John Henry Twachtman

Greenwich Garden

1890s

Painted by Hudson River School artist Henry A. Ferguson (1845-1911), "Autumn Landscape (NH)" is oil on canvas and measures 9 x 15 inches. The painting is signed and dated 1864, at th...

Painted by Hudson River School artist William G. Boardman (1815-1895), "White Mountains in New Hampshire" is oil on canvas and measures 28 1/8 x 38 inches. The painting is signed and...

Hudson River School artist Ernest Parton's (1845-1933) "Trout Fishing," is oil on canvas, measures 11.25 x 15.75 inches, and is signed and dated 1871 at the lower left. The work is f...

Hudson River School artist William Richardson Tyler's (1825-1896) "Lake George," is oil on canvas and measures 8 x 13 inches. The painting is signed at the lower center and signed an...

Summer Fishing Scene by Hudson River School artist John Carleton Wiggins (1848-1932) is oil on canvas and measures 12 x 20 inches. The painting is signed by Wiggins at the lower left...

Painted by Hudson River School artist Joseph Antonio Hekking (1830-1903), "Autumn Stream" is oil on canvas and measures 14 x 12 inches. The painting is signed at the lower left. The ...

Madagascar - Still Life Flowers Painting by Marc Zimmerman Marc Zimmerman creates playful paintings, whether deep mysterious jungle or delightfully whimsical florals. His color pale...

Jungle Fantasy with Tropical Bird By Marc Zimmerman Earthy greens and ochers with pink and blue accents make a livable palette for this surreal fantasy jungle of strange flowers and...

Painted in his studio from a preliminary study painted en-plein-air at Gibson Lane beach in Sagaponack, New York. The sun has clearly just set, hence the lavender aroma of the horizon, which reflects then onto the thin layer of water pulling back from shore, into the sea. A romantic seascape...

"Oak in Spring" is a 1930 American Impressionist oil painting of an oak tree landscape. Painted en plein-air, in an almost pointillist style, H.C. White depicts a classic Connecticut landscape. A Tall wiry tree stands as the focal point, having just bloomed its first leaves; foliage still thin enough to outline every single branch. Reds and browns scattered throughout the foreground connote autumn leaves that had yet to be cleared. Henry Cooke White (b. 1861) in Hartford Connecticut. His career in art was founded at the age of 14, when he met the famous American Tonalist painter, Dwight William Tyron. The two became lifelong friends, and White even wrote Tyron’s major biography, The Life and Art of Dwight William Tyron (pub. 1930). In the late 1880’s, Tyron pushed White to move to New York City to further his artistic training at the Art Students League. During this time, White studied under many talented artist’s; Kenyon Cox, John H. Twatchman, and William Merritt Chase. From 1896-1897, White spent time travelling in Europe. Upon his return to the states, he began to spend most of his time in Connecticut, following his favorite painting seasons. Spring in Hartford was followed a week later by spring in Old Lyme, and then finally at Waterford. He’d experience his favorite seasons three times over each year. Once immersed into Connecticut’s community, White was encouraged to paint habitually in Old Lyme; where an art colony was developing, beginning in the spring of 1903. Inspired by European artists, including Claude Monet, and Pierre Auguste-Renoir, the Old Lyme Art Colony defined American Impressionism by memorializing the serene qualities of rural New England life through use of vibrant palettes and broken strokes on wood and canvas. The Colony comprised upwards of 200 artists during its three decades of creating nature-based scenes in oils and pastels; Frederick Childe Hassam...