Isabel Herrera

SERIE: EN FIN, TODO PASA TODO CAMBIA (4)

2025

In this work we can observe a landscape that is not sunny that transmits tranquility and sadness.

In this work we can observe a landscape that is not sunny that transmits tranquility and sadness.

In this work we can observe a landscape that is not sunny that transmits tranquility and sadness.

In this work we can observe a landscape that is not sunny that transmits tranquility and sadness.

Vanessa Marsh is an American artist living and working in California. Her series The Sun Beneath the Sky reflects upon the nature of light, atmosphere, geology and time. Layers of pa...

In this project, exploring the fluid condition between the virtual and real world, the artist seek to materialize my experiences in digital environments - whether browsing through G...

Going North in the Work of Jessica Houston By L. Sasha Gora Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else? Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north. An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made. Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent. Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...

Edition of 5 Colleen Fitzgerald's series, "Stamina," provides new approaches to conventional subjects by utilizing the materials and tools of photography in non-traditional ways. A unique physical process combines aspects of sculpture and photography, subverting the idealized two-dimensional photograph and providing a new entry point to the enduring photographic subjects of natural landscapes, seascapes, and more. To create the photographs, unexposed large sheets of positive film are cut and bent into three dimensional shapes before being exposed inside a camera outfitted with a custom film holder that accepts the film as a three-dimensional object instead of as a standard, flat sheet. The results on the shaped film can...