Irving Ramsey Wiles

The White Sloop (Peconic Bay), 1907

1907

John Whorf paints a ship anchored in a harbor from below, with its prow and rigging extending towards the viewer, in his watercolor painting “The Sloop Catherine, 1927.”

Irving Ramsay Wiles paints a view up a sidewalk with green trees and houses in the distance in his artwork entitled, “The Village Street.”

John Singer Sargent paints a rocky New England beach abutting a cliff face in his watercolor painting, “Maine, 1922.”

Signed lower right: W Whittredge

John Rettig Marblehead Harbor, Grey Day, 1919 Signed and dated lower right Oil on academy board 15 x 18 inches Dubbed as the “Wizard of Scenic Creation”, John Rettig was best known...

Jim’s of Lambertville is proud to offer this artwork. Oil on canvas. Signed lower right. Complemented by a hand carved and gilt frame. Illustrated in "New Hope for American Art" by James Alterman. Henry Bayley Snell (1858 - 1943) Henry Bayley Snell was born in Richmond, England, on September 29, 1858 and immigrated to the United States at the age of seventeen. He studied at the Art Students League in New York while working for an etching and engraving company where he began a lifelong friendship with fellow artists, William Langson Lathrop. While in New York Snell met another artist, named Florence Francis, also of English descent, whom he would eventually marry in 1888. It is believed that they first came to Bucks County in 1898 to visit the Lathrops at Phillips Mill. Snell was a beloved teacher at the Philadelphia School of Design for Women from 1899 to 1943, and often took his art classes abroad during the summer. He would frequently visit his native England, spending time at the art colony of St. Ives on the coast of Cornwall. Snell would summer in Gloucester, Massachusetts, and Boothbay Harbor, Maine, where he also held painting classes. Almost all the women who exhibited with “The Philadelphia Ten” had studied with Snell either in Philadelphia or New England. Snell also taught on Saturdays at the Grand Central Galleries in New York City. The Snells made many trips to New Hope before settling there permanently in 1925. They lived on the top floor of the Solebury National Bank Building where Henry also maintained a studio. This was located at the foot of the New Hope-Lambertville Bridge and many of Snell’s New Hope scenes were painted from this location. In 1943, Snell passed away in New Hope at the age of eighty-four. Henry Snell earned an international reputation as an artist for his paintings of Cornwall...

Mounted in a period, hand carved, gold leaf frame. Signed lower right "Paul King"

Walter Farndon June Day at the Sound Signed lower right Oil on canvas 20 x 24 inches Living and working in an era of passionate and often controversial changes in the art world, Wal...