H. Chilton

H. Chilton - Contemporary Oil, Small Cottage By a River

Unknown

Impressionist Landscape by Claude Marin (French 1914-2001) signed oil on canvas, framed Framed: 19 x 22 inches Canvas : 13.5 x 16.5 inches Inscribed Verso Provenance: private collect...

Pastoral Scene with Figures Dutch Old Master, 17th century oil on canvas, framed Framed: 16.5 x 24 inches Canvas : 13 x 21 inches Provenance: private collection, UK Condition: very g...

Tranquil Shores Paul Molinard 19/20th Century French Artist signed oil on board, unframed board : 10.5 x 14.5 inches Inscribed verso Provenance: private collection, France Condition...

Haystacks in a French Village Paul Molinard 19/20th Century French Artist signed oil on board, unframed board : 10.5 x 14.5 inches Inscribed verso Provenance: private collection, Fr...

Rustic Village Paul Molinard 19/ 20th Century French Artist signed oil on panel, unframed board : 10.5 x 14.5 inches Inscribed verso Provenance: private collection, France Condition...

Artist/ School: Jill Jackson (British, contemporary) Title: Vibrant Pastoral Landscape Medium: oil on un stretched canvas, unframed Painting : 26 x 18 inches Provenance: all th...

Artist/ School: Jill Jackson (British, contemporary) Title: Bold Landscape Painting Medium: oil on artist paper, unframed Painting : 16.5 x 11.5 inches Provenance: all the pain...

Sunlit Village Pathway Paul Molinard, early 20th Century French Artist signed oil on board, unframed board : 10.5 x 14.5 inches Inscribed verso with title Provenance: private collec...

Ibiza, circa 1954 by Robert Simon (French 1888-1961) stamped with the artists studio mark to the reverse oil on board, unframed Board : 5.5 x 8.5 inches Provenance: the artists estat...

"Civil Rights." Evergood's early commentary on racial issues in the 1950s depicts four black men gagged, roped, and hanging from the "Tree of Life," which represents the unique interconnectedness of life. In the background, imprisoned blacks look on through a barbed-wire fence. Whites watch in horror but do nothing to help. Meanwhile, a two-legged, three-headed serpent wraps itself around the tree that both physically and symbolically separates the races. This is an important work in the history of American art. It may be one of the very earliest examples of a major American painter doing a major work that challenges racial segregation and injustice at a time when no one else would. The title of the work is inspired by a Historic Supreme Court decision on racial segregation. The Little Rock...