Daphne Huntington

Sea Sonata; Daphne Huntington (American 1910 - 2012); oil on canvas

Masri Hayssam (Lebanese, Italian, born 1965) "Nel Bosco" 1999 Oil paint on canvas, stretcher bars Signed by the artist on the bottom right corner of the painting. "Nel Bosco" is an ...

NOT STRETCHED. You'll receive it rolled, in a TUBE. Ready for stretching. I recommend stretching your painting in a local custom framing shop or gallery. It will be the most affordab...

Duan Zhaonan (Chinese, born 1955) "Red Door, Gray House" 2017 Oil paint on canvas, stretcher bars The artist signed the back of the painting. Duan orchestrates a visual symphony wit...

Duan Zhaonan (Chinese, born 1955) "Bridge of Jianchuan" 2015 Oil paint on canvas, stretcher bars The artist signed the back of the painting. This piece by Duan transports us to a tr...

Signed E. Martin Dimension with frame : 76 x 66 x 7 cm This lively oil painting on canvas by Eugène Martin, titled Jour de l’An and dated 1937, captures a festive winter scene in Geneva, likely set in the Jardin Anglais during New Year celebrations. The composition is animated by a dense crowd gathered along temporary fair structures, rendered with brisk, expressive brushstrokes that convey movement and communal energy rather than individual detail. The figures, reduced to rhythmic silhouettes, animate the foreground and lead the eye through the scene. In the background, the Ferris wheel rises as a focal point, symbolizing modern leisure and public festivity, while Swiss flags flutter above, clearly anchoring the scene in its national and geographic context. Martin’s handling of paint is confident and economical. The palette combines muted winter tones—grays, browns, and cool greens—with strategic accents of red and white that punctuate the crowd and flags, reinforcing the celebratory atmosphere. The architectural backdrop and distant landscape are simplified, allowing the human activity to dominate the visual narrative. Stylistically, the painting aligns with interwar European figurative modernism, blending urban genre painting with a painterly, impressionistic sensibility. Executed in 1937, the work offers a compelling snapshot of civic life in pre-war Switzerland, combining documentary value with artistic spontaneity. Signed and dated in the lower right, this painting is a strong example of Eugène Martin’s engagement with public life and urban festivity, and presents an appealing combination of historical context, recognizable location, and dynamic composition. Eugène Martin painting, Eugene Martin Swiss artist, Jour de l’An 1937, Geneva painting...

Views from Cider with Rosie 1 is an Original Oil Painting by Eleanor Woolley. This is a Plein Air painting from one of the Artists favourite view points on the Cotswold escarpment. W...

'Piazza di Spagna, Roma' oil on canvas, by Yves Brayer (1933). At the bottom of the Spanish Steps, is one of the most famous squares in Rome. It owes ...

Abstract cityscape indebted to Matisse's "View of Notre Dame."

Her work with signs, symbols and esoteric spirituality reflects her passion for the ancient past and represents a symbolic return to the ground from which we emerged. Her work creates a commentary about “beginnings” and the transmission of signs and emotions through visual elements evoking a spiritual essence to our scientific notion of etymology. After studying under Rolf Dürig...

Masri is a passionate Italian, US-based artist whose work has been exhibited in USA, the UK, Germany, Lebanon, Italy and Norway. His work is varied and known especially in Europe, an...