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Ian Hornak
Ian Hornak, Untitled (Connecticut Landscape), 1983

1983

$34,000
$42,50020% Off
£25,751.84
£32,189.8020% Off
€29,575.10
€36,968.8820% Off
CA$47,645.12
CA$59,556.4020% Off
A$51,799.85
A$64,749.8120% Off
CHF 27,464.34
CHF 34,330.4320% Off
MX$620,948.87
MX$776,186.0920% Off
NOK 349,057.67
NOK 436,322.0920% Off
SEK 319,784.28
SEK 399,730.3520% Off
DKK 221,036.45
DKK 276,295.5620% Off

About the Item

IAN HORNAK (1944–2002) Title: Untitled (Connecticut Landscape) Date: 1983 Medium: Acrylic on Canvas Dimensions: 60 x 43 inches (152.4 x 109.22 cm) Condition: Excellent Provenance: Fischbach Gallery, New York, NY; Estate of Ian Hornak, East Hampton, NY This distinguished painting by Ian Hornak, titled Untitled (Connecticut Landscape), was completed in 1983 and exemplifies the artist’s refined command of natural realism and compositional precision. Capturing a pastoral New England scene of grazing cattle amid golden fields and rock walls beneath an expansive sky, the work fuses meticulous observation with Hornak’s unique sense of visual poetry. The carefully articulated interplay of light and atmosphere conveys both the serenity and vitality of the American landscape, while the presence of richly patterned textiles in the foreground introduces a conceptual dialogue between nature and human craft. This juxtaposition of organic and ornamental form reveals Hornak’s interest in layered perception and the coexistence of artifice and reality—a hallmark of his Photorealist and Hyperrealist sensibilities. Ian Hornak (1944–2002) was an American draughtsman, painter, and printmaker. He was one of the founding artists of the Hyperrealist and Photorealist fine art movements, credited with having been the first Photorealist artist to incorporate the effect of multiple exposure photography into his landscape paintings, which foreshadowed the prevalence of digital manipulation in painting and photography, and the first contemporary artist to entirely expand the imagery of his primary paintings onto the frames. His brilliant fusion of technical precision, poetic imagination, and visionary detail positioned him among the most accomplished and conceptually innovative painters of the postwar era. Born in Philadelphia and raised in Michigan, Hornak became a key figure in the development of Photorealism and later Hyperrealism, producing luminous landscapes, intricate floral still lifes, and dreamlike multi-exposure compositions that elevate realism beyond the photographic into the spiritual and psychological. Drawing on the breakthroughs of Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he synthesized the lessons of Cubism, Surrealism, and high Modernism with a rigorously classical technique rooted in Renaissance glazing and Dutch-Flemish draftsmanship. He openly admired the visual intelligence of the Golden Age masters—Rembrandt van Rijn, Johannes Vermeer, Peter Paul Rubens, Anthony van Dyck, Jan van Eyck, Frans Hals, Jacob Jordaens, Pieter Bruegel the Elder, Jan Steen, and Aelbert Cuyp—whose mastery of light, atmosphere, and symbolic detail profoundly shaped his aesthetic. At the same time, he moved in New York circles that included Pop and contemporary artists—Andy Warhol, Roy Lichtenstein, Robert Rauschenberg, Jasper Johns, Alex Katz, Lowell Nesbitt, and Willem de Kooning—positioning him at the crossroads of realism, abstraction, and conceptual exploration. Hornak’s paintings have been acquired by and exhibited at respected institutions, including the Smithsonian Institution’s National Museum of American Art, the Smithsonian Institution’s National Museum of American History, the Library of Congress, the Corcoran Gallery of Art, the Detroit Institute of Arts, the Board of Governors of the Federal Reserve System, the Museum of Fine Arts, Boston, the Albrecht-Kemper Museum of Art, the Allen Memorial Art Museum, the Austin Museum of Art, the Barbara Ann Karmanos Cancer Institute, the Canton Museum of Art, the Children’s Hospital of Philadelphia, the Hood Museum of Art at Dartmouth College, the Detroit Historical Museum, the Flint Institute of Arts, the Forest Lawn Museum, Galleria Internazionale, The George Washington University Art Galleries, Guild Hall, the Children’s Hospital Boston (Harvard Medical School affiliate), the Kinsey Institute for Research in Sex, Gender and Reproduction, the Long Island Museum of American Art, History, and Carriages, the National Czech Slovak Museum Library, the National Hellenic Museum, the Ringling College of Art and Design, the Rockford Art Museum, the Jane Voorhees Zimmerli Art Museum at Rutgers University, the Florida State Capitol, St. Mary’s University, Texas, The Art Gallery at the University of Maryland, the University of Texas at San Antonio, the Frances Lehman Loeb Art Center at Vassar College, and the Washington County Museum of Fine Arts. This wide institutional recognition attests to Hornak’s significance as a major American painter whose technical mastery and conceptual depth have earned enduring scholarly and curatorial attention. His paintings are distinguished by jewel-like surfaces, luminous transparency, and an exceptional command of layered color and form, and his technique—often extending the painted image beyond its traditional boundaries with illusionistic frames and architectural motifs—has had a lasting impact on generations of realist, botanical, and hyperrealist artists who continue to explore the psychological and perceptual complexities of visual experience. Celebrated during his lifetime for uniting Old Master craftsmanship with late-20th-century visual culture, Hornak remains a pivotal figure in American realism. In 2017, a painting by Ian Hornak created in 1988, Large Orchid Bouquet, was sold in a private transaction to the Van Andel family, the co-owners of Amway, for 165,000 USD (219,168.11 USD, calculated for inflation in 2025), setting the record for the highest price paid for a floral painting by the artist. Keywords: Ian Hornak painting, Photorealism, Hyperrealism, American Realism, Connecticut landscape, Fischbach Gallery, 1980s American painting, pastoral realism, acrylic on canvas, American countryside, Postwar American art, Photorealist masterwork, contemporary realism, collectible American art.
  • Creator:
    Ian Hornak (1944 - 2002, American)
  • Creation Year:
    1983
  • Dimensions:
    Height: 60 in (152.4 cm)Width: 43 in (109.22 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Fairfield, CT
  • Reference Number:
    1stDibs: LU1342115701382

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