Donny HAHN

Four Seasons Winter

Title Unknown (Gaspe Bay Houses) Acrylic on board, 46 1/4 x 34 inches Signed lower right Condition: Good Minor surface wear to the frame Provenance: Estate of the artist by decent to his daughter Gretchen William C. Grauer (1895-1985) William C. Grauer (1895-1985) was born in Philadelphia to German immigrant parents. After attending the Philadelphia Museum School of Industrial Art, Grauer received a four year scholarship from the City of Philadelphia to pursue post graduate work. It was during this time that Grauer began working as a designer at the Decorative Stained Glass Co. in Philadelphia. Following his World War I service in France, Grauer moved to Akron, Ohio where he opened a studio in 1919 with his future brother-in-law, the architect George Evans...

Painting of New York City Fire Department in New York City by Contemporary British Artist, Angela Wakefield. Art measures 36 x 24 inches Frame measures 41 x 29 inches Angela Wake...

“Evening, 1971” by Robert Dash (American, 1931-2013) In 1967, Dash purchased an old barn on a small field in Sagaponack, NY. Over the next several decades, he turned the feral groun...

Italian mountains, sky, blues, greys, by American painter and illustrator Peter Geregely

Represented by George Billis Gallery, NYC & LA -- From Robertson's Artist Statement, "Growing up on the plains of west Texas, I understood the notion of wide, open spaces. The tablet...

Treasure 30.0 x 24.0 x 1.5, 8.0 lbs Arcylic on canvas Hand signed by artist Artist's Commentary: "Joyous discovery of sea glass and sea shells on the beach. One of an ongoing s...

Oregon Coast Breeze 36.0 x 48.0 x 1.5, 12.0 lbs Arcylic on wood panel Hand signed by artist Artist's Commentary: "A boy wades in the mirror-like ocean of the Pacific Northwest ...

"Sea Cliff" Mid Century Modern Coastal Cliff Seascape in Acrylic on Masonite Expansive seascape by notable California artist Farren Jensen (American, 19...

Trompe l'Oeil Still Life and Landscape in Acrylic on Masonite Still life in the trompe l'oeil style by Richard M. Bacon (American, 20th Century). A still life with a bottle, fishbow...

Out of many come one. A huge back mountain is formed out of scores of gas spewing smokestacks. The foreboding back mass fills most of the pictorial area. As one gets closer to the canvas, the complexity of the mass if revealed in low on contrast as we see the diverse variety of the stacks with accompanying petrochemical architecture. Above the stacks, plums of air pollutants like sulfur dioxide and nitrogen oxides rise gracefully into the atmosphere. The artist focuses less on the by-product of the stacks and more on his giant pollution machine that he has so astutely rendered. The work is mostly monochromatic but the artist has indicted a red tonality of a sunset/sunrise that offsets the charcoal blacks and grays. ______________________________________________ Submitted by Tamarind Institute Ian Davis...