Eugene Garin

Misty Morning at Near Point, Carmel Seascape

Circa 1970

Traditional Oil Painting of the English Countryside with River Otters by Modern British Landscape Artist Art measures 30 x 20 inches Frame measures 36 x 26 inches James Wright...

Oil on canvas

Oil on canvas

Oil on canvas Kamsar Ohanyan is an Armenian artist born in 1991 who lives and works in Yerevan, Armenia. He studied in Yerevan at State Pedagogical University with Kh. Abovyan at th...

Oil on canvas Kamsar Ohanyan is an Armenian artist born in 1991 who lives and works in Yerevan, Armenia. He studied in Yerevan at State Pedagogical University with Kh. Abovyan at th...

Oil on canvas Kamsar Ohanyan is an Armenian artist born in 1991 who lives and works in Yerevan, Armenia. He studied in Yerevan at State Pedagogical University with Kh. Abovyan at th...

Israeli born artist that works mainly in Hawaii, whose realistic and whimsical landscapes has earned him a vast reputation. Blayer's work was critiqued in the New York Times (see be...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

John Berry is a well-known English artist who painted portraits of the royal family. During his career, he discovered Edward Curtis's photographs of Native Americans and became awestruck by the strength and power each portrait held. He studied them in-depth and became an expert in depicting the Native American lifestyle and portraits. This painting entitled "Solitary Figure" is an original oil on canvas painting measuring 40x30 in. In this painting a Native American chief with an Indian headdress...

Cowboys trying to run out of the storm on this cold rainy day of cattle herding on the ranch. A cowboy in a wagon being pulled by four brown and black horses is herding the longhorns...