Carole Garland

Bridge Over Ballona

2016

"Ventura Fwy Heading West" depicts the terrain as one travels through the mountains and hills of the valley towards the Pacific Ocean. This scene captures a moment in time of an autu...

Carole Garland painted outdoors in the Santa Monica Mountains of Southern California so often that she felt at home creekside or in a wooden glen. In her “Reflection” series, the abstract forms of reflected branches and tree trunks share the composition with solid rocks and trailing leaves. Her use of color is fresh and inspired. Workshops with Plein Air oil painters Frank Serrano...

"Yosemite Reflections" It's a winter's day in Yosemite. A recent snowfall powders the creekside brush, the twigs and the fallen branches. Beyond and out of sight, the stately and towering pine trees cast shimmering reflections and dark shadows. The air is clear and cold and the moment is filled with wonder. Fine artist Carole Garland's Yosemite painting...

Burning sun, waves lapping at the shore, the lingering scent of suntan lotion – it’’s an endless summer day at the beach. Carole Garland evokes the heat, wind and sand of a day along the Southern California coast. Swimmers and onlookers cool off in the Pacific waters waiting for the next surge or ripple. Carole Garland graduated from Knox College, Galesburg, Ill., and studied art at the Chicago Art Institute and the University of the Americas in Mexico City. She has worked privately with artists Keith Finch and Ron Pekar, taken numerous workshops and was mentored by fine artist David Gallup...

(Note: This work is part of our exhibition Connected by Creativity: WPA Era Works from the Collection of Leata and Edward Beatty Rowan) Oil on panel, 14 ½ x 18 inches unframed, 22 x 25 ½ inches framed, inscribed “painted by David McCosh Property of Edward b. Rowan” and numbered “8” verso, this work is unsigned, but guaranteed to be by David McCosh Exhibited: The First Exhibit of the Iowa Artist...

Joost Verhagen Lighttown Memory II 100 x 210 cm Acrylic paint on canvas Shipping on a roll in a tube we can offer, worldwide, for free. Joost Verhagen (1975) was constantly drawi...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

View from the top of the Shard of four bridges, looking towards Big Ben Short listed for the RA Summer Exhibition 2023 Additional information: Acrylic paint on Canvas 20 H x 20 W x ...