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Ferdinand du PuigaudeauVenice Scene by French Post-Impressionist early 20th Century oil on canvasc. 1904
c. 1904
$15,000
£11,444.63
€13,028.81
CA$21,082.67
A$23,174.99
CHF 12,166.76
MX$275,567.24
NOK 156,248.82
SEK 142,325.79
DKK 97,346.10
About the Item
Signature: Bottom right
Provenance
Galerie Marie Bruyer, France
Private collection, NY
Literature
Antoine Laurentin, Ferdinand du Puigaudeau, Catalogue raisonné de l’œuvre peint, Vol. I, Paris, 1989, no. 69, p. 283, illustrated.
In 1904, Puigaudeau returned to Venice. During this visit, and before permanently settling in Brittany, he produced nearly fifty works, portraying La Sérénissime from every possible perspective, by moonlight, beneath fireworks, along the Grand Canal etc. Venice stimulated Puigaudeau's skills and sensitivity as both a painter and a poet of
atmosphere. On canvas, he transformed the city into a luminous symphony of light, color, and reflection. Puigadeau’s technique involved applying color by various brushstrokes to
create a wide range of lighting.
- Creator:Ferdinand du Puigaudeau (1864-1930, French)
- Creation Year:c. 1904
- Dimensions:Height: 9.5 in (24.13 cm)Width: 8.75 in (22.23 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU2733217105082
Ferdinand du Puigaudeau
Ferdinand du Puigaudeau was born in 1864 in Nantes, France. After receiving a traditional education at various boarding schools, Puigaudeau traveled to Italy and
Tunisia in 1882 and learned to paint, as encouraged by his uncle. His earliest works were produced in Brittany in the late 1880s, where he met Paul Gauguin and Charles Laval. After enlistment in military service, Puigaudeau presented one of his works at the Salon of the Société Nationale des Beaux-Arts in Paris, where he met the Impressionist dealer Durand Ruel in 1890. After a brief time in Venice and a period of financial troubles, Puigaudeau moved into a loaned manor, Kervaudu, in Le Croisic, where he remained isolated and safer during World War I. Puigadeau’s technique involved applying color by various brushstrokes to create a wide range of lighting. He also focused on portraying objects in a structured way, prioritizing detail. His creative light effects are evident in his many paintings of Bretagne depicting Breton women, often by candlelight. Puigaudeau rarely exhibited; his first solo exhibition was in 1903 at the Galerie des Artistes Modernes in Paris. More recently, several of his paintings were featured at the
Musée de Vannes in La Cohue to show the golden age of painting in Brittany. His
paintings are in various museums, including the Thyssen-Bornemisza Museum in
Madrid, the Musée Jacobins in Morlaix, the Musée des Beaux-Arts in Nantes, and the
Indianapolis Museum of Art.
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