Gaston Sebire

French Beach Scene

Gaston Sebire French, 1920-2001 At The Seaside Oil on canvas 25 ¾ by 32 in, w/ frame 34 by 40 ¼ in Signed lower right Gaston Sebire was born August 18, 1920, in Saint-Samson Calvad...

René-Xavier Prinet French, 1861-1946 La Plage de Cabourg Oil on canvas 18 by 31 in, w/ frame 25 ¼ by 38 ¾ in Signed lower right Coming from a family of notable Franche-Comté (Prinet notaries from Luxeuil-les-Bains), René-Xavier Prinet is the son of Henry Prinet (born in 1824), imperial prosecutor in Vitry -the-François, and the brother of Gaston Prinet, diplomat. Appointed to Paris, Henry Prinet lives with his family on rue Bonaparte just a stone's throw from the Ecole des Beaux - Arts, to which René - Xavier seemed destined. His father, an amateur painter (a Madonna with Child is kept in the church of Suaucourt, Haute-Saone), is willing that his son acquires an artistic training and he makes him receive the advice of the painter Louis Charles Timbal, strong employee for decorations of the churches of Paris. By his maternal grandmother, René-Xavier Prinet is related to the painters of the Court Hubert Drouais (1699-1767) and François-Hubert Drouais (1727-1775). Around 1880, he began his education as a painter by being admitted into the studio of the painter Jean-Léon Gérôme. He stayed with the master until 1885. He then became associated with the Frankish painters Georges and Lucien Griveau, Antonio de La Gandara, classmates at the Beaux-Arts, Louis-Auguste Giradot, Felix Desgranges and Jules-Alexis Muenier. At the same time, he studies at the Julian Academy. His picture Jesus Child is his first painting accepted at the Salon of French Artists in 1885. He exhibited at this Salon until 1889. At that time he became associated with a group of young painters called the Black Band : Lucien Simon, André Dauchez, René Ménard and Charles Cottet. He became a professor at the Beaux-Arts in Paris, where he created and directed the first workshop for women artists. In 1891, he received an order from the State for the decoration of the Palace of the Legion of Honor: The Four Seasons. His sketches are accepted. The same year, he exhibited in Paris at the Durand-Ruel gallery with Albert Besnard , Jules-Alexis Muenier and Henri Fantin-Latour. One of his most famous works, The Kreutzer Sonata, is exhibited in 1901 at the exhibition "Contemporary French Art" in Stuttgart where it is sold to the Prince Regent of Bavaria . The year 1904 sees the creation, with Lucien Simon and Antoine Bourdelle , of the workshops of the Académie de la Grande Chaumière. In 1909, he illustrated Rene Boylesve's Young Girl. In 1913, he was named secretary of the National Society of Fine Arts. He travels to the United States as a jury member at the Carnegie Institute exhibition in Pittsburgh. His paintings The Cavaliers and Interior dining room are presented on this occasion. He frequented the Sundays of Besnard, rue Guillaume-Tell. Prinet painted the reception of Albert Besnard at the Academy of Fine Arts in 1912. In 1916, he painted the painter Felix Desgranges in his family room in Luxeuil with the Australian artist Bessie Davidson...

Blick aufs Meer Gaston Sebire, French (1920–2001) Oil on Canvas, signed lower right Size: 36 x 28 in. (91.44 x 71.12 cm) Frame Size: 44 x 36.5 inches Provenance: Wally Findlay Gallery

Signed post impressionist landscape oil on panel by popular French painter Georges D'Espagnat. The piece depicts the beach at Belle Ile, an island off the coast of Brittany in France, at sunset. An exceptional early painting by D'Espagnat which shows the precursor influence of Fauvism which was to dominate his paintings in the following few years. Signature: Signed lower right Dimensions: Framed: 23"x26" Unframed: 15"x18" Provenance: Private French collection A certificate of authenticity from Mr. Jean-Dominique Jacquemond is available upon request. This work will be included in the catalogue raisonne of Georges D'Espagnat under preparation by Mr. Jacquemond From the beginning of his career, it was a constant concern of Georges d'Espagnet to assert his originality. His studies at the École des Arts Décoratifs, Paris, did not last very long, for he wanted immediate independence and decided to follow courses in the private academies of Montparnasse. In about 1900, he became acquainted with Maurice Denis, Bonnard and Vuillard, and his collaboration with Denis led to a renewal of religious art in France. In 1903, d'Espagnet was one of the founders of the Salon d'Automne, and was appointed professor in charge of studios at the École des Beaux-Arts, Paris, in 1934. He illustrated a number of books: Rémy de Gourmont's Evil Prayers ( Oraisons mauvaises) (1896), The Saints of Paradise ( Les Saintes du paradis) (1898), Simone (1907), Sistine ( Sixtine) (1922); Alphonse Daudet's The Immortal ( L'Immortel) (1930); André Gide's The Pastoral Symphony ( La Symphonie pastorale); Francis Jammes' Clearings in the Sky ( Chairières dans le ciel) (1948). D'Espagnet belongs to the group of artists who made the Courrier Français so successful. The drawings of his which are published in it are strongly expressive and some bear comparison with the designs of the great Renaissance masters. He also contributed to L'Image. He often placed cheerful nudes in a landscape, reminding us that, though he moved away from the Fauves, he retained their freedom of colour and arabesque. He painted many portraits, including those of Albert André, André Barbier, Victor Boucher, Déodat de Séverac, Albert Marque, André Marty and Albert Roussel. He also painted mural decorations, including a wall for the Palais de la Découverte (1937), the ceiling of the Victor Hugo Room in the Palais du Luxembourg (1939), a decorative panel for the Palais de Justice, Toulouse (1941) and interior decorations for private houses. His landscapes are Impressionist in inspiration, and work for a certain sobriety, an intimacy, both in their composition - one, two or three sketched figures and large open spaces - and in the choice of colours and treatment with the special hazy brushstroke that marks his style. D'Espagnet took part in a number of annual Parisian exhibitions, including the Salon des Indépendants, the Salon de la Société Nationale des Beaux-Arts, the Salon d'Automne (from 1903 to 1949, except in special circumstances), the Salon de la Libre Ésthétique, Brussels (1899, 1901), the Berlin Secessionists (1940). He also exhibited at the first Salon de la Société de la Gravure sur Bois. Among other exhibitions were 1912, A Century of French Art ( Centenaire de l'art français), St Petersburg; 1916, Kunstverein, Winterthur; 1918, 1926, Galerie M. Bertheim, Paris; 1930, Contemporary French Art...