to New York City for study at the Art Students League.
In 1929, he was accepted for artist membership by the Grand Central Art Galleries in New York City.
His technique for painting was similar to that of the Pointillists although the final effect was much more exact and realistic. He slowly built up the paint on his canvas by using dots of color.
- Creator:Carl Wuermer (1900-1981, American)
- Creation Year:1924
- Dimensions:Height: 36 in (91.44 cm)Width: 38 in (96.52 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1841210631272
Carl Wuermer
Known for serene, realistic landscapes, he was a widely exhibited painter who won numerous awards including the J. Francis Murphy Memorial Prize from the National Academy of Design in 1928. Many of his paintings convey a sense of panorama and lead the eye into deep vistas. Wuermer was born in Munich, Germany, and in 1915, emigrated to Chicago where from 1920 to 1924, he studied at the Art Institute with Wellington Reynolds. He then went to New York City for study at the Art Students League. In 1929, he was accepted for artist membership by the Grand Central Art Galleries in New York City. His technique for painting was similar to that of the Pointillists although the final effect was much more exact and realistic. He slowly built up the paint on his canvas by using dots of color.
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