Donald McIntyre

Pleasure Boats Coastal Landscape painting of boats, figures, fisherman and beach

Framed Size: 28" x 38" McIntyre’s Porthscatho captures the quiet rhythm of a Cornish fishing village, its boats drawn up onto the shore at low tide. The composition leads the eye acr...

Framed size: 29.5" x 39.5" McIntyre’s Green Sea, Port Ban captures the luminous beauty of the Scottish coastline with bold colour and expressive brushwork. The wide sweep of pale sa...

'Boats on the Shore' Contemporary Colourful painting of sand, sea and sun. Bold powerful colours that create a striking piece that would look beautiful in any interior setting. At ...

Framed size: 22.5" x 26.5" This evocative impressionist painting portrays a bustling harbour scene, with fishing or sailing boats gently bobbing on calm waters. Striking red sails do...

Fishing Boats Moored Simone Forge 1930's French Impressionist oil on board unframed board: 13 x 16 inches Provenance: private collection Condition: great condition For more any m...

A delicate study of moored boats by the artist Pauline Plummer (b.1933). Signed to the lower left. Well presented in a painted frame. On canvas board.

"The Boat Yard" by Maurice Crawshaw (British, born 1947) signed lower corner oil painting on canvas, unframed canvas measurements:14 x 18 inches provenance: private collection, Eng...

Harry Leith-Ross (1886 - 1973) Fisherman of Yankee Cove Oil on canvasboard 8 1/8 x 10 1/2 inches Signed lower left; also with artist, title, and number '39' on label verso Provenance: Private Collection, Pennsylvania Landscape painter Harry Leith-Ross was born in Mauritius in 1886, a British possession in the Indian Ocean. He came to America as a seventeen year old. Before beginning, some ten years later in 1914, his studies at the Art Students League Summer School in Woodstock, New York at the relatively late age of twenty-eight, Leith-Ross had worked as a commercial artist. He studied with John F. Carlson and Birge Harrison at the League Summer School, and later with C. Y. Turner at the National Academy of Design in New York City. He then went to Paris, studying with Jean Paul Laurens at the Academie Julien and in England with Stanhope Forbes. Long associated with the Bucks County artists' colony in New Hope, Pennsylvania, Leith-Ross may have first gone there in 1912. It is definitely known that he visited the area in 1916 at the invitation of a student he had met when both attended the Art Students League Summer School in Woodstock, John Fulton Folinsbee. Birge Harrison, his former instructor at the League, whom he met again, was also there in New Hope during the winters from 1914 to 1916. The third and last generation of the New Hope colony would be comprised of artists like Leith-Ross, Folinsbee and Kenneth R. Nunamaker. It is somewhat ironic that Leith-Ross, so long affiliated with the New Hope School of American Impressionism...