Dan Bloodworth

Souther Summers, Original painting, Cowboys, Landscape, Horses

2024

Horses are a them in most of my paintings, but more often than not they come latter on in the paintings development. this one i wanted to start with the horse, wanting to make it stand proud, pressing forward with his chin up and chest out. man and horse together getting through one of those days. ADDITIONAL INFORMATION: Acrylic paint on Canvas 100 H x 100 W x 4 D cm (39.37 x 39.37 x 1.57 in) Sold...

An ode to the reason why you do what you do. A farm hand in Norfolk, England in autumn ADDITIONAL INFORMATION: Acrylic paint on Canvas Sold unframed Image size: Height: 61cm (24.02...

Inspired by an old blues record, one of only a few where I've started with a title for a piece. normally they come to mind whilst painting. ADDITIONAL INFORMATION: Acrylic paint on ...

An ode to the rare aurora borealis in Norfolk, England this year ADDITIONAL INFORMATION: Acrylic paint on Canvas 100 H x 100 W x 4 D cm (39.37 x 39.37 x 1.57 in) Sold unframed Imag...

Jack Balas Grid Study, Appaloosa Oil and Enamel on Board Inscribed verso, dated 1997-99 and hand signed l.l. Sight: 24 x 48 in. (61 x 121.9 cm.), Frame: 26 x 50 x 2 in. (65.4 x 127 ...

Artist: Jack Graves III (American, 1988-) Title: "Cowboy-Death & Co. Defend the West" Series: Americana *Signed by Graves lower left. It is also signed, dated, and titled on verso Ye...

Contemporary colorful Western inspired painting by Houston based artist Kevin Gilmore. The work features a Black male figure riding a bull set against a red, green, yellow, and blue ...

"Outskirts" is an acrylic painting with collage elements on canvas, measuring 38" high by 44" wide. There's nowhere to hide in any of William's paintings, that's part of the charge coming off his canvases. That's particularly true with this painting – we immediately see that everything is wrong, hands coming out of trees, a human head on a horse or dog. Yes it's Mythic but even there it's wrong, the legs are impossibly crossed. In fact little of this painting can be true and yet here it is. Out of control, left over and residual ways and means of living life. Who or what are we now? Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos...