Charles Blum

"Drum and Flute Player"

1957-63

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Acrylic on Paper, mounted on board, stamped "Studio Elfi Schuselka" to verso, unframed. Image: 4.5" H x 7.5" W; board: 5.25"...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Oil on Canvas with collage elements, stamped "Studio Elfi Schuselka" to verso, unframed. 28.75" H x 22" W. Provenance: From ...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Oil on Canvas, stamped "Studio Elfi Schuselka" to verso, unframed. 29" H x 21.75" W. Provenance: From the collection of the ...

Elfi Schuselka (Austrian, b. 1940), Abstract Composition, Oil on Canvas, apparently unsigned, stamped "Studio / Elfi Schuselka" to verso, unframed. 22" H x 29" W. Provenance: From th...

i had the inspiration for this painting when I saw a youth playing the flute. I made the work according to the feeling I had and the idea that arose in my head. Details should not ma...

Artist/Designer; Manufacturer: Purvis Young (American, 1943-2010) Marking(s); notes: signed, marking(s) Materials: painted wood Dimensions (H, W, D): 24"h, 96"w (work is not framed) Additional Information: Provenance: This work is from the personal collection of Anthony Romano, one of the two guardians appointed to the artist in the later part of his life. Purvis Young (1943–2010) was a self-taught American artist from Miami’s Overtown neighborhood, known for his raw, expressive paintings on found materials that explore themes of social justice, spirituality, and everyday urban life. His work resonates with the visual urgency of Jean-Michel Basquiat, the narrative power of Thornton Dial, and the outsider spirit of Bill Traylor and Sister Gertrude Morgan...

An Acrylic on canvas titled " Memories of an Old Man" C. 1960's, signed lower right. Provenance: Milch Galleries NY, label affixed. Canvas measures 28 x 36 inches. Framed size is app...

This rare 1950s oil painting by Colorado abstract expressionist George Cecil Carter presents an abstracted figurative portrait of a couple—believed to represent Georgia O’Keeffe and Alfred Stieglitz. Rendered with bold brushwork and a dynamic modernist palette, the piece reflects Carter’s distinctive ability to merge abstraction with figuration, capturing both movement and emotional depth. Housed in a custom frame, the painting comes from a private collection in Denver, Colorado. Carter (1908–1993) was a central figure in Colorado’s mid-century modernist movement. A self-taught artist influenced by modernist painter Charles Ragland Bunnell, Carter developed a uniquely expressive style that drew upon his working-class background as a miner and machinist. He exhibited nationally and worked alongside artists including Al Wynne, Mary Chenoweth...