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Georgie Dowling Cotswold Fields II, Georgie Dowling, Contemporary artist, Cotswold art, 20222022
2022
$612.35
£450
€525.89
CA$846.79
A$921.94
CHF 492.29
MX$11,129.25
NOK 6,188.92
SEK 5,756.41
DKK 3,928.18
About the Item
Cotswold Fields II by Georgie Dowling [2022]
original and hand signed by the artist
Oil paint on canvas
Image size: H:50 cm x W:50 cm
Complete Size of Unframed Work: H:50 cm x W:50 cm x D:4cm
Sold Unframed
Please note that insitu images are purely an indication of how a piece may look
This painting depicts a view of patchwork fields in the Cotswolds portrayed by thick strokes of paint applied with a palette knife, exploring the variety of shapes and colours we see in the landscape. A photograph was taken on horseback as a reference for this piece which was then created in my home studio. The shapes and colours in this piece have been abstracted with more emphasis being placed on my memory of the place. The paint is applied thickly creating interesting and varied texture.
- Creator:Georgie Dowling
- Creation Year:2022
- Dimensions:Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)Depth: 1.58 in (4 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Deddington, GB
- Reference Number:1stDibs: LU632311322982
Georgie Dowling artist with Wychwood Art. Georgie was raised in rural West Wales surrounded by rolling hills and patchwork fields, no doubt influencing her current artistic practice. Having moved to Cheltenham to study Fine Art she has now based herself there working from her home studio. Inspired by the British countryside, she explores the beauty of the landscape through her oil paintings. “I work with thick strokes of paint applied with a palette knife creating simple shapes in attempt to highlight the flashes of colour and other defining details that stood out to me. I work quite quickly and my marks are spontaneous and impulsive, I embrace happy accidents and enjoy the life that can be seen in a painting when the artist works instinctively. Inspiration comes to me while exploring the British landscape, sourcing colours and shapes that give me a sense of place. I’m fascinated by the relationship between the natural and man-made lines and forms in the landscape and how the two come together to create a harmonious aesthetic. I find myself drawn to the patterns of trees and hedgerows or structures of walls and paths that define the shapes in our landscape.
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