Framed Landscape Paintings

Central Park Grand Army Plaza oil/panel 8 x 10 image unframed 12.63 x 14.5 framed is an oil painting on canvas panel by award winning contemporary artist Michael Budden. This is o...

Porfirio Salinas (1910-1973) San Antonio Artist Image Size: 30 x 40 Frame Size: 39 x 49 Medium: Oil on Canvas Dated 1957 "Bluebonnet Creek" Texas Hill Country Biography Porfirio Salinas (1910-1973) Porfirio Salinas was a self-taught artist who painted landscapes of Central Texas with an emphasis on the vast bluebonnet fields that grow there in the springtime. Born in 1910 in Bastrop, Texas, he attended public schools in San Antonio. He also observed works in progress by the director of the San Antonio Art School, Jose Arpa, as well as landscape painter, Robert Wood. Wood is said to have paid Salinas five dollars a picture to paint bluebonnets because "he hated to paint bluebonnets". Salinas served in the military from 1943 to 1945. Although he was assigned to Fort Sam Houston, he was allowed to live at home. At the fort, Colonel Telesphor Gottchalk assigned him to paint murals for the officer's lounge and various other projects, and Salinas continued to be able to paint during his entire conscripted period. Even before he achieved notoriety among galleries, dealers, and museums, Salinas was widely followed and appreciated by many Texans, including former President Lyndon B. Johnson, who may be considered responsible for launching Salinas popularity beyond the boundaries of Texas. In 1973, Texas capital, Austin, honored Salinas for having "done much to bring the culture of Mexico and Texas closer together with his paintings". Salinas died in April 1973 in San Antonio, Texas. From the years of the Great Depression through President Lyndon Johnson's Great Society of the 1960s, Texan Porfirio Salinas (1910-1973) remained one of the Lone Star State's most popular artists. Today, his works remain popular with Texas collectors and those who love landscapes of the beautiful "Hill Country" that lies in the center of the state. One of the first Mexican American painters to become widely recognized for his art, Salinas was a favorite of President Lyndon Johnson and his wife, Lady Bird Johnson, as well as of Sam Rayburn, the longest-serving Speaker of the House of Representatives, and Texas Governor John Connelly. In fact, President Johnson was so enamored with his Salinas paintings that the artist will forever be associated with America's first Texas-born President. Works by Porfirio Salinas are in a number of museum collections, grace the halls of the Texas State Capitol and the Governor's Mansion in Austin, and are included in virtually every major private collection of Early Texas Art. Porfirio Salinas was born on November 6, 1910, near the small town of Bastrop, Texas, about thirty miles from Austin. His father, Porfirio G. Salinas (1881-1967), and his mother, Clara G. Chavez, struggled to make a hardscrabble living as tenant farmers, but eventually were forced to give up farming. The family moved to San Antonio, where Salinas' father was able to get a job working as a laborer for the railroad, but the scenic area around Bastrop, with its pine trees and the wide expanse of the Rio Grande River, would forever remain a touchstone for the artist. For the rest of his life, Salinas and his brothers went back frequently to visit their grandmother in her little farmhouse. When in Bastrop, Porfirio painted on the banks of the Rio Grande or in the groves of pine trees. The Salinas family was close-knit and Porfirio was the middle child of five children, so he had an older brother and sister as well as a younger brother and sister. His mother was a native of Mexico, so throughout his childhood the family made the long drive to Mexico to visit Clara Salinas' family. As a child growing up in the bi-lingual section of San Antonio, Salinas drew and painted incessantly and by the time he was ten, he was already producing work that was mature enough to sell to his schoolteachers. Many years later in an article in the New York Times he was described as a "boy whose textbooks were seldom opened and whose sketchbook was never closed." Instead of studying, the young artist spent his spare time watching artists paint in and around San Antonio. As an aspiring painter, Salinas was fortunate to grow up in the historic city, which had the most active art scene in Texas. It was his exposure to older, professional painters that encouraged the precocious young painter to leave school early in order to help his family and pursue a career as a professional artist, despite his father's inability to see art as a career with any future for his son. When Salinas was about fifteen he came to know the artist Robert W. Wood (1889-1979). He met Wood while he was employed in an art supply store and he soon began to work as an assistant to the English-born painter, who had moved from Portland to San Antonio in 1924. Although the diminutive Englishman was already an established professional artist, he did not have a great deal of formal art training and so he was then studying with the academically trained Spanish painter Jose Arpa (1858-1952) in order to augment his knowledge and give his work a more polished look. Salinas was an eager young man, and while working in Wood's downtown San Antonio studio he learned to stretch canvases, frame paintings and to sketch in larger compositions from small plein-air studies for the English artist. He began to accompany Wood and Arpa to the hills outside San Antonio, where they painted small Plein-air studies of fields of blue lupin - the state flower, the famous "Bluebonnets" of Texas - in the springtime and scenes of the gnarled Red Oaks as they changed color in the fall. He was soon assisting Wood in the tedious work of painting the tiny blue flowers that collectors wanted to see in the landscapes they purchased of central Texas. According to a 1972 newspaper story, "Legend has it that one day in the 1920s artist Robert Wood decided he could not bear to paint another bluebonnet in one of his landscapes. He hired young Porfirio Salinas to paint them in for him at five dollars a painting." Whether this story is accurate or apocryphal isn't clear, but the ambitious and independent young Salinas wasn't destined to be anyone's assistant for very long. The formative event of Porfirio Salinas' teenage years was the Texas Wildflower Competitive Exhibitions, a Roaring-Twenties dream of the eccentric oilman Edgar B. Davis (1873-1951). These competitive shows of paintings of wildflowers and Texas life were mounted in San Antonio from 1927 to 1929. Held at the newly opened Witte Museum each spring, the exhibition featured large cash prizes donated by the philanthropic Davis, which were an inducement for artists to travel from all over the United States to paint in the Hill Country of Texas. The "Davis Competitions," as they were known, helped to cement San Antonio's reputation as an art center, a legacy that remains with the "River City" today. The shows generated a great deal of excitement in the area, helping to make celebrities of the some of the artists who had already settled there and encouraging others to make San Antonio their home. Over the three years that the wildflower competitions were held, more than 300 paintings were exhibited, and many thousands of viewers saw the paintings at the Witte Museum and on tours throughout the state and in New York. Each year Davis would generously purchase the winning paintings and then donate them to the San Antonio Art League. Young Porfirio Salinas would have been able to not only watch his two mentors - Robert W. Wood and Jose Arpa - paint the works that they entered in the Davis Competitions, he would have been able to see Arpa take several of the major prizes, receiving the judge's accolades for "Verbena," "Cactus Flower" and "Picking Cotton," works that are still on view at the San Antonio Art League Museum today. Unfortunately, Davis eventually put his donations to work in other charitable endeavors, bringing to an end the wildflower events, but only after they inspired Salinas and other young painters and had helped to make wildflower paintings the most sought-after subject for traditionalist Texas collectors. In 1930, when he was only twenty, Salinas hung out a shingle and began to paint professionally, augmenting the sales of his easel paintings with what little business he could garner by painting signs for local concerns. It was a struggle for the young artist to make a living, as the effects of the Great Depression were settling in. His early works are very similar to those of Robert Wood's, both in subject matter and treatment. Salinas did small paintings of Bluebonnets for the tourists who visited San Antonio to see the famous Alamo as well as paintings of the Texas missions...

Gorgeous seascape of Pacific Grove, California just north of Carmel by Marie Duncan (American, 20th Century), c. 1990. Signed lower right corner. Excelle...

Resurrection of Christ Attributed to the Master of the Prodigal Son / Jan Mandyn (1500-1560) Oil on panel, 73 x 56 cm (without frame), 81 x 63 cm (with frame) The work was exa...

Vintage American modernist landscape oil painting. Oil on board. Framed. Measuring: 14 by 17 inches overall, and 10 by 14 painting alone. In excellent original condition. Handsomely...

Work on paper Golden wooden frame with glass pane 43.5 x 53 x 1.5 cm

Signed and dated oil on canvas landscape by French impressionist painter Victor Alfred Paul Vignon. The piece depicts a view of scenery in Oise, a department in the north of France, ...

19th century Barbizon painting "The nymphs bathing in a forest landscape" The artist wonderfully captured this dreamy scenery with vibrant colours and assured brushstrokes, inviting...

Signed lower right: A. Cingria Inscribed lower left: Geneva 1814 This striking oil painting by Swiss artist Alexandre Cingria depicts a fishmonger standing with a basket of fish, ren...

Antique American impressionist oil painting of a New York River Valley by George A. Renouard (1885 - 1954). Oil on canvas, circa 1920. Signed on verso...

Topiaria. Big format Oil on canvas Beautiful garden by Chico Montilla. Measurements: (H) 130 x (W) 195 x 3 cm. Framed 142 x 207 x 5 cm. Colorful expressionist view of a garden with plants that have been given artistic form through the topiary art...

Untitled, c. 1940s, oil on Masonite, signed lower right, 19 ¾ x 25 ¾ inches Ava Vorhaus Gabriel was a New York-based painter, lithographer, and designer. Born in Larchmont, Gabriel ...

Robert Moore, American - Lakeside Cottage, Medium: Oil on Canvas, signed lower right, Size: 24.25 x 48 in. (61.6 x 121.92 cm), Frame Size: 34 x 58 inches

Hudson River School inspired landscape painting of sunset with orange glow “Evocation” painted by Jane Bloodgood-Abrams in 2014 oil on canvas 48 x 60 inches / 49.25 x 61.5 inches wi...

Henri Pierre LEJEUNE (1881-1961)  Notre Dame de Paris Oil on cardboard Dimensions of the artwork: 33 x 41 cm Signed in the lower left corner Provenance: Private collection, Norma...

ARTIST: Annabel Gosling (1942-) British TITLE: "Afternoon Sun" (1995) MEDIUM: oil on board SIGNED; lower right SIZE: 57cm x 49cm incl. frame CONDITION: very good NOTES: This work e...

Jose Vives-Atsara (1919-2004) San Antonio Artist Image Size: 24 x 30 Frame Size: 34 x 39 Medium: Oil Applied by Palette Knife Dated 1981 "Houses on the Hills" , Catalonia, Spain Biog...

Pausing for a Rest English School, circa 1800, unsigned the painting is very close to the works of Thomas Barker of Bath (English 1769-1847) oil on canvas, framed framed: 29 x 39 inc...

Winter Farm II oil/canvas panel 6 x 8 image unframe, 9.63 x 11.63 framed Signed LL I enjoy playing with light in my paintings and creating a mood while trying to push the range of co...

Alfred Fontville De Breanski (1877–1957) “English Cottage Garden”, circa 1920 Oil on canvas Signed lower right This richly coloured and romantic vision of rural England by Alfred F...

'Sailing at Kennebec, Maine' by Jason Schoener. Framed Abstract, Whitney Museum, Mills College, ASL, CCAC ---- Signed lower right, 'Schoener' for Jason Schoener (American, 1919-1997...

➡️Winter scene⬅️ Watercolor from Johannes Franciscus HOPPENBROUWERS (1819-1866) (see wikipedia) ⭐Structural Analysis⭐ This painting depicts a winter scene in a rural village, possibly in the Netherlands or a similar European setting. The composition is well-balanced, featuring: A central building with a distinctive thatched roof covered in snow, creating a focal point. A frozen river or canal, with a person ice skating in the middle ground, adding movement and human presence. A windmill and houses in the background, reinforcing a Dutch setting. Figures engaged in daily life, such as the man near the building carrying a walking stick and a bag, adding a narrative element. The overall scene is tranquil yet lively, capturing a nostalgic winter atmosphere. ⭐Color and Light⭐ The palette consists of muted earth tones, including warm browns, ochres, and soft grays, giving a rustic and aged appearance. The sky has an orange-yellow hue, possibly representing a sunrise or sunset, casting a gentle glow over the cold landscape...

Adriaen de Gryef (Leiden 1657 - Brussels 1722) Signed ‘A Gryeff f’(ecit) - centre left Peasant in the courtyard with still life of animals and fruit Oil on canvas Dimensions (cm): ...

Louis BONAMICI (1878-1966) Provence School Post Impressionist Les barques de peche c1920 A delightful post Impressionist painting of fishing boats nest...

The Old Fortress French School, mid 20th century indistinctly signed oil on canvas, framed in original period frame framed: 32 x 28 inches canvas : 26 x 22 inches Provenance: privat...

Signed and dated oil on canvas by French impressionist painter Charles Theophile Angrand. This wonderful and good-sized piece depicts an artist painting "en plain air" in a beautiful...

The Village Lane British artist, early 20th century oil on board, framed framed: 7 x 8.5 inches board: 6 x 7.5 inches provenance: private collection, England condition: very good an...

Classical Portrait Oil Painting signed oil on canvas, framed French artist, indistinctly signed dated 1900 Framed: 28 x 24 inches Canvas: 22 x 18 inches Provenance: private collectio...

This is an original oil painting on canvas, depicting a majestic sailing ship vigorously navigating through turbulent seas. The ship is shown in great detail, with all sails unfurled...

Signed figures in landscape circa 1950 by French impressionist painter Eduoard Cortes. The work depicts a view of La Madaleine, a Catholic parish church situated on Place de la Madel...

This superb Old Master 18th century figurative landscape oil painting is by noted French born artist Philip James Loutherbourg. who settled in England in 1771. The painting has good ...

Edmund Garvey (Kilkenny 1740-1813) A view of Bath Oil on canvas Canvas Size 20 x 28 in Framed Size 26 x 33 in Edmund Garvey (1740 – 28 May 1813) was an Irish landscape painter whose...

This is a beautiful large oil painting on canvas depicting a picturesque European coastal town with a bustling waterfront scene. The artist employs a rich, textured impasto technique...

Early 19th century English school Oil on canvas 35x55cm (50x75cm with frame) This view of the Thames from Richemond Hill is a famous site that was...

Katherine Westphal's oil on board painting titled 'Abstract Landscape' embodies the stylistic qualities of abstract painting. Using a diverse color palette of orange, red, yellow, bl...

Max Millman (American, ?-1998) Along Route 201, 1976 Oil on canvas 20 x 24 in. Framed: 27 3/4 x 32 x 2 in. Signed lower left: Miller Titled, dated verso: Along Route 201 [Possibly 20...

Gorgeous late 19th century Tonalist landscape painting of foothills and oak trees in the style of Willard Leroy Metcalf circa 1900. Inscribed "M" in circle monogram lower left corner and on frame verso. Presented in original rustic giltwood frame. Image size: 6"H x 8"W. Framed size: 8.5"H x 10.5"W. Tonalist are usually intimate works, painted with a limited palette. Tonalist paintings are softly expressive, suggestive rather than detailed, often depicting the landscape at twilight or evening, when there is an absence of contrast. Tonalist paintings could also be figurative, but in them, the figure was usually out of doors or in an interior in a low-key setting with little detail. Tonalism had its origins in the works of the French Barbizon school and in the works of American painters who were influenced by them. California Tonalism was born when the emphasis in California landscape painting passed from the grand landscapes of works like those of Thomas Hill and William Keith's early career, to more intimate views of a domesticated landscape. At the same time, the parallel Pictorialist Photography...

Vintage Oil Painting of Remote Cottage in the Dramatic Mountains of South Africa, by South African Artist, Marthinus la Grange (1920-1999) Art measures 14 x 10 inches Frame measur...

Henri Joseph Harpignies (France 1819 – 1916) Oil paint on Canvas Titled: “Bords de l’allier” Impressionist Barbizon landscape painting. Signed lower left H J Harpignies. Sight Size...

3564 Oil on canvas board Set in a vintage wood frame Image size 19x13"

Mountain View of a Lush Green Valley in the English Lake District - Vintage Oil Painting by 20th Century Modern British Landscape Artist, Arthur Terry Blamires (b. 1930) Art measure...

Autumn Field Oil/Canvas 25 x 30 image unframed, 32.5 x 37 framed Ready to hang in untouched condition with moderate deposits of surface dirt and dust, stretcher bar marks around imag...

Venetian painter (18th century) - Venus and Chronos (preparatory sketch). 59 x 43 cm unframed, 70 x 54 cm with frame. Antique oil painting on canvas, in a carved and gilded wooden ...

This stunning Impressionist winter landscape oil painting is by one of the leading American Impressionism artists, William Samuel Horton. Horton moved to England in 1918 and travelle...

A substantial mid-century Baltic figurative courtyard genre painting by an unknown Eastern European artist (latvia or Lithuania possible) (20t...

Painting of Sunset in Los Angeles California USA by British Urban Landscape Artist, Angela Wakefield. This painting is on high quality art board, p...

George Paice (1854-1925 A horse-drawn buggy on a track, a hunt beyond signed and dated lower left Oil on canvas Canvas size 23 x 60 in Framed size 27 x 65 in Provenance The Collecti...

John Thomas Serres (1759-1825) Fisherfolk unloading the days catch Oil on canvas Canvas Size - 17 x 25 in Framed Size - 22 x 30 in John Thomas Serres, a luminary in the realm of mar...

Abel Warshawsky (American, 1883-1962) The Luxembourg Gardens, Paris, 1909 Oil on panel Signed and dated lower right, titled verso 8.5 x 10.5 inches 13.75 x 16 inches, framed Impressionist painter A.G. Warshawsky was active in Cleveland, Paris and Monterey, California. Although Warshawsky is known as a classic Impressionist, he is also known for using a realistic style in his portraiture. Warshawsky was born in 1883 in Sharon, Pennsylvania to Ezekial and Ida Warshawsky, Jewish immigrants from Poland. The family then moved to Cleveland, Ohio. His brother Alexander (Xander) also became an accomplished painter in his own right. Warshawsky graduated from the Cleveland School of Art in 1900, taught by Louis Rorimer...

Brilliantly-colored oil on canvas depicting the French countryside, with "les flâneurs," (people strolling) along the bank of the river. The eye of the viewer follows the river past ...

Jean Ekiert French, 20th Century Oils on canvas Circa 1950 Signed lower left A finely worked Pointillist-influenced landscape by Jean Ekiert, depicting a tranquil arrangement of tre...

"Winter Sunlight and Shadows" (2017) by Stephen Day is an original, handmade oil painting that depicts a a snowy landscape, the focus being on the shadows from the trees on the snow....

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Close to Shore, Size: 11" x 14" x 0...

Moonrise Sailing oil/panel 8 x 6 image, 11.63 x 9.63 framed Moonrise Sailing is an oil painting on canvas panel by award winning contemporary artist Michael Budden that showcases...

Hubert Thornley British, (exh. 1858 -1898) Moonlight Whitby Harbour, Low Tide Oil on canvas, signed, indistinctly inscribed in pencil to the stretcher verso Image size: 9.25 inches x 15.25 inches Size including frame: 16.25 inches x 22.25 inches An atmospheric moonlit painting...

“Provincetown Flats” by Marcia Wise is a 12 x 16 inch contemporary oil painting from the artist’s collection of palette knife paintings and is in dominant tones of yellow, blues and ...

Along 5th Avenue Elegance & Bergdorf Goodmans oil/panel 10 x 16 unframed, 15.38 x 21.38 framed An oil painting on canvas panel by award winning contemporary artist Michael Budden. ...

Josh George's (US based) "Nighttide" is an original, handmade mixed media painting that depicts a city at night with a moody sky. About the Artist: Josh George is a contemporary r...

Mid Century Nocturnal Surrealist Oil Painting--San Francisco Unreal Dreams by Russell Tripp Dramatic and atmospheric San Francisco surrealist figurative painting by Russell R. Tripp...

Back Country - The painting was created in 2025 by celebrated American realist artist Willard Dixon, who has captured the undeniable beauty of the west for the past 35 years. Dixon’s...