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Ferdinand du PuigaudeauLa Fête Foraine De Nuit À Batz-Sur-Mer By Ferdinand Du PuigaudeauCirca 1905
Circa 1905
$88,500
£67,187.51
€77,456.26
CA$125,195.46
A$134,784.30
CHF 72,179.62
MX$1,624,102.91
NOK 910,706.77
SEK 833,443.77
DKK 578,784.16
About the Item
Ferdinand du Puigaudeau
1864-1930 French
La fête foraine de nuit à Batz-sur-Mer
(The Nighttime Fair at Batz-sur-Mer)
Signed "F. du Puigaudeau" (lower right)
Oil on canvas
Glowing with a festive air, this bustling carnival scene is a quintessential work by French artist Ferdinand du Puigaudeau. Beloved for his vibrant compositions of country life, fairs and fireworks, du Puigaudeau cultivated a unique artistic vision that masterfully synthesized elements of Impressionism, Symbolism and Neo-Impressionism.
The crowded night fair of La fête foraine de nuit à Batz-sur-Mer comes to life under du Puigaudeau's energetic brushwork and vivid color palette. The composition displays a virtuosic luminosity, as a warm glow emanates from the carousel and du Puigaudeau's trademark fireworks light up the sky. The artist would have encountered this delightful scene while living on the Brittany coast after 1904, and he captured the distinct atmosphere and visual character of this region—like the medieval architecture and the white bonnets of the Breton women—with alluring accuracy.
Du Puigaudeau was born in Nantes, France in 1864, and he was large ely a self-taught artist at the beginning of his career, teaching himself to paint on trips to Italy and Tunisia. In 1886, he arrived at the famous artist colony of Pont-Aven, where he met and was greatly influenced by Paul Gauguin. By 1890, du Puigaudeau was exhibiting works at the Salon of the Société Nationale des Beaux-Arts and with the famed gallerist Paul Durand-Ruel. In 1897, the famed Edgar Degas bought one of his Fireworks through Durand-Ruel, and the two artists became fast friends. Today his works are held in major collections including the Thyssen-Bornemisza Museum in Madrid and the Indianapolis Museum of Art, among others.
Circa 1905
Canvas: 23" high x 31 1/8" wide (58.42 x 79.06 cm)
Frame: 33" high x 41 1/4" wide x 4 3/8" deep (83.82 x 104.78 x 11.11 cm)
Provenance:
Private Collection, France
Sale, Christie's Paris, 20 June 2018, Lot 115
Private Collection, acquired from above
M.S. Rau, New Orleans
- Creator:Ferdinand du Puigaudeau (1864-1930, French)
- Creation Year:Circa 1905
- Dimensions:Height: 33 in (83.82 cm)Width: 41.25 in (104.78 cm)Depth: 4.38 in (11.13 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:Seller: 31-88231stDibs: LU18614682962
Ferdinand du Puigaudeau
Ferdinand du Puigaudeau was born in 1864 in Nantes, France. After receiving a traditional education at various boarding schools, Puigaudeau traveled to Italy and
Tunisia in 1882 and learned to paint, as encouraged by his uncle. His earliest works were produced in Brittany in the late 1880s, where he met Paul Gauguin and Charles Laval. After enlistment in military service, Puigaudeau presented one of his works at the Salon of the Société Nationale des Beaux-Arts in Paris, where he met the Impressionist dealer Durand Ruel in 1890. After a brief time in Venice and a period of financial troubles, Puigaudeau moved into a loaned manor, Kervaudu, in Le Croisic, where he remained isolated and safer during World War I. Puigadeau’s technique involved applying color by various brushstrokes to create a wide range of lighting. He also focused on portraying objects in a structured way, prioritizing detail. His creative light effects are evident in his many paintings of Bretagne depicting Breton women, often by candlelight. Puigaudeau rarely exhibited; his first solo exhibition was in 1903 at the Galerie des Artistes Modernes in Paris. More recently, several of his paintings were featured at the
Musée de Vannes in La Cohue to show the golden age of painting in Brittany. His
paintings are in various museums, including the Thyssen-Bornemisza Museum in
Madrid, the Musée Jacobins in Morlaix, the Musée des Beaux-Arts in Nantes, and the
Indianapolis Museum of Art.
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