Jean-Baptiste Olive

Jean-Baptiste Olive, French Post-Impressionist summer seascape oil painting

Signed oil on panel seascape circa 1930 by New Zealand post impressionist painter Sydney Lough Thompson. The work depicts sailboats in the water at Concarneau, a commune in the Finistere department of Brittany in Northwestern France. Signature: Signed lower right Dimensions: Framed: 14"x16" Unframed: 8.5"x10.5" Provenance: Private collection - Switzerland Sydney Lough Thompson was born on 24 January 1877 at Oxford, Canterbury, New Zealand. He was one of six sons and three surviving daughters of Charles Abel Thompson, a shoemaker, and his wife, Sophia Matilda Lough. His father was a man of some enterprise, who had come to New Zealand as a young man and had established a general store in Oxford, before purchasing a sheep farm about four miles from town. Sydney attended school locally before beginning work on his father's farm as a boy of 13. It was Petrus van der Velden...

Landscape #10 is an oil painting on cradled wood panel with chalk and graphite, and measures 24" high by 18" wide by 2" deep. It is finished with a clear resin across the surface, lending Landscape #10 a particular warmth and liquidity that is lovely to behold. It is framed in a black wood shadowbox frame. Will’s new landscapes are inspired by the shorelines of Lake Erie and the farmland of Norfolk County, Ontario. His true project – to explore and capture sudden bursts of cloud light, a disintegrating horizon, the ephemeral nature of shifting shores and lands. From Will Hudson: “From one day to the next it seemed nothing was the same. There was no permanence to a particular view or setting. That’s what I painted.” Recognized for seductive, enigmatic works in oil on wood panel, Will's picture surfaces are fascinating – he favors oil paint with chalk and graphite – and often allows the wood grain to emerge as a natural texture. He finishes each painting with a clear resin that operates as a lens. Admitting light and transmitting light, lending a palpable warmth and liquidity to the experience. Will Hudson is a formally trained architect originally from the UK, now practicing in Toronto, Canada. With an eclectic career in the art world, Will has shown and performed chalk street painting and murals in across North America and Europe. His installations have been exhibited at Nuit Blanche in Toronto in 2009, 2010, 2011 and 2014. His paintings were featured in a solo show, "Things You Think You've Seen" at Artists' Network Gallery in 2018. His most recent solo exhibitions were here at Gagné Contemporary...

Mark Andrew Bailey's "Nestled In" is an original, handmade oil painting that depicts blue shadows and yellow light playing on the surface of snow co...

Landscape #8 is an oil painting on cradled wood panel with chalk and graphite, and measures 24" high by 18" wide by 2" deep. It is finished with a clear resin across the surface, lending Landscape #8 a particular warmth and liquidity that is lovely to behold. It is framed in a black wood shadowbox frame. Will’s new landscapes are inspired by the shorelines of Lake Erie and the farmland of Norfolk County, Ontario. His true project – to explore and capture sudden bursts of cloud light, a disintegrating horizon, the ephemeral nature of shifting shores and lands. From Will Hudson: “From one day to the next it seemed nothing was the same. There was no permanence to a particular view or setting. That’s what I painted.” Recognized for seductive, enigmatic works in oil on wood panel, Will's picture surfaces are fascinating – he favors oil paint with chalk and graphite – and often allows the wood grain to emerge as a natural texture. He finishes each painting with a clear resin that operates as a lens. Admitting light and transmitting light, lending a palpable warmth and liquidity to the experience. Will Hudson is a formally trained architect originally from the UK, now practicing in Toronto, Canada. With an eclectic career in the art world, Will has shown and performed chalk street painting and murals in across North America and Europe. His installations have been exhibited at Nuit Blanche in Toronto in 2009, 2010, 2011 and 2014. His paintings were featured in a solo show, "Things You Think You've Seen" at Artists' Network Gallery in 2018. His most recent solo exhibitions were here at Gagné Contemporary...

Landscape #1 is an oil painting on cradled wood panel with chalk and graphite, and measures 24" high by 18" wide by 2" deep. It is finished with a clear resin across the surface, lending Landscape #1 a particular warmth and liquidity that is lovely to behold. It is framed in a black wood shadowbox frame. Will’s new landscapes are inspired by the shorelines of Lake Erie and the farmland of Norfolk County, Ontario. His true project – to explore and capture sudden bursts of cloud light, a disintegrating horizon, the ephemeral nature of shifting shores and lands. From Will Hudson: “From one day to the next it seemed nothing was the same. There was no permanence to a particular view or setting. That’s what I painted.” Recognized for seductive, enigmatic works in oil on wood panel, Will's picture surfaces are fascinating – he favors oil paint with chalk and graphite – and often allows the wood grain to emerge as a natural texture. He finishes each painting with a clear resin that operates as a lens. Admitting light and transmitting light, lending a palpable warmth and liquidity to the experience. Will Hudson is a formally trained architect originally from the UK, now practicing in Toronto, Canada. With an eclectic career in the art world, Will has shown and performed chalk street painting and murals in across North America and Europe. His installations have been exhibited at Nuit Blanche in Toronto in 2009, 2010, 2011 and 2014. His paintings were featured in a solo show, "Things You Think You've Seen" at Artists' Network Gallery in 2018. His most recent solo exhibitions were here at Gagné Contemporary...

Landscape #3 is an oil painting on cradled wood panel with chalk and graphite, and measures 24" high by 18" wide by 2" deep. It is finished with a clear resin across the surface, lending Landscape #3 a particular warmth and liquidity that is lovely to behold. It is framed in a black wood shadowbox frame. Will’s new landscapes are inspired by the shorelines of Lake Erie and the farmland of Norfolk County, Ontario. His true project – to explore and capture sudden bursts of cloud light, a disintegrating horizon, the ephemeral nature of shifting shores and lands. From Will Hudson: “From one day to the next it seemed nothing was the same. There was no permanence to a particular view or setting. That’s what I painted.” Recognized for seductive, enigmatic works in oil on wood panel, Will's picture surfaces are fascinating – he favors oil paint with chalk and graphite – and often allows the wood grain to emerge as a natural texture. He finishes each painting with a clear resin that operates as a lens. Admitting light and transmitting light, lending a palpable warmth and liquidity to the experience. Will Hudson is a formally trained architect originally from the UK, now practicing in Toronto, Canada. With an eclectic career in the art world, Will has shown and performed chalk street painting and murals in across North America and Europe. His installations have been exhibited at Nuit Blanche in Toronto in 2009, 2010, 2011 and 2014. His paintings were featured in a solo show, "Things You Think You've Seen" at Artists' Network Gallery in 2018. His most recent solo exhibitions were here at Gagné Contemporary...

The little residents of the city — the cats of Marrakech — greet you here and there as you wander through its narrow streets. Their calm presence weaves naturally into the city’s vib...

School Yard in an English Village by JL Appleby Original oil on Board The School Yard in an English Village scene is rendered in a somewhat naive style by the artist JL Appleby, Eng...

With Standing Tall, Lesley Powell turns her gaze skyward to explore verticality, light, and the quiet elegance of built form. This 12 x 12 inch (unframed size) oil on panel features ...

Lesley Powell’s Ancient of Days is a serene architectural study that captures the beauty of aged structures through a refined, painterly lens. This 12 x 18 inch oil painting on cradl...