Heinz Ludwig Munnich

Deep Tonal Cubist Impressionist Cityscape

This sophisticated Cubist abstract cityscape oil on canvas is the work of French artist E. Pullman (20th Century). Executed with precision and flair, the composition features a dynam...

American artist Hellier (20th Century) designed this stunning post-cubist constructivist oil on canvas painting. The artwork "Ste Augustine" uses earth tones juxtaposed with green to...

Dick Beer (b. London 1893 - d. Stockholm 1938) A French City, 1919 (Fransk stad) oil on canvas canvas dimensions 82x66 cm frame 94x78.5 cm signed Dick ...

Dick Beer (b. London 1893 - d. Stockholm 1938) Utsikt från fönster, View From a Window, 1920 oil on canvas 73 x 60.5 cm stamp signed painted 1920 Exhibi...

These series of paintings by Natalia Roman gather their inspiration from geometric, minimalist shapes and paintings from the beginning of Modernism, with a special emphasis on Art De...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

This series of abstract geometric paintings by Natalia Roman draws its inspiration from the sleek grids and curves of Bauhaus architecture, while at the same time exploring bright an...

Work on canvas Golden wooden frame 68 x 102,5 x 3cm

Boats. 1980. Canvas, oil, 70x70 cm Contrasting landscape with boats in cubistic style in red and yellow tones

Claude Venard (French, 1913 - 1999) Venice Canal, Italy, circa 1950-55 Oil on canvas 24 x 24 inches Signed lower center Provenance: Private Collection, Massachusetts The authenticity of this work has been confirmed by Galerie Felix Vercel. Claude Venard was a notable exponent of the French mid-century post-Cubist movement. He was born to bourgeois parents from Burgogne in Paris, on March 21, 1913. At the age of 17, he enrolled and attended the Ecole des Beaux-Arts, but remained for only two days, not adhering to the school's academic style. Instead, he spent the following six years at the École des Arts Appliqués, taking evening classes and embracing the contemporary Parisian art scene, all the while becoming recognized in its circles. Not able to support himself as an artist, by 1936 he found employment as a restorer at the Louvre, further honing his artistic skills. Paris of the period was dominated by an art trend that strongly favored abstraction. Following a group show at the Galerie Billet-Worms in 1935, art critic Waldemar George declared: "Let's be young again! Painting is not dead… Its course has not stopped. Forces Nouvelles is born." Venard contributed and initially adhered to the strict disciplines of the Forces Nouvelle group. But as with many of his fellow members, he soon abandoned it seeking individual expression. Following WWII, Venard rekindled friendships with past Forces Nouvelles members, joining Pierre Tal-Coat, André Marchand, André Civet...