Elizabeth Lamoma Kerr

Elizabeth Lamoma Kerr (1905-1990) - 20th Century Oil, River at Old Basing

Unknown

This pastoral landscape painting depicts a serene countryside scene featuring rolling green hills, mature trees, and a winding stream that meanders through the verdant terrain. Sign...

Unsigned. On canvas board.

A sunny, impressionistic oil river scene showing women and children washing their clothes in the waters of a sparkling river in a intercontinental landscape. The artist's use of ligh...

Monogrammed to the lower left-hand corner. The artist's name and title are inscribed on the reverse. Presented in a gilt-effect frame with an inner fabric detail. On canvas on stretc...

Signed lower left, 'F. Laval' for Fernand Laval (French, 1886-1966) and dated 1948. Born in Dordogne, Fernand Laval arrived in Paris at the age of 26 to study art and, during the e...

Frank Lewis Emanuel 1865 - 1948 By the River, Montreuil Oil on board, signed and inscribed on reverse Image size: 13 1/4 x 10 inches (33.5 x 25.5 c...

A beautiful 1930's French expressionist oil on canvas depicting a river landscape with a bridge and houses under a dramatic sky. Excellent quality work, with lovely impasto brush wo...

Romantic landscape, oil on panel. A saw mill is viewed from across a rapid river in this delightful scene near Woodbridge, Ontario, by Bernice Martin. Title, date on verso. This painting is unframed. Woodbridge, Ontario, is a settlement named in 1855 after a wooden bridge that crossed the Humber River as an entry point into the town. Martin's work is rooted in the post-Impressionist, atmospheric landscape style made well known by J.W. Beatty a forerunner to the Group of Seven. “I look back on my life and my painting hours were the happiest. I’d spend long hours and forget time…my time was always measured by the passage of light.” —Bernice Fenwick Martin Born in Shelburne, Ontario, Bernice Martin studied at the Ontario College of Art under noted Canadian artists J.W. Beatty and Franklin Carmichael. After the death of Beatty in 1941, she found friendship in Peter Clapham Sheppard with whom she studied and worked with until his death in 1965. Working in oil, watercolor and woodcut, Martin focused on local scenes such as the Toronto harbor, small towns in Ontario and Northern landscapes including Muskoka, Haliburton, and Algonquin Park regions of Ontario. Martin’s works were showcased at the Royal Canadian Academy from 1945-1947 and displayed in solo exhibitions in Toronto galleries throughout her career at T. Eaton Co...