Francesco Zonghi Lotti

Olio su tela - Paesaggio innevato - 1950 ca. - Francesco Zonghi Lotti - Italia

1950

An oil on canvas, applied on cardboard, made by Carlo Dalla Zorza in 1945 measuring 40x50 cm. The artist is known for his ability to capture the natural light and colors of the Venet...

Oil on canvas applied to panel by Ulderico Marotto depicting a snowy road junction in Cavaion Veronese, province of Verona. The painting is signed lower left. On the back is an inscr...

Oil on panel by Teodoro Wolf ferrari executed in 1934 measuring 23.5x16 cm. The most investigated theme is landscape. The motionless, rarefied atmospheres, accompanied by the play of...

Orfeo Tamburi (Jesi, 1910 - Paris, 1994) was a painter active between Rome and Paris. After training at the Academy of Fine Arts in Rome, he began exhibiting in Italy and abroad, foc...

Landscape is an original modern artwork realized by Fioravante Seibezzi (1906-1975) in the mid-20th century. Oil painting on board. Hand signed by the artist on the lower margin. ...

Oil on canvas mounted on cardboard. Good condition except for some minor losses on edges.

The painting Premana in Valsassina by Ambrogio Vismara is a beautiful representation of an early spring rural scene, capturing a moment in the mountainous landscape of Valsassina in ...

Guido Borgianni was born in New York on June 11, 1915, to Florentine Roberto Borgianni, a leather merchant, and Sara Herreshoff, who belonged to one of the wealthiest families in the United States and became a legend in the construction of the racing boats that also participated in and won the America's Cup. Guido was not even a year old when, once his parents' marriage had foundered, his father brought him back to Florence. Of Guido Borgianni's extraordinary gifts as a draftsman and painter, Galileo Chini, his neighbor, noticed, and he worked to see that talent refined. Thus Borgianni attended the Academy of Fine Arts under Felice Carena, a strict teacher but one who knew how to appreciate the qualities of his pupils. In the first part of his life he signed his works in black. Then, when he became a pointillist, he began to use red. Among his great admirers were Alessandro Parronchi and Oskar Kokoschka, who was captivated by Borgianni's paintings during his Florentine stay in 1949. Soffici, Saetti, Malaparte, Montale, Pratolini, and Cesare Zavattini, the screenwriter of Vittorio De Sica and Italian neorealism, all liked him very much, finding him "as beautiful as a Corot." In 1946 he exhibited at the Quadriennale in Rome. After his marriage to Simonetta Avila in 1954, his activities were enlivened by travel: in 1955 to Venice, in 1957 to Paris, from 1958 to 1962 around Italy, in 1964 to Spain, in 1971 to New York and Barbados Islands. In 1950 he was awarded a prize at the Mostra Nazionale del Fiorino in Florence, and in 1956 he was appointed Academician of the Accademia delle Arti del Disegno in Florence. In 1957 he was awarded First Prize at the Portrait Exhibition at Dante's House in Florence. Upon his death, deep condolences were expressed by the president of the Florence City...