Francesco Tironi (Venetian master) - 18th century landscape painting - Shepherds

c.1780

Giuseppe Zais (Forno di Canale 1709 - Treviso 1784) - Landscapes with Washerwomen. 41 x 56 cm unframed, 49.5 x 64.5 cm with frame. Oil on canvas, in a carved and gilded wooden fram...

Antonio Diziani (Venice 1737 - Venice 1797) - Bucolic landscape with characters and wagon. 45 x 101.5 cm without frame, 55.5 x 111.5 cm with frame. Ancient oil painting on canvas, ...

Giuseppe Zais (Forno di Canale 1709 - Treviso 1784) - Landscape with Shepherds and Ruined Bridge. 79.5 x 108.5 cm (31.5 x 42.5 in) unframed, 96 x 125 cm (38.5 x 49.5 in) with frame....

Giuseppe Zais (Forno di Canale 1709 - Treviso 1784) - Landscape with shepherds and spinner. 48 x 63.5 cm without frame, 59 x 74.5 cm with frame. Oil on canvas, in a carved and gild...

The Arcadian Landscape Italian School, 18th century oil painting on canvas, unframed canvas size: 32 x 40 inches condition: excellent condition for its age, fully restored. provenance: from a private collection in Paris, France. Large scale classical 18th century Italian Old Master...

Francesco Zuccarelli (Pitigliano 1702 - Florence 1788), circle of Landscape with river and resting shepherds First half of the 18th century   oil painting on canvas cm. 60 x 93, wit...

Idyllic landscape with myhological story of Cephalus and Procris Early 17th century Italian school Workshop Of Paul Bril (Antwerp, 1554 - Roma, 1626) Oil on poplar panel: H. 28 cm (1...

Flemish painter active in Italy in the eighteenth century Coastal landscape of the Mediterranean with architectures and figures Oil painting on canvas (69 x 88 cm., in frame 80 x 100 cm.) The suggestive view proposed depicts a coastal view with a bay and the ruins of an ancient building, probably a monastery or a church, and in the background another building with a garden surrounded by high walls close to the shore. The type of landscape, typical of the southern Italian environment, and the intimate atmosphere that welcomes the scene, attributes the authorship of the work to a landscape painter active in the eighteenth century, presumably in Italy in this period, with immediate references to the Dutch school , and in particular to the production of Jacob de Heusch and above all of Gaspar van Wittel, considered the progenitor of Italian landscape painting. In fact, in the rendering of the architectural details, in the purity with which the buildings have been reconstructed, as well as in the atmosphere that encompasses the entire landscape, a marked correspondence to the so-called "Vanvitellian realism" can be seen: in fact, a comparison with a certain series of views which the Dutchman...