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Emanuel SchulzeFog II by Emanuel Schulze - Oil painting, abstract, dripping, oneiric2021
2021
$4,560.72
£3,418.58
€3,840
CA$6,306.80
A$6,866.49
CHF 3,666.49
MX$82,889.34
NOK 46,094.33
SEK 42,873.09
DKK 29,256.59
About the Item
Fog II is a unique oil on canvas painting by contemporary artist Emanuel Schulze, dimensions are 80 × 100 cm (31.5 × 39.4 in).
The artwork is signed, sold unframed and comes with a certificate of authenticity.
This work stands out within the artist’s oeuvre, particularly in terms of iconography. Unlike his other pieces, architectural elements are absent. Using techniques such as dripping, the artist creates a landscape that hovers between abstraction and figuration, imbued with a distinctly dreamlike atmosphere. Also a stage designer, Emanuel Schulze has a keen interest in spatial planning, which he brings into his paintings. For him, geometric shapes are fundamental, providing structure and boundaries to our living world.
Landscaped spaces, the second key element of his work, are treated with greater experimentation and spontaneity, leaving room for the viewer’s imagination. Schulze masterfully balances the technical precision of architectural forms with the pictorial freedom of imagined landscapes.
This artwork is accompanied by a certificate of authenticity. The listed price does not include the frame. It can be sold framed in an American box; please contact us for a quote.
- Creator:Emanuel Schulze (1974, German)
- Creation Year:2021
- Dimensions:Height: 31.5 in (80 cm)Width: 39.38 in (100 cm)
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117224852
Emanuel Schulze
Emanuel Schulze’s paintings plunge the viewer into a dreamlike world in which architecture and landscape are intimately linked. Also a scenographer, the artist is particularly interested in the planning of space. In his view, geometric shapes are essential because they structure and delimit our living world. Landscapes, on the other hand, are worked on with much more experimentation and without exact planning, leaving room for the imagination. These dreamlike interpretations of landscapes invite the viewer to contemplate and introspect. The colours chosen by the artist, sometimes bright, sometimes pastel, contribute to the meticulous construction of his paintings and form an integral part of them. “In order to bring closer the architecture and the landscapes, it is necessary to work on the harmony of the colours. The colour is subordinate to the painting, but it is also a central element of the atmosphere of my work.”
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