Charles Foster

Williamstown Landscape

1890

Bruce Barton Penney American, born 1929 Barn on a Hill Oil on board 25 by 30 in, w/ frame 30 ¼ by 35 in Signed lower right, dated 64 Born Laconia, New Hampshire. Addresses: Kennebu...

Pal Fried Hungarian-American, 1893-1976 Night In the City Oil on canvas 30 X 24 in. w/ frame 36 ¼ X 30 ¼ in. Signed "Fried Pal" lower right Pal was born in Budapest and studied at ...

Paul Renard French, 1941-1997 Winter in Paris Oil on canvas 18 by 24 in, w/ frame 25 ⅛ by 31 ¼ in Signed "P. Renard" lower right The art of Paul Renard, who was born in 1941, can b...

Merio Ameglio Italian, 1897-1970 Paris in the Snow Oil on canvas 18 ¼ by 21 ⅝ in, w/ frame 23 ¼ by 26 ¾ in Signed "Merio Ameglio" lower left Merio noted impressionist painter prima...

Antique American autumn mountain lake with village oil painting. Framed. Oil on canvas.

American School, River Landscape Scene, Oil on Canvas, signed "Th. Haywood" lower right, giltwood frame. Image: 8.75" H x 15.5" W; frame: 12.5" H x 19.5" W.

A striking and historically attentive portrait of the sidewheel steamer Kennebec, built in 1842. Rendered in crisp profile against a soft, painterly sky and calm Atlantic swells, Cameron’s portrait captures the stately elegance of early American steam navigation. The Kennebec, identified in bold red lettering on her paddle box, is shown under partial sail with twin smokestacks active - suggesting both the hybrid nature of early steam propulsion and the vessel’s readiness for sea. Flying period flags, including a U.S. ensign and company pennants, she presents as a proud representative of the Sanford Steamship Line, for whom she plied the route between Boston, Bangor, and the summer resorts of Maine. Her design, with a wood hull, 230-foot length, and distinctive “hogging truss,” speaks to mid-19th century innovation tailored to coastwise packets. Cameron’s style is reminiscent of 19th-century ship portraiture yet refined with contemporary technical precision. This is an excellent example of his work. This work is oil on canvas and is signed in the lower right. It is housed in its original black frame and retains the artist’s description of the ship on the reverse. Size: 22 inches tall by 44 inches wide (painting) 26 inches tall by 48 inches wide by 1 inch deep (frame) Provenance: Private collection; Acquired from the above About the artist: A Delaware artist, Scott Cameron paints the simple elegance of the America’s Cup races, serene coastal marsh scenes, timeless landscape vistas and historic steamboats in a style reminiscent of the era in which they reigned. An admirer of Andrew Wyeth and the Brandywine School of painters, Scott has combined the detail and quiet stillness of that School in his landscapes with the Luminist School’s sense of light glowing from within. A soft gentle atmosphere seems to fall over each scene adding to the peacefulness of the setting, and a sense of a time gone by. His America’s Cup scenes capture the action at a moment in time, allowing the beauty of the wind-filled sails to become the central design element of each painting. Scott Cameron has exhibited his oil paintings in numerous national and regional shows from the Mystic Seaport Museum to solo and group shows in some of the foremost galleries throughout the Northeast and Mid-Atlantic states. Favorite painting locations are the waterways and coastal inlets of Martha’s Vineyard and Maryland’s Eastern Shore and the gentle rolling landscapes of rural Pennsylvania, Delaware and Maryland. Meticulous research is behind every historic steamboat and America’s Cup painting...

An oil painting by American Realist painter, Steven J. Levin. Three garden boxes of pansies rest on a natural wooden ledge, the rightmost, removed from its plastic container, the pla...