Framed Landscape Paintings

Up for sale another beautiful mystery painting. An impressionistic little gem with very accomplished broken brushstroke technique. Painting is signed and dated upper right but I cann...

A fine and pertinent example of Nathan Hoffman's charming New York City scenes. Here we find a Central Park pathway looking South East and the General Motors Bulging along with some ...

Winter Mist oil/canvas 16x20 unframed, 22.38 x 26.38 framed Winter Mist is a beautiful impressionistic landscape scene that showcases an idyllic winter snow scene with horses on a fa...

Cityscape Mid-20th Century Modern Social Realism American Scene Regionalism WPA Samuel Thal (1903 to 1964) "Cityscene" 12 x 16 inches Oil on board, c. 1940s Signed verso Framed: 19...

John Cousins Lawrence Croquet Signed lower right and on the overlap Oil on canvas 25 x 30 inches

Signed impressionist oil on canvas landscape circa 1950 by sought after French painter Edouard Cortes. The work depicts an evening scene of the Place de la Republique square in Paris France. The ground, bare trees and buildings are covered in a dusting of white snow. The street lights are glowing and the Monument a la Republique is visible in the distance. Signature: Signed lower left Dimensions: Framed: 19"x24" Unframed: 13"x18" Provenance: International Galleries - Chicago c. 1950 This work is included in the Catalogue Raisonne of the painters work "Edouard Cortes (1882-1969) : The Complete Works" Ref: EC001317 A photo certificate of authenticity accompanies the painting Edouard Leon Cortes, the son of the painter Antonio Cortès, was sent to the front during World War I to sketch enemy positions. In civilian life, his base was in Lagny in the former studio of Cavallo-Peduzzi. Although he travelled extensively in France. Notably in Normandy, Brittany, the Champagne region and Savoy painting...

Highly detailed seascape by William Henry Blackman (American, b. 1930). A wave crashes at the shore, glowing from the sun shining through. Above the wave, a few gulls glide across the scene. The rocks in the foreground and the cliffs in the midground are finely textured, adding a lovely sense of realistic detail. Signed "Wm. Blackman" in the lower right corner. Artist's stamp on verso, along with other inventory markings. Artist's name written on edge of canvas. Presented in an ornate wood frame with a linen liner and fillet. Canvas size: 18"H x 24"W William Henry Blackman (American, b. 1930) was born in San Diego, CA in 1930. He spent most of his early years in West Los Angeles. Blackman began painting at age 12. In high school he majored in art so he could experiment with various mediums to find ways to interpret his ideas. In December of 1948 he joined the Navy and was stationed in Hawaii. He studied at Woodbury College where he learned advertising and graphic arts. In 1960 he bought a home with his wife Shirley in the San Fernando Valley and worked as an advertising manager. His position put him in contact with art directors and they would lunch together and then visit various art galleries in the area. He began oil painting again as a hobby. In 1964 he made an important contact through an associate at his agency. This person was a vice-president at Aaron Brothers Galleries and purchased paintings for them. They had showrooms in various major cities and sold original framed paintings to art galleries and furniture stores. He said they could possibly sell some of his seascapes so Bill began painting in his spare time. Gradually, they sold more than he could produce so Bill made the decision to leave the advertising business and devote his time to painting. Note: the original Aaron Brothers Art Galleries Certificate included with the painting. In 1965 the Blackman's moved to Thousand Oaks, California. He began his career as a fine artist and to this day resides in Thousand Oaks. He contracted with Aaron Brothers to be his exclusive agents and began specializing in seascapes. After a few years he added landscapes and some other subjects. Bluebonnet landscapes...

A Brightly-colored, Mid-Century painting of a red barn & mill scene by notable Illinois artist Stan Dudek. After years of driving from his home in the far west suburbs to his job as...

Antique American impressionist Italian landscape oil painting by Howard Logan Hildebrandt (1872 - 1958). Oil on board. Framed. Measuri...

Cannes, South of France by Guy Pichon (French 1933-2007) oil on canvas, unframed 60cm x 50cm signed provenance: private collection, France The painting is...

Guy Wiggins Clearing after a Shower Signed lower right, titled on verso Oil on panel 12 x 16 inches Guy Carleton Wiggins is best known for his impressionistic snow scenes of New Yo...

Title: Venice Canal Scene With Gondola And Reflections Original Watercolour Painting By Tony Herbert (1927-2024) Medium: Watercolor on paper, unframed Size: 10.25 inches (height) x 1...

"Leaving Orange Pt. 1" (2020) by Francesca Reyes Oil painting on wood panel, urban skyscape, sunrise or sunset Figurative Art / Representations of Architecture / Cityscapes and City Scenes / Dark Colors Small scale vertical contemporary landscape, cityscape. Moody color tones of a Philadelphia...

Lokre. 20ème Siècle Toulon, Le Port, La Vieille Darse, Mai 1939. (Quai Cronstadt). Oil On Canvas. Signed Lower Left. Image size 25.4 inches x 19.5 inches ( 64.5cm x 49.5cm ). Frame ...

Oxford Street in the City of London at Night with a Red London Bus by Contemporary Urban Landscape Artist, Angela Wakefield. One of the themes of Angel...

The Old Wooden Fence by David Witcher, English circa 1970's signed oil on canvas, framed framed: 24 x 29 inches canvas: 20 x 24 inches Provenance: private collection, UK Condition: ...

Stephen Day's (US based) "Spring Aspen" is an original, handmade oil painting that depicts a forest of Pine and Aspen trees coming to life with new green buds of leaves and the thicket of the forest floor beginning to grow. Stephen Day was born in Sheridan, Wyoming, and, while growing up he lived in Santa Fe, New Mexico, Aspen Colorado, and Durango, Colorado. He always felt the wonderfully unique beauty of the west but until he became an artist he really didn't know how to fully respond to that beauty. Day is now a full-time artist living in Taos, New Mexico. Working mainly in oil he paints various subjects from life but the landscape is his first love. He says of his working philosophy, "I paint almost exclusively from life trying to capture the feeling and the mood of the subject before me. This work philosophy forces me to paint quickly to get a spontaneous and fresh response, because everything around us (including ourselves) is in a constant state of change." Day frequently paints on location and uses these smaller paintings to create larger studio paintings. Artist's Background: 1976 - Bachelor of Arts Degree, McMurry College, Abilene, Texas 1980 - Master's Degree, Southern Methodist University, Dallas, Texas Studied at the Art Students League of Denver with Bruce Cody...

A picturesque, 1940s American Scene landscape painting of a country farm with barn and silo by notable Chicago Modern artist, Francis Chapin. Painting likely depicts a country farm ...

River Meadow with Cattle & Cottage in the English Countryside by British Artist, Tony Mercier (Born 1945) Art measures 16 x 12 inches Frame measures 20 x 16 inches Signed Vintag...

Harry Pennell ARCA Picture Size: 24 x 40" (61 x 102cm) Outside Frame Size 31 x 47" (79 x 120cm) Signed oil painting on canvas Exhibition Period 1900 – 1930 Harry Pennell (1879-193...

***This artwork is currently on exhibit at the Instituto Cervantes, Chicago until September 2025. If purchased this artwork will be available to ship after September 1, 2025. Contact the gallery with questions. This small scale painting draws the viewer in with its painstaking detail. Each leaf and blade of grass a rendered in tiny brush strokes making the painting feel much larger than it is. Vivid greens and crystal clear water create an almost fish-eye perspective. This oil on panel painting is framed in a rich brown wooden frame measuring 13.25 x 21.25 inches "Pozas" René Monzón...

This is an original oil painting on canvas - a seascape featuring a sailing ship in the stormy ocean depicts a dramatic and turbulent scene with the ship battling against the forces ...

Gaston’s real name is Chen Wei. He was born on July of 1972, in the Chinese Province of Heirongjiang. The beauty of art captivated Gaston at an early age. After receiving his art d...

San Francisco’s elegant Nob Hill caught the eye of Japanese-born, Californian painter Jean Kalisch ((1912-1995). In this atmospheric cityscape, the artist has rendered the famously e...

Carlo Pollonera (1849-1923) 'Dolomites at Santa Cristina' ‍ Oil on cardboard 48.5 x 69 cm Signed and dated lower left 1921 1920's landscape painting of the Dolomite Mountains in It...

This maritime painting depicts several sailing vessels navigating choppy waters under a dramatic, cloud-filled sky, with a prominent boat featuring distinctive red sails positioned i...

This work is a contemplative abstract landscape, it is painted in oil on linen canvas using the lessirovka technique - this is when layers of paint let light through, and the lower l...

Oil on canvas 52 x 36 inches (132.1 x 91.4 cm) Framed dimensions: 53 1/4 x 37 1/4 in Dated and inscribed on verso: 2009/42 Provenance Morrison Gallery, Kent, CT; Private collection,...

Large French Expressionist oil on canvas painting of a golden cornfield and landscape beyond by Jean Arène. Signed and dated bottom left. The painting is titled to the back stretcher...

Bringing in the Harvest British School, late 19th century signed lower corner oil painting on canvas, framed framed: 29.5 x 55.5 inches canvas: 24 x 50.5 inches provenance: private c...

Fine, aged maritime painting of sailing ships in a late evening sky, this oil painting is on old thick wood and period frame. Johannes Keokkeok (1788-1852) is the father of a family ...

Step into the tranquil beauty of the American West with “View from the Park,” a stunning original oil on canvas by renowned Colorado modernist Charles Ragland Bunnell (1897–1968). Th...

Alfred Wahlberg was a distinguished Swedish landscape painter whose career spanned Germany, France, and Sweden. During his early years, he resided in D...

Collecting Seashells Oil on canvas, 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm) Framed dimensions: 17 3/4 x 21 5/8 inches Signed lower left: W.E. Norton Born in 1843 to a family of Bost...

Charles Salis Kaelin (American, 1858–1929) Harbor and Town Oil on canvas 25.75 in. h. x 27.75 in. w., as framed 18 in. h. x 20 in. w., canvas Described as an artist whose "love of nature amounted to a passion," Charles Salis Kaelin was one of the earliest American exponents of Divisionism. A respected member of the art colony at Rockport, Massachusetts, Kaelin's colorful renderings of Cape Ann...

A beautiful oil on canvas painting by the French artist, Te Pencke. Pencke was a Parisian painter known for his colorful cityscapes depicting the times of his generation. His work is...

The Evening Show, Times Square oil/panel 16 x 12 image unframed, 22.5 x 18.5 framed, is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases t...

Pauline Palmer Ladies' Sketch Club Signed lower left Oil on board 20 x 24 inches Pauline Palmer (1867 - 1938) was one of Chicago's early twentieth-century portrait and landscape pa...

"Meadow in the Rockies" (2025) by Lorenzo Chavez is an original, handmade oil painting that depicts a serene autumn midwestern landscape, looking out onto the base of small mountain ...

Artist/ School: M.J Ruisdael 20th Century, British, signed Title: A Hunting Scene Medium: signed oil on canvas , framed Size: 20 x 30 inches plus the frame. Provenance: private ...

A stunning depiction of a boat sailing along. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressions. With unique colors, we can feel the moo...

This striking original vintage oil painting on canvas captures the dramatic energy of the sea. Against a turbulent sky of layered blues and storm‑laden clouds, a majestic sailing shi...

Henri Pearson (French, 19th Century) Harbour Scene with Fishing Boats and Figures on the Shore Oil on wood panel, circa 1880–1890 This evocative harbour scene by the French painter H...

Russian contemporary, Boris Borsch has blended oils straight from the tube in this impressive impasto view of St Petersburg, with obtrusive autumn trees. The painting is signed to th...

Luminosa opera di un prato con fiori di primavera

Signed lower right 'Vantore' for Mogens Erik Christien Vantore (Danish, 1895-1977) and painted circa 1925. Framed dimensions: 23 H x 28.75 W x 1.25 D inches. An early twentieth-cent...

Oil on wood sold with frame Total size with frame 54x72 cm Signed Morini Zolfanelli, Swiss artist unknown from the gallery Dated 1993

Early American impressionist landscape painting. Framed. Possibly signed verso. Oil on board.

Mid Century Modern Impasto Oil Painting -- Venice at Sunset with St. Mark's Basilica Wonderful and evocative modern painting of Venice with gondolas...

The densely treed forest and mountain ledges of Hennen's Virginia home are the subject of this contemporary, highly detailed landscape painting. A snowy grove of trees is bisected by...

The Quiet River French Impressionist, signed and dated 1940's oil on canvas, framed in original French frame. signed and dated framed: 35.5 x 36 inches canvas: 24 x 29 inches Prove...

Summer Moon White House oil/panel 12 x 16 unframed, 18.25 x 22.25 framed pictured both silver or black. Summer Moon White House is an oil painting on canvas panel that showcases the ...

Mark Harrison’s "Out Of Town" is an original, handmade oil painting that captures the mysterious serenity of the Southern swamp at dusk. Painted in 2025, this atmospheric landscape i...

Artist/ School: French School, 1930's Title: The Country House and Gardens, Provence Medium: oil painting on board, framed no signature framed: 19 x 22 inches canvas: 15 x 1...

A superb example of a Barbizon inspired landscape painted by George Boyle, "the Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute ...

'The Mill', watercolour and graphite on paper, adhered on canvas, by Louis Latapie (circa 1930s). A colourful wintery scene, the bare trees are like wireless ...

Here for your consideration is an outstanding example of the landscape mastery of American artist, Edmund Darch Lewis. Fabulous light and clarity of the bucolic scene. Signed lower right and dated 1870. Recently cleaned. Several old patches verso with corresponding in paint. Condition is very good The painting is framed in its original gold leaf period frame which is in fine condition. Overall measurements are 35 by 46.5 inches. Edmund Darch Lewis was born in Philadelphia, the son of a prominent businessman. According to family tradition he was educated at a private school...

Signed oil on canvas landscape circa 1920 by French post impressionist painter Leon Detroy. The piece is painted in a divisionist style and depicts blossoming apple trees in an orcha...

Central Park Grand Army Plaza oil/panel 8 x 10 image unframed 12.63 x 14.5 framed is an oil painting on canvas panel by award winning contemporary artist Michael Budden. This is o...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Oil on Canvas Dated 1957 "Bluebonnet Creek" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...