Ethel Williams

The Friendly Path, Rabbits, 1920s Landscape, Split Rail Fence

1928

"Apaches" is an oil on canvas painting by Olaf Wieghorst. The painting is signed on the lower left, "O-Wieghorst". The framed piece measures 25 1/2 x 29 3/4 x 2 in. “When the time comes for me to put away my palette and unsaddle my pony for the last time, I hope that my canvases will in some small measure add to the historical recording of an era, the cowboy, and the great American West.” ~ Olaf Wieghorst Wieghorst worked with the mounted patrol of the 7th Cavalry Regiment of the United States Cavalry (1920-1922) with occasional interludes as a wrangler on ranches in the western states. Wherever he went, he sketched and painted the Western culture he loved, often selling his work as calendar and magazine illustrations. His work appeared in Zane Grey...

The Saturday Evening Post cover, June 9, 1951 'John Clymer, while migrating through Wyoming in a motorcar, was amazed at the variety of birds that go there summers to keep house....

Friends and family enjoying the setting sun at Lake Tahoe with early evening light and majestic alpine mountain ridge in the distance. Willard Dixon is one of the finest American contemporary realist painters living today. The artist has painted Northern California coastal landscapes for over 35 years and his work captures the undeniable beauty of the West with its grand and humble spirit. Dixon’s work can be found in numerous distinctive private and public collections, as well as the San Francisco Museum of Modern Art, the Metropolitan Museum of Art in New York, and the Oakland Museum of California. Tahoe Evening is 35 x 55 inches. The work of art comes to you framed in a light wood floater frame and is ready to hang and enjoy for years to come. Artist signed and dated. Condition is excellent. SELECTED PUBLIC COLLECTIONS San Francisco Museum of Modern Art The Metropolitan Museum of Art The Oakland Museum The Utah Museum of Fine Art The San Francisco Art Commission AMA Headquarters, washington, D.C. Pacific Gas and Electric Co., S.F. CA. Transamerica Headquarters,S.F., CA. San Francisco International Airport IBM Corporation, San Jose, CA. Pacific Bell SELECTED PRIVATE COLLECTIONS Mr. Harrison Ford Mr. Peter Duchin Ms. Linda Ronstadt Ms Faye Dunaway Mr. Peter Morton Mrs. H.J. Heinze Mr Rupert Lowenstein Mr. Chappy Morris Mr. Griffen Dunne Margy Boyd Caroline Graham Mr. Richard Baker Ms. Sabrina Guinness Mr. Peter Asher...

Oil on Canvas Canvas size: 24 x 36 in. Frame Size: 33 x 39 in. "Turning them North" is an exhilarating scene of the American Old West by Gary Lynn Roberts (b. 1953, American) execut...

David Molesky Molesky’s latest body of work approaches art history with wit and irony. Drawing from classical themes and the heroic narrative, he subverts these traditions by casting...

Molesky’s latest body of work approaches art history with wit and irony. Drawing from classical themes and the heroic narrative, he subverts these traditions by casting the banana as...

Molesky’s latest body of work approaches art history with wit and irony. Drawing from classical themes and the heroic narrative, he subverts these traditions by casting the banana as...

Canvas Size: 12 x 16 in. Frame Size: 20.5 x 24.5 in. Signed, lower left: "Don Warren" A serene, classic, and cheerful scene in the Texas Hill Country by Don Warren. The foreground i...

James Fairman "Sunset" c. 1880 Oil on Canvas Signed Lower Left Site: 32.5 x 29.5 inches Framed: 46 x 42 inches James Fairman worked as a landscape painter, critic, lecturer, musicia...

It was Henry Cross's portraits of horses belonging to the prominent breeders and trainers of the second half of the nineteenth century that won the artist renown as an animal painter. Born and raised in upstate New York, Cross's proficiency in both drafting and caricature was revealed while he was still a student at the Binghamton Academy, New York. In 1852, when he was only fifteen years old, Cross joined a traveling circus that took him to Minneapolis, Minnesota, and to the first of many Indian encampments that he would draw upon for subject matter throughout his career. Biographers differ as to the year Cross left for Europe, however, he was in Paris from 1852 to 1853 or 1854, where he studied with Rosa Bonheur, a highly esteemed French painter of horses. Upon Cross's return to the United States he was commissioned to paint the studs of wealthy horsemen, including those of Commodore Cornelius Vanderbilt, Robert Bonner, the owner-publisher of The New York Ledger, and "Copper King" Marcus Daly, whose 18,000 acre stock farm was reputed to be the greatest and most valuable horse ranch in the world. Although Cross received the highest pay of any equine artist of his day (up to $35,000. for one order, according to The Horse Review of April 10, 1918, p. 328), he frequently joined traveling circuses and painted the locales where they visited. He also painted portraits of notable contemporaries, such as President Abraham Lincoln, ex-president Ulysses S. Grant, King Edward VII of England, W. F. "Buffalo Bill...