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Ian Hornak
Ian Hornak, Echo Loses Narcissus, 1978

1978

$46,400
$58,00020% Off
£35,065.55
£43,831.9420% Off
€40,279.16
€50,348.9520% Off
CA$65,265.03
CA$81,581.2920% Off
A$69,098.64
A$86,373.3020% Off
CHF 37,394.23
CHF 46,742.7920% Off
MX$825,855.85
MX$1,032,319.8220% Off
NOK 466,114.21
NOK 582,642.7620% Off
SEK 426,244.91
SEK 532,806.1420% Off
DKK 300,833.57
DKK 376,041.9620% Off

About the Item

IAN HORNAK (1944–2002) Title: Echo Loses Narcissus Date: 1978 Medium: Acrylic on Canvas Dimensions: 36 x 48 inches (91.44 x 121.92 cm) Condition: Excellent Inscription: Signed, dated, and titled by the artist Provenance: Estate of Ian Hornak, East Hampton, NY This distinguished painting by Ian Hornak, titled Echo Loses Narcissus, exemplifies the artist’s revolutionary approach to Photorealism through his integration of multiple exposure imagery—a visual language he pioneered to explore time, perception, and reflection. Painted in 1978, the composition depicts a tranquil, mirrored landscape at dusk, suffused with luminous color transitions and atmospheric subtlety. Hornak’s precise realism is balanced by ethereal layering, where overlapping silhouettes and reflections create a haunting sense of duality—referencing the myth of Echo and Narcissus as an allegory for longing, loss, and self-perception. The scene blurs the line between the seen and the remembered, embodying the artist’s belief that realism could evoke spiritual and psychological resonance beyond mere depiction. Ian Hornak (1944–2002) was an American draughtsman, painter, and printmaker. He was one of the founding artists of the Hyperrealist and Photorealist fine art movements, credited with having been the first Photorealist artist to incorporate the effect of multiple exposure photography into his landscape paintings, which foreshadowed the prevalence of digital manipulation in painting and photography, and the first contemporary artist to entirely expand the imagery of his primary paintings onto the frames. His brilliant fusion of technical precision, poetic imagination, and visionary detail positioned him among the most accomplished and conceptually innovative painters of the postwar era. Born in Philadelphia and raised in Michigan, Hornak became a key figure in the development of Photorealism and later Hyperrealism, producing luminous landscapes, intricate floral still lifes, and dreamlike multi-exposure compositions that elevate realism beyond the photographic into the spiritual and psychological. Drawing on the breakthroughs of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he synthesized the lessons of Cubism, Surrealism, and high Modernism with a rigorously classical technique rooted in Renaissance glazing and Dutch-Flemish draftsmanship. He openly admired the visual intelligence of the Golden Age masters—Rembrandt van Rijn, Johannes Vermeer, Peter Paul Rubens, Anthony van Dyck, Jan van Eyck, Frans Hals, Jacob Jordaens, Pieter Bruegel the Elder, Jan Steen, and Aelbert Cuyp—whose mastery of light, atmosphere, and symbolic detail profoundly shaped his aesthetic. At the same time, he moved in New York circles that included Pop and contemporary artists—Andy Warhol, Roy Lichtenstein, Robert Rauschenberg, Jasper Johns, Alex Katz, Lowell Nesbitt, and Willem de Kooning—positioning him at the crossroads of realism, abstraction, and conceptual exploration. Hornak’s paintings have been acquired by and exhibited at respected institutions, including the Smithsonian Institution’s National Museum of American Art, the Smithsonian Institution’s National Museum of American History, the Library of Congress, the Corcoran Gallery of Art, the Detroit Institute of Arts, the Board of Governors of the Federal Reserve System, the Museum of Fine Arts, Boston, the Albrecht-Kemper Museum of Art, the Allen Memorial Art Museum, the Austin Museum of Art, the Barbara Ann Karmanos Cancer Institute, the Canton Museum of Art, the Children’s Hospital of Philadelphia, the Hood Museum of Art at Dartmouth College, the Detroit Historical Museum, the Flint Institute of Arts, the Forest Lawn Museum, Galleria Internazionale, The George Washington University Art Galleries, Guild Hall, the Children’s Hospital Boston (Harvard Medical School affiliate), the Kinsey Institute for Research in Sex, Gender and Reproduction, the Long Island Museum of American Art, History, and Carriages, the National Czech Slovak Museum Library, the National Hellenic Museum, the Ringling College of Art and Design, the Rockford Art Museum, the Jane Voorhees Zimmerli Art Museum at Rutgers University, the Florida State Capitol, St. Mary’s University, Texas, The Art Gallery at the University of Maryland, the University of Texas at San Antonio, the Frances Lehman Loeb Art Center at Vassar College, and the Washington County Museum of Fine Arts. This wide institutional recognition attests to Hornak’s significance as a major American painter whose technical mastery and conceptual depth have earned enduring scholarly and curatorial attention. His paintings are distinguished by jewel-like surfaces, luminous transparency, and an exceptional command of layered color and form, and his technique—often extending the painted image beyond its traditional boundaries with illusionistic frames and architectural motifs—has had a lasting impact on generations of realist, botanical, and hyperrealist artists who continue to explore the psychological and perceptual complexities of visual experience. Celebrated during his lifetime for uniting Old Master craftsmanship with late-20th-century visual culture, Hornak remains a pivotal figure in American realism. In 2017, a painting by Ian Hornak created in 1988, Large Orchid Bouquet, was sold in a private transaction to the Van Andel family, the co-owners of Amway, for 165,000 USD (219,168.11 USD, calculated for inflation in 2025), setting the record for the highest price paid for a floral painting by the artist. Keywords: Ian Hornak painting, Photorealism, Hyperrealism, American Realism, Echo and Narcissus, 1970s American painting, acrylic landscape, surreal landscape, multi-exposure realism, East Hampton artist, Postwar American art, Photorealist masterwork, contemporary realism, collectible American art.
  • Creator:
    Ian Hornak (1944 - 2002, American)
  • Creation Year:
    1978
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 48 in (121.92 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Fairfield, CT
  • Reference Number:
    1stDibs: LU1342115691742

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