Henry Samuel Teed

Building The Southwark Bridge, London, England, River Thames, Genre

1914

Foster Jewell (American, 1893-1984) Signed: F. Jewell (Lower, Right) " Les Kelly's Dock; Onekama, Michigan " Oil on Canvas 14" x 18" Beautifully housed in a 3" Carved Newcomb Ma...

Grace Borgenicht Brandt (American, 1915-2001) Signed: G. Borgenicht " Docks & Boats by Cottages " circa 1950-1955 Oil on canvas 20" x 24" Housed in a Vintage 4" Ornamented Frame...

William Walworth Stilson, (American, 1874-1962) Signed: Walworth Stilson, (in pencil, lower, right) & Walworth Stilson, (in plate, lower, right) " Grand Central Terminal from Murray Hill Hotel ", circa 1910-1915 Etching on wove paper, on loose sheet, a strong impression in good original condition. Museum matting and backing included. Plate Size: 9 7/8” x 7" Sheet Size: 16" x 11 5/16" This noted landmark of the city opened to the public, February, 1913, and remains one of the destinations for tourists. A brief biography of this interesting artist will be included with this etching. ***Please view my other listings for more by Stilson*** Artist Biography: The facts regarding the life of Walworth Stilson are limited to a history of the Stilson family, census reports of New Milford, Connecticut, and a few details from a letter regarding prints by Stilson donated to the Metropolitan Museum of Art. Stilson’s father, William Bostwick Stilson, was born in New Milford, Connecticut on September 30, 1842, and worked as a civil engineer. His mother, Ida Cynthia Alford, was born in Oswego, New York on June 25, 1851. The two were married August 4, 1869. The couple resided in New Milford, where a son, Jay Alvord, was born April 24, 1870, a daughter Mabel Louise was born March 11, 1872, and William Walworth was born July 29, 1874. The family moved to Jackson, Michigan circa 1882, where the father worked for the Michigan Central...

William Hubacek (American, 1871-1958) Signed: " W. M. Hubacek '83 " " San Francisco Bay near the Golden Gate ", 1893 Oil on Canvas 16 1/4" x 22" Housed in a 19th-century 3.5" Silver Gilt Ornamented Frame Outside Frame Size: 19 3/4" x 25 1/2" The item was lined and cleaned. The canvas appears to be in very good condition with bright colors. Hubacek was born in Chicago, moving with his family to San Francisco while still a child. His initial studies in art we're at the Mark Hopkins...

Pietro Sansalvadore was active during the early to middle of the 20th century. He painted in an Impressionist manner and on a small scale. Acquiring a late 19th-century Impressionist painting of Hammersmith Bridge by the Italian painter Pietro Sansalvadore is an opportunity to own a captivating piece of art that transcends both time and cultural boundaries. Sansalvadore's unique perspective, influenced by the Impressionist movement, infuses this painting with a luminous quality that captures the atmospheric essence of Hammersmith Bridge in a way that only a skilled artist with an international perspective could achieve. This masterpiece not only showcases the artist's mastery in capturing light and movement but also represents a harmonious fusion of Italian artistic sensibilities with the iconic English landmark. The play of colors and the subtle brushstrokes transport the viewer to the late 19th century, offering a glimpse into the allure and dynamism of that period. Owning this painting is not just acquiring a visual delight; it's investing in a historical and cultural artifact...

This superb Post Impressionist London landscape oil painting is by noted Slade School trained artist Bertram Nicholls. Painted in 1951 and with excellent provenance, the location is ...

Kerr Eby 'Hungerford Bridge, London', etching and sandpaper ground, 1929, edition 90, Giardina 144. Signed, titled, and annotated 'Ed 90' in pencil. Signed again in the bottom right sheet corner. A fine, atmospheric impression, with delicate plate tone, on cream wove paper; the full sheet with margins (1 1/2 to 1 5/8 inches), in excellent condition. Matted to museum standards, unframed. Hungerford Foot Bridge spans the River Thames in London, between Westminster Bridge and Waterloo Bridge. Eby visited Great Britain and France during 1924 and 1925. Impressions of this work are in the permanent collection of the following institutions: American Academy and Institute of Arts and Letters, Arizona State University, Boston Public Library, Davison Art Center (Wesleyan University), Herbert F, Johnson Museum of Art, Huntington Museum of Art, Hood Museum of Art (Dartmouth College), Metropolitan Museum of Art, Montgomery Museum of Fine Arts, National Museum of American Art, New York Public Library, Smithsonian Museum of American Art. ABOUT THE ARTIST Kerr Eby was born in 1890 in Tokyo, Japan, the son of Methodist missionaries from Canada. The family returned to Vancouver when Eby was only three, and he grew up studying art encouraged by his parents as his mother was from a family of prominent artists. By age twelve, he had lived in Vancouver, Kingston, Toronto and Bracebridge where he found work as a ‘printer’s devil’ on the local Bracebridge newspaper. After graduating from high school in 1907, Eby moved to New York City to study art, first at the Pratt Institute, and later at the Art Students League. He enrolled in art classes at Pratt Institute while working for a lithographic firm earning $4.00 a week. His pay barely covered his room and drawing supplies. Within a year, starving and feeling defeated, he returned to Canada and was employed by a surveying party in Northern Ontario. Eby gradually regained his dream of becoming an artist, and in his spare time, he began to draw the surrounding wilderness landscapes. By fall he had returned to New York to attend night classes at the Art Students League while working for another lithographic firm. He spent several more summers surveying in Northern Ontario before he was able to make a living as an illustrator. During this period he formed several friendships with influential artists including John Henry Twachtman and Childe Hassam and joined a summer artists' colony founded by them at Cos Cob, Connecticut. He supported himself by working as a magazine illustrator and at the American Lithographic Company. Through diligent study and practice, Eby refined both his drawing and printmaking techniques. In 1917, when the United States entered World War I, Eby joined the U.S. Army. Failing to obtain a commission as an artist, he was assigned first to ambulance duty and later as a sergeant in the 40th Engineers in France. He spent most of WWI on the front line as a camouflager of the field artillery ‘big guns”. On his time off duty, he would sketch everything he witnessed, from the explosive big guns and men in action to the dead soldiers in the field. He sent the drawings home each week, and upon his return from the war, they became the basis for his first successful group of etchings. He continued creating his war-related prints throughout the 1920s and '30s as his work became widely exhibited Frederick Keppel, the renowned print dealer and a relative of Eby, became the exclusive agent for many of his print editions. With another global conflict beginning in the mid-1930s, Eby wanted to show the world the true face of war...

London Thames View is a modern artwork realized by Herbert John Finn (1860-1942). Mixed colored ink, pastel and watercolor on paper. Includes gileded frame Hand signed and dated o...