Jon Loman

Four Hooded Crows in a Winter Landscape, c. 1910–1915

c. 1910-1915

The painting "Vårvinter II," believed to have been painted around 1909 by the Swedish artist Karl Tirén, is a remarkable representation of a landscape in the cusp of the seasonal tra...

This atmospheric winter scene by Swedish artist Birger Borgman captures the stillness and quiet beauty of a snow-covered landscape at dusk. Soft lavender and blue shadows stretch acr...

This atmospheric landscape from 1910 offers a rare glimpse into a lesser-known side of Sam Uhrdin’s work. Painted before his formal art education, the canvas reveals an emerging arti...

Painted in 1917, this striking winter landscape captures the force and stillness of a spring flood, likely set in the artist’s native Ockelbo region. The painting is a rare example o...

Oil on canvas winter landscape by the renowned Swedish-born American Impressionist painter, John Fabian Carlson. Framed in a lemon gold molding. A...

This stunning Impressionist winter landscape oil painting is by one of the leading American Impressionism artists, William Samuel Horton. Horton moved to England in 1918 and travelle...

Serene winter landscape of snow and bare trees in cool tones by California artist Virginia Sevier Rogers (American, 1917-2015). Signed and dated lower right "VR 2/50." Displayed in a...

Starlings in a Winter Landscape by British artist Raymond C. Boothe (1929-2015). Oil on canvas in a hand carved custom frame. Framed the dimensions are 35" wide, 29.38" high and 2.5 inches deep. The canvas measures 24" wide and 18.75" high. Boothe, a Leeds artist, is known as of one of Britain's most accomplished botanical, wildlife and natural history artists. He was represented by the Fine Art Society for 50 years, where he had eight exhibitions. This painting has been in a private collection for the past 30/40 years and was purchased from the art dealer Henri Tiercet. Despite rarely leaving his native Yorkshire, Booth developed an international reputation as a leading botanical and natural history artist. He Spent much of his career in his private studio at home in Alwoodley – an 'inner sanctuary', which no one besides the artist was permitted to enter. Booth's meticulous rendering of wildlife, woodlands, meadows and heathland found admiration far beyond the bounds of his beloved Adel Woods, where he spent much of his time studying and refining his technique, even 'sleeping under hedgerows', remembers Peyton. A plantsman as well as an artist, Booth would cultivate flowers, plants and botanical specimens at home in the garden before painting them in the studio. It was through this extensive and painstaking process that Booth developed an expert knowledge of his subject, a defining feature of his work. Starlings in a Winter Landscape was purchased in the 1980s from Henri Tiercet and owner of Henri Tiercet Galleries Inc...