Francis Henry Richardson

Antique American Impressionist Sunset New England Marsh Landscape Oil Painting

1890

Kobi Raz (Israeli, born 1959) "Slice of Heaven No. 2" 2024 Oil paint, canvas, stretcher bars The artist signed the bottom left of the painting. “Slice of Heaven No. 2” captures the ...

Walks in nature feel like meditation. As I observe and capture its beauty with gratitude, I paint it onto the canvas—breaking it down, step by step, into colors and shapes that will ...

"Rupit". Original landscape Oil canvas painting 1975 . virtual framed Sarsanedas Planella was born in 1942 in Rupit (Barcelona). 1957. He attends drawing and painting classes at th...

With strokes of Gold, Oil, Gesso and Acrylic, Shizico orchestrates a abstract expression in this on-going series [Landscape Memories]; it's a part of her [Sunlit Series] where she de...

I observed this blooming coconut tree for a long time while living in the tropics. Its blossoms, natural harmony of shapes and lines, brought me joy. I always paint from my own phot...

“Written In The Clouds” is a semi-abstract landscape painting by Helen Howells. It was inspired by the Mountains of South Wales, which is my homeland. It is not of any specific place...

Born in the San Si Providence of China, Jang Jin Joong, known as his artist’s name Barnes, fell in love with art since he was a child. His passion for art continued into his pursuit ...

A vibrant oil on canvas landscape by German painter Paul Lehmann-Brauns Fahrwasser (1885–1970), signed lower right. The composition captures a North German rural scene with thatched-...

Signed post impressionist oil on canvas landscape by French painter Lucien Levy-Dhurmer. The piece depicts the gardens of a Moorish Palace at evening. Painted in largely blues, there are some flowering trees in the front of the work below a much larger bare tree. Beyond that the palace sits below a starry sky. Mr. Jumeau-Lafond believes the work was likely painted in Morocco but he also stated that Dhurmer often used imagination to construct settings for his ideas. Signature: Signed lower left Dimensions: Framed: 39"x31" Unframed: 32"x24" Provenance: Private collection - France The authenticity of this work has been confirmed by Jean-David Jumeau-Lafond A certificate of authenticity from Mr. Jumeau-Lafond is available upon request Lucien Lévy-Dhurmer did not follow the conventional route for education in fine arts but was nevertheless a pupil of the painters Raphaël Collin, Vio and Wallet. He was an ornamental painter in an earthenware factory in Golfe-Juan from 1887 to 1895, which influenced his use of pastel. He travelled to Italy in 1895. Around 1902 he painted the portraits of Rodenbach, Pierre Loti and Marguerite Moreno. Although he had not been instructed by Puvis de Chavannes or Gustave Moreau, he seemed to have much in common with those visionary 'painters of the soul' who had been exhibiting at the Salon de la Rose-Croix for several years: Edmond Aman-Jean, Louis Welden Hawkins, Henri Martin, Charles Maurin and Alphonse Osbert. Following the example of some of these artists, Lévy-Dhurmer admired Italian Renaissance art, evidence of which can be seen in pastels such as Woman with a Medal, Medusa, Circes and Florence. His translation of the Symbolist themes in the scores of Beethoven ( Appassionata), Fauré or Debussy into different hues made him seem like a visionary, but his aesthetic seems to have changed to some extent after 1900, when his landscape painting became more prominent. In fact, only his presentation and style changed. He continued to suggest feelings, interpretations and emotions but without relying on any traditional allegories. He became involved in the Intimist movement, along with Ernest Laurent, Charles Cottet, Henri le Sidaner and René Ménard, whose pastels presaged the Classicism of the 1930s. He exhibited at the Salon des Artistes Français in Paris from 1882. From 1906 he was associated with the Salon de la Société Nationale des Beaux-Arts. He showed his works in individual exhibitions, notably in 1896 at the Galerie Georges Petit in Paris, which was a very successful exhibition and earned him admiration in artistic and literary circles alike. Several decades later the exhibition Around Lévy-Dhurmer ( Autour de Lévy-Dhurmer) at the Galeries du Grand Palais in Paris in 1973 revealed a tendency in art which had been largely unknown until then and which remained on the margins of the great innovative movements of the 20th century, but which was nonetheless of a quality which could not be ignored. Lévy-Dhurmer obtained a distinction from the Salon des Artistes Français in 1896 and a bronze medal at the 1900 Exposition Universelle in Paris. He became a Chevalier of the Légion d'Honneur in 1902. Museum and Gallery Holdings Bayonne (Mus. Basque): Portrait of Pierre Loti (1896, pastel) Brest (MBA): Circes Detroit (AI): Vase with Dragonflies (1890, earthenware with iridescent glaze) Mulhouse: Harvest New York (Metropolitan Mus. of Art): Flower Pot (c. 1893, earthenware with metallic glaze) Paris (Mus. d'Orsay): Portrait of Georges Rodenbach (c. 1895, pastel on paper); The Woman with a Medal (1896, pastel on paper on card); The Lost Explorer...

Vibrant oil on canvas by Italian painter Riccardo Damiani, executed in the late 20th century and signed lower right. The composition depicts three ladies at a shallow stream, their r...